The Complete Johnny Smith Approach To Guitar

Jazz virtuoso Johnny Smith presents his complete system of chord analysis, scale and arpeggio study, and practical theory application. This is one of the most useful books to be found in any jazz guitarist's library! Lessons include 2-octave scales, 6th chord forms, alterations of chords, resolution exercises, scales and arpeggios, upper extensions from 9th to 13th chords, suspended fourth chords, voicing major and minor chords with a 4th step melody, alterations of upper extended chords, and much more. In order to represent the guitar in the octave it actually sounds, the bass clef is used when appropriate. Book is in actual pitch notation/grand staff notation (treble and bass clefs) per the author's preferences.

Jazz virtuoso Johnny Smith presents his complete system of chord analysis, scale and arpeggio study, and practical theory application. This is one of the most useful books to be found in any jazz guitarist's library! Lessons include 2-octave scales, 6th chord forms, alterations of chords, resolution exercises, scales and arpeggios, upper extensions from 9th to 13th chords, suspended fourth chords, voicing major and minor chords with a 4th step melody, alterations of upper extended chords, and much more. In order to represent the guitar in the octave it actually sounds, the bass clef is used when appropriate. Book is in actual pitch notation/grand staff notation (treble and bass clefs) per the author's preferences.

Jazz virtuoso Johnny Smith presents his complete system of chord analysis, scale and arpeggio study, and practicaltheory application. This is one of the most useful books to be found in any jazz guitarist's library! Lessons include 2-octave scales, 6th chord forms, alterations of chords, resolution exercises, scales and arpeggios, upper extensions from 9th to 13th chords, suspended fourth chords, voicing major and minor chords with a 4th step melody, alterations of upper extended chords, and much more. In order to represent the guitar in the octave itactually sounds, the bass clef is used when appropriate. Book is in actual pitch notation/grand staff notation (treble and bass clefs) per the author's preferences

General Reference

This time-honored method addresses the six-string lap steel guitar in E7 tuning. This approach incorporates both note reading and melody chord playing. The melody chord approach is the one utilized and made famous by New Orleans' great guitarist and teacher, Roger Filiberto. This book contitutes one of the most practical, well-written methods available for the lap steel guitar; it teaches techniques and chord harmony applicable to Hawaiian, bottleneck/slide and even resonator styles.

This second volume of Jazz Guitar Standards contains a collection of 22 Jazz standards each containing a chord melody, a comping etude and a single-note solo. All arrangements are presented in standard notation and tablature for the beginning to intermediate guitarist. Tunes include: All of You, April in Paris, As Time Goes By, Bluesette, But Not For Me, Cant Help Lovin Dat Man, East of the Sun (and West of the Moon), Embraceable You, In Your Own Sweet Way, It Dont Mean a Thing (If It Aint Got That Swing), Ive Got You Under My Skin, Long Ago (and Far Away), Misty, My Funny Valentine, Night and Day, Smoke Gets in Your Eyes, Someone to Watch Over Me, Speak Low, Summertime, The Way You Look Tonight, What Is This Thing Called Love? and You Go To My Head. Arrangements by Chris Buzzelli, Dave Frackenpohl, Barry Greene, Sid Jacobs, LaRue Nickelson, John C. Purse, Bruce Saunders, Rick Stone, Ron Berman and Jack Wilkins.