The Clay Connection

"Galleries and shops across the United States are filled with American Indian art. Especially popular is the striking pottery handmade by the Pueblo Indians of the Southwest. Talking with the Clay tells the story of this pottery from the uniquely personal view of the potters themselves. Stephen Trimble interviewed sixty artisans in the pottery-making Pueblo villages, from Taos, New Mexico, to the Hopi reservation in Arizona. Their eloquence fills this book. They speak of 'picking clay' as they would pick flowers, and of the enormous amount of work (fully half their time) necessary to prepare the clay for building their pots. Coil by coil they create jars, bowls, and figurines, and then sand, polish, and paint them. Firing is done outside in a dung-fueled 'kiln' built from scratch for each firing. Trimble shows how Pueblo pottery embodies all the beliefs and values that are central to Pueblo culture. Yet what defines a Pueblo pot is not strictly a matter of tradition, for, as Grace Medicine Flower says of her Santa Clara miniatures, 'Now they call this contemporary; years from now they may call it traditional.' Instead, a Pueblo pot is defined more than anything by the way it feels, and this book captures that feeling in both words and photographs. Talking with the Clay is a joyous, fascinating, and moving book filled with information and insight." -- Back cover

Art, Pottery, and the Clay-Human Connection Understanding the Prophet Whom God Has Set in the Church! Dr. Alvin Haywood, Ed.D. Calling all faithful and committed men and women of God whose number one priority is to walk unapologetically in their God-given calling and purpose for their life. This book is for any dedicated servant of God but is especially geared toward those who are single and walking in a prophetic calling. Married folks, and others walking in any calling from God, can also benefit from this book--those who want to further review the clay-human connection and understand more about the trials and triumphs of a prophet of God. Like clay in a potter's hand, God's people are molded and shaped in his hands. Nestled in a beautiful narrative setting of art, history, and pottery, Art, Pottery, and the Clay-Human Connection: Understanding the Prophet Whom God Has Set in the Church is based on and embedded in relevant and applicable scriptures as it validates and encourages any servant of God to concentrate on what the Word of God is saying about them in their walk with God. Jeremiah the prophet is used as a focal point as he was singularly called by God to go down to the potter's house to receive a prophetic message about this clay-human connection for the church or the people of God.

The art of soldering—permanently joining metal components with a torch and solder—can open up a new world of creative possibilities for jewelry makers. In Hot Connections Jewelry, award-winning jewelry designer Jennifer Chin guides you through every step, from choosing a torch to basic techniques like sawing, filing, and riveting, as well as more advanced techniques like creating surface textures, setting stones, and using inlay. With 23 in-depth lessons and 15 stunning projects, as well as inspiring examples from contributing artists, Hot Connections Jewelry is your essential guide to unleashing your creativity and confidence in jewelry making.

Autobiographical poetry from one of Kentucky’s rising Affrilachian literary stars. Bernard Clay’s autobiographical poetry debut, English Lit, juxtaposes the roots of Black male identity against an urban and rural Kentucky landscape. Hailed as one of the most authentic voices of his generation, Clay artfully renders coming-of-age in the predominately Black West End of Louisville, Kentucky. Balancing the spirited grit of a farmer and the careful lyricism of a poet, English Lit is a triumph of new Affrilachian—African American and Appalachian—literature.

Using clay in therapy taps into the most fundamental of human experiences - touch. This book is a comprehensive step-by-step training manual that covers all aspects of 'Work at the Clay Field', a sensorimotor-based art therapy technique. The book discusses the setting and processes of the approach, provides an overview of the core stages of Gestalt Formation and the Nine Situations model within this context, and demonstrates how this unique focus on the sense of touch and the movement of the hands is particularly effective for trauma healing in adults and children. The intense tactile experience of working with clay allows the therapist to work through early attachment issues, developmental setbacks and traumatic events with the client in a primarily nonverbal way using a body-focused approach. The kinaesthetic motor action of the hands combined with sensory perception can lead to a profound sense of resolution with lasting therapeutic benefits. With photographs and informative case studies throughout, this book will be a valuable resource for art therapists and mental health professionals, and will also be of interest to complementary therapists and bodyworkers.

"The catalogue ... is truly excellent and makes an important contribution to the study of Greek Art." --Bryn Mawr Classical Review "An overwhelming volume. The subject matter ... is described in great detail in nine chapters. Essential." --Choice This catalogue documents a major exhibition at the Getty Villa that was the first ever to focus on ancient Athenian terracotta vases made by techniques other than the well-known black- and red-figure styles. The exhibition comprised vases executed in bilingual, coral-red gloss, outline, Kerch-style, white ground, and Six's technique, as well as examples with added clay and gilding, and plastic vases and additions. The Colors of Clay opens with an introductory essay that integrates the diverse themes of the exhibition and sets them within the context of vase making in general; a second essay discusses conservation issues related to several of the techniques. A detailed discussion of the techniques featured in the exhibition precedes each section of the catalogue. More than a hundred vases from museums in the United States and Europe are described in depth.