The Church In Italy In The Fifteenth Century

A survey of the popes and the Italian clergy during the century preceding the Reformation.

Weddings in 15th-century Italian courts were grand, sumptuous affairs, often requiring guests to listen to lengthy orations given in Latin. D'Elia shows how Italian humanists used these orations to support claims of legitimacy and assertions of superiority among families jockeying for power, as well as to advocate for marriage and sexual pleasure.

Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.

In 1560 a poor woman named Margherita left the Italian city of Piacenza to check on her crop. In the field she heard herself being called, and turned to see a woman dressed in white. It was "the blessed Mother of God, Queen of Heaven, the Virgin Mary". Mary was soon joined by a male figure, whom she identified as Christ. "The blasphemies of Piacenza angered Christ", said Mary, who had intervened before Christ devastated the city with a flood. She gave Margherita specific instructions for the people of Piacenza to save themselves from divine punishment. And to ensure that Margherita would be believed, Mary gave a sign: she paralyzed Margherita's legs. In Madonnas That Maim, Michael Carroll looks at the ways in which Italians have revered, invoked, feared, and placated their madonnas and saints. Carroll examines a range of devotional practices that have been legitimated by the local Catholic clergy in Italy for centuries--including the cult of the patron saint, relics, miracles, processions, sanctuaries, pilgrimage, and the mixing of Catholic ritual and magic. He explores the "dark side" of holiness--the willingness of the madonnas and saints of Italy to maim, occasionally even to kill, in order to maintain their own cults--and discusses the psychological origins of such a belief structure. He also considers differences between northern and southern Italy, both in popular Catholicism and in the social structures that have allowed differences to emerge. Including an English-language overview of literature on popular Catholicism in Italy and summaries of important studies by its authors, Madonnas That Maim offers a rich account of the development of beliefs and practices that havecharacterized popular piety in Italy for the past five hundred years.

This is the first comprehensive study of patrons in the Italian quattrocento. It will be of great interest to art historians and their students and to lovers of Renaissance art and civilization. At the start of the fifteenth century the patron, not the artist, was seen as the creator and he carefully controlled both subject and medium. In a competitive and voilent age, image and ostentation were essential statements of power. Buildings, bronze or tapestry were much more eloquent statements than the cheaper marble or fresco. The artistic quality that concerns us was less important than perceived cost. The arts in any case were just part of a pattern of conspicuous expenditure which would have included for instance holy relics, manuscripts and jewels - all of which had the added advantage that they were portable and could be used as collateral for bank loans. Since Christian teaching frowned on wealth and power, money had also to be spent on religious endowments made in expiation. But here too the patron was in control, and used the arts and other means to express religious belief, not aesthetic sensibility. Thus artists in the Early Renaissance were employed as craftsmen. Only late in the century did their relations with patrons start to adopt a pattern we might recognize today. This book, which also discusses the important differences between mercantile republics like Florence and Venice, the princely states such as Naples and Milan, and the papal court in Rome, is essential for a full understanding of why the works of this seminal period take the forms they do. --inside cover.

Reforms of Christian Life presents a new narrative of the role of the Barnabites and Angelics, the Ursulines and the Somascans (founded in Northern Italy in the 1530s by Battista da Crema, Angela Merici, and Girolamo Miani) within sixteenth-century Italian reform movements. While historiography has considered these companies under the category of ‘Catholic Reformation,’ this book argues that they promoted an ‘unconventional’ view of perfection and of the Church that was alternative to both Roman Catholicism and Lutheranism and through which they wanted to reform society, rather than the ecclesiastical institution. By highlighting the complex articulation of perceptions of ‘Christian life,’ and by exploring neglected connections among devout milieus, Mazzonis considers the sodalities in continuity with a fifteenth-century ascetic-mystical current and in relation to contemporary institutes such as the Jesuits and the Oratorians, irenic reforming circles like that of Juan de Valdés, and post-Tridentine ecclesiastical reformers including Charles Borromeo. This volume shows that reforming trends were more varied and fluid than previously thought and contributes to cultural and gender analyses of the religious mentality of the period. Reforms of Christian Life is a useful tool for students and scholars of medieval and early modern religious and cultural history.

The beginnings of the state in Europe is a central topic of contemporary historical research. The making of such early modern Italian regional states as Florence, the kingdom of Naples, Milan, and Venice exemplifies a decisive turn in the state tradition of Western Europe. The Origins of the State in Italy, 1300-1600 represents the best in American, British, and Italian scholarship and offers a valuable and critical overview of the key problems of the emergence of the state in Europe. Some of the topics covered include the political legitimacy of the aborning regional states, the changing legal culture, the conflict between church and state, the forces shaping public finances, and the creation of the Italian League. The eight essays in this collection originally appeared in the Journal of Modern History. Contributors include Roberto Bizzocchi, Giorgio Chittolini, Trevor Dean, Riccardo Fubini, Elena Fasano Guarini, Aldo Mazzacane, Anthony Molho, and Pierangelo Schiera. This volume will appeal to historians, historical sociologists, and historians of political thought.