The Caribbean In Translation

This book investigates twentieth- and twenty-first-century Caribbean literatures in translation. Covering English-, French- and Spanish-language texts, the book applies Glissantian relational thinking to the study of translation and literary circulation, challenging core-periphery models in favour of alternative pathways of cultural exchange.

This manual is a comprehensive collection of resources for tertiary teachers and students of English-Spanish translation in the Caribbean region. It fills a gap in the market for a resource text specifically designed for tertiary Caribbean students, teachers and practitioners interested in English-Spanish translation.

This book offers a new perspective on the role played by colonial descriptions and translation of Caribbean plants in representations of Caribbean culture. Through thorough examination of Caribbean phytonyms in lexicography, colonization, history, songs and translation studies, the authors argue that the Westernisation of vernacular phytonyms, while systematizing the nomenclature, blurred and erased the cultural tradition of Caribbean plants and medicinal herbs. Means of transmission and preservation of this oral culture was in the plantation songs and herb vendor songs. Musical creativity is a powerful form of resistance, as in the case of Reggae music and the rise of Rastafarians, and Bob Marley’s ‘untranslatable’ lyrics. This book will be of interest to scholars of Caribbean studies and to linguists interested in pushing the current Eurocentric boundaries of translation studies.

This book offers a new perspective on the role played by colonial descriptions and translation of Caribbean plants in representations of Caribbean culture. Through thorough examination of Caribbean phytonyms in lexicography, colonization, history, songs and translation studies, the authors argue that the Westernisation of vernacular phytonyms, while systematizing the nomenclature, blurred and erased the cultural tradition of Caribbean plants and medicinal herbs. Means of transmission and preservation of this oral culture was in the plantation songs and herb vendor songs. Musical creativity is a powerful form of resistance, as in the case of Reggae music and the rise of Rastafarians, and Bob Marley’s ‘untranslatable’ lyrics. This book will be of interest to scholars of Caribbean studies and to linguists interested in pushing the current Eurocentric boundaries of translation studies. Rosanna Masiola is Professor of English and Translation at the University for Foreigners of Perugia, Italy. Masiola is the author of twenty monographs, as well as edited works including West of Eden: Botanical Discourse Contact Languages and Translation (2009) and Law Language and Translation: From Concepts to Conflicts (2015), both with Renato Tomei. Renato Tomei is Assistant Professor of English and Translation at the University for Foreigners of Perugia, Italy. He holds a PhD in Linguistics from the University of Addis Ababa, Ethiopia. Tomei is author of Jamaican Speech Forms in Ethiopia(2015), and co-author of Advertising Culture and Translation: From Commonwealth to Global (forthcoming). .

"The Roots of Caribbean Identity has as its central elements race, place and language. The book presents a movement from a European construction of Caribbean identity towards a more Caribbean construction. The ways in which the identity of the Caribbean region and the identities of the separate islands within the region were shaped are set out in a chronological sequence, starting from the time of the European encounters with the Amerindians and finishing at the end of the nineteenth century."(extrait de la 4ème de couv.).

This volume brings together scholars working in different languages—Creole, French, English, Spanish—and modes of cultural production—literature, art, film, music—to suggest how best to model courses that impart the rich, vibrant, and multivalent aspects of the Caribbean in the classroom. Essays focus on discussing how best to cross languages, histories, and modes of discourse. Instead of relying on available paradigms that depend on Western ways of thinking, the essays recommend methods to develop a pan-Caribbean perspective in relation to notions of the self, uses of language, gender hierarchies, and ideas of nationhood. Contributors represent various disciplines, work in one of the several languages of the Caribbean, and offer essays that reflect different cadres of expertise.

Translation is a highly contested site in the Americas where different groups, often with competing literary or political interests, vie for space and approval. In its survey of these multiple and competing groups and its study of the geographic, socio-political and cultural aspects of translation, Edwin Gentzler’s book demonstrates that the Americas are a fruitful terrain for the field of translation studies. Building on research from a variety of disciplines including cultural studies, linguistics, feminism and ethnic studies and including case studies from Brazil, Canada and the Caribbean, this book shows that translation is one of the primary means by which a culture is constructed: translation in the Americas is less something that happens between separate and distinct cultures and more something that is capable of establishing those very cultures. Using a variety of texts and addressing minority and oppressed groups within cultures, Translation and Identity in the Americas highlights by example the cultural role translation policies play in a discriminatory process: the consequences of which can be social marginalization, loss of identity and psychological trauma. Translation and Identity the Americas will be critical reading for students and scholars of Translation Studies, Comparative Literature and Cultural Studies.

Possessing one of the most vital voices in international letters, Maryse Condé added to an already acclaimed career the New Academy Prize in Literature in 2018. The twelfth novel by this celebrated author revolves around an enigmatic crime and the young man at its center. Dieudonné Sabrina, a gardener, aged twenty-two and black, is accused of murdering his employer--and lover--Loraine, a wealthy white woman descended from plantation owners. His only refuge is a sailboat, La Belle Créole, a relic of times gone by. Condé follows Dieudonné’s desperate wanderings through the city of Port-Mahault the night of his acquittal, the narrative unfolding through a series of multivoiced flashbacks set against a forbidding backdrop of social disintegration and tumultuous labor strikes in turn-of-the-twenty-first-century Guadeloupe. Twenty-four hours later, Dieudonné’s fate becomes suggestively intertwined with that of the French island itself, though the future of both remains uncertain in the end. Echoes of Faulkner and Lawrence, and even Shakespeare’s Othello, resonate in this tale, yet the drama’s uniquely modern dynamics set it apart from any model in its exploration of love and hate, politics and stereotype, and the attempt to find connections with others across barriers. Through her vividly and intimately drawn characters, Condé paints a rich portrait of a contemporary society grappling with the heritage of slavery, racism, and colonization.

Selected essays from the rich and complex collection of Edouard Glissant, one of the most prominent writers and intellectuals of the Caribbean, examine the psychological, sociological, and philosophical implications of cultural dependency.

Winner of the prestigious Prix Carbet--an award won by such distinguished authors as Maryse Condé, Jamaica Kincaid, and Raphaël Confiant-- Memory at Bay is now available in an English translation that brings to life this powerful novel by one of Haiti’s most vital authors, Évelyne Trouillot. Trouillot introduces us to a bedridden widow of a notorious dictator (in effect, a portrait of Papa Doc Duvalier) and the young émigré who attends to her needs but who harbors a secret--the bitter loss she feels for her mother, a victim of the dictator’s atrocities. The story that unfolds is a deftly plotted psychological drama in which the two women in turn relive their radically contrasting accounts of the dictator’s regime. Partly a retelling of Haiti’s nightmarish history under Duvalier, and partly an exploration of the power of memory, Trouillot’s novel takes a suspenseful turn when the aide contemplates murdering the old widow. Memory at Bay was praised by the Prix Carbet committee for the way it treats the enigmas of destiny and for a pairing of characters whose voices bring the narrative to the edge of the ineffable. CARAF Books: Caribbean and African Literature Translated from French