The Book In The Jewish World 1700 1900

Zeev Gries’s analysis of what books were being published and where shows the importance of the printed book in disseminating religious and secular ideas, creating a new class of Jewish intellectuals, and making knowledge of the world available to women. This unique perspective on Jewish intellectual history in the eighteenth and nineteenth centuries through the history of book-publishing throws light on many of the key Jewish cultural issues of the time.

This fascinating collection of essays charts, for the first time, the range of responses by scholars on both sides of the conflict to the outbreak of war in August 1914. The volume examines how biblical scholars, like their compatriots from every walk of life, responded to the great crisis they faced, and, with relatively few exceptions, were keen to contribute to the war effort. Some joined up as soldiers. More commonly, however, biblical scholars and theologians put pen to paper as part of the torrent of patriotic publication that arose both in the United Kingdom and in Germany. The contributors reveal that, in many cases, scholars were repeating or refining common arguments about the responsibility for the war. In Germany and Britain, where the Bible was still central to a Protestant national culture, we also find numerous more specialized works, where biblical scholars brought their own disciplinary expertise to bear on the matter of war in general, and this war in particular. The volume's contributors thus offer new insights into the place of both the Bible and biblical scholarship in early 20th-century culture.

From Maimonides to Microsoft traces the historical development of Jewish copyright law by comparing rabbinic reprinting bans with secular and papal book privileges and by relaying the stories of dramatic disputes among publishers of books of Jewish learning and liturgy.. He describes each dispute in its historical context and examines the rabbinic rulings that sought to resolve it. Remarkably, the rabbinic reprinting bans and copyright rulings address some of the same issues that animate copyright jurisprudence today: Is copyright a property right or just a right to receive fair compensation? How long should copyrights last? What purposes does copyright serve? While Jewish copyright law has borrowed from its secular law counterpart at key junctures, it fashions strikingly different answers to those key questions.

A history of modern Jewish literature that explores our enduring attachment to the book as an object With the rise of digital media, the "death of the book” has been widely discussed. But the physical object of the book persists. Here, through the lens of materiality and objects, Barbara E. Mann tells a history of modern Jewish literature, from novels and poetry to graphic novels and artists’ books. Bringing contemporary work on secularism and design in conversation with literary history, she offers a new and distinctive frame for understanding how literary genres emerge. The long twentieth century, a period of tremendous physical upheaval and geographic movement, witnessed the production of a multilingual canon of writing by Jewish authors. Literature’s objecthood is felt not only in the physical qualities of books—bindings, covers, typography, illustrations—but also through the ways in which materiality itself became a practical foundation for literary expression.

This first volume of a two-volume Handbook treats a challenging, largely neglected subject at the crossroads of several academic fields: biblical studies, reception history of the Bible, and folklore studies or folkloristics. The Handbook examines the reception of the Bible in verbal folklores of different cultures around the globe. This first volume, complete with a general Introduction, focuses on biblically-derived characters, tales, motifs, and other elements in Jewish (Mizrahi, Sephardi, Ashkenazi), Romance (French, Romanian), German, Nordic/Scandinavian, British, Irish, Slavic (East, West, South), and Islamic folkloric traditions. The volume contributes to the understanding of the Hebrew Bible/Old Testament, the New Testament, and various pseudepigraphic and apocryphal scriptures, and to their interpretation and elaboration by folk commentators of different faiths. The book also illuminates the development, artistry, and “migration” of folktales; opens new areas for investigation in the reception history of the Bible; and offers insights into the popular dimensions of Jewish, Christian, and Muslim communities around the globe, especially regarding how the holy scriptures have informed those communities’ popular imaginations.

This title describes recent discoveries and insights into the various expressions of Jewish mysticism from antiquity to the modern day. From mystical outpourings in ancient Palestine to the Kabbalah Centre, this volume explores the various expressions of Jewish mysticism from antiquity to the present day.

The work of Elliot R. Wolfson has profoundly influenced the fields of Jewish studies as well as philosophy and religion more broadly. His radically new approaches have created pioneering ways of analyzing texts and thinking about religion through the lens of gender, sexuality, and feminist theory. The contributors to New Paths in Jewish and Religious Studies: Essays in Honor of Professor Elliot R. Wolfson, many of whom are internationally renowned scholars, hearken from diverse fields. Each has learned from and collaborated with Wolfson as student or colleague, and each has expanded the new scholarly directions initiated by Wolfson’s groundbreaking work. Wolfson’s scholarship gives us innovative ways to think about Judaism and a fresh understanding of religion. Not only a scholar, Wolfson is one of the most important Jewish thinkers of our day. Chapters are grouped according to the categories of religion, Jewish thought and philosophy, and a focused section on Kabbalah, Wolfson’s primary specialization. The volume concludes with a bibliography of Wolfson’s published work and a selection of his poetry.

Yiddish was the basic Ashkenazi vernacular in the early modern period. The vast majority of the population was not educated and Yiddish books were printed in order to assist them with keeping a solid Jewish life. Being a basically German language and never being a canonical language as Hebrew, Yiddish also functioned as a buffer language between the internal Ashkenazi Jewish culture and the culture of the environment. Studying the paratexts added to printed Yiddish books may teach us about roles of the printed Yiddish word in Ashkenazi society: contents and forms of books, their contextual framework within Ashkenazi culture, the world of Yiddish book producers on the one hand, and the envisaged readership on the other.

Demonstrates the impact of print culture on the spread of Jewish mysticism, focusing on Kabbalistic study guides by R. Yissakhar Baer of seventeenth-century Prague. How did Jewish mysticism go from arcane knowledge to popular spirituality? Kabbalah in Print examines the cultural impact of printing on the popularization, circulation, and transmission of Kabbalah in the late sixteenth and early seventeenth centuries. The Zohar, in particular, generated a large secondary literature of study guides and reference works that aimed to ease the linguistic and conceptual challenges of the text. The arrival of printed classics of Kabbalah was soon followed by the appearance of new literary genres—anthologies, digests, lexicons, and other learning aids—that mediated mystical primary sources to a community of readers not versed in this lore. A detailed investigation of the four works by R. Yissakhar Baer (ca.1580–ca.1629) of Prague sheds light on the literary strategies, pedagogic concerns, and religious motivations of secondary elites, a new cadre of authors empowered by the opportunities that printing opened up. Andrea Gondos highlights shifting intellectual and cultural boundaries in the early modern period, when the transmission of Kabbalah became a meeting point connecting various strata of Jewish society as well as Jewish and Christian intellectuals. Andrea Gondos is Emmy Noether Postdoctoral Fellow at the Institute of Jewish Studies at Free University Berlin, Germany. She is the coeditor (with Daniel Maoz) of From Antiquity to the Postmodern World: Contemporary Jewish Studies in Canada.

Recontextualizing early modern Musar folktales to reveal a new reading of premodern Jewish texts. This pioneering exploration shows that in the early modern world, printed works on morality and ethics served as an important conveyor of classic Jewish folktales and as an important channel of leisure reading in premodern Jewish culture. Utilizing a corpus of over 400 Musartales, author Vered Tohar carefully opens a path to understand the thematic and poetic features of those tales. This innovative reframing of early modern Musar texts reveals a new history of Jewish folklore and emphasizes the continuity of Hebrew literature from medieval to modern era. Tohar classifies these stories, which she calls "the Musar folktales," into four genres adapted from classic poetic studies: tragedy, comedy, parable or social exemplum, and theological allegory. As parables of vice and virtue, the works featured here were originally printed and circulated in early modern Jewish communities, and each contained themes of love and hate, good and evil, loyalty and betrayal, or life and death. Beyond their traditional function of ethical and moral edification, Tohar advances the Musar texts as an archive of Hebrew tales and their ideological traditions. This innovative reframing of early modern Musar texts reveals a new history of Jewish folklore and a new way to read those texts.