The Basilisk Gaze

A reluctant young hero must chase down an evil serpent king in “this satisfying middle-grade adventure . . . in colonial British West Africa” (Kirkus Reviews). Nate Fludd is back in the camel saddle in pursuit of a missing, deadly basilisk—the mythical King of Serpents. As if saving a Dhughani village from the beast isn’t hard enough, Nate and Aunt Phil must begin to solve the mystery of his parents’ disappearance and protect The Fludd Book of Beasts from a sinister man who always seems to be one step ahead of them. With more lively illustrations by Kelly Murphy, The Basilisk’s Lair picks up immediately where the first book in the series, Flight of the Phoenix, left off. This historical fantasy chapter book series is perfect for intermediate readers.

The overman named Garth sought immortal fame. The oracle told him to serve the Forgotten King to get that fame. But this King sent Garth after a basilisk whose gaze could turn men to stone. What sane use could anyone have for a monster like that?

This is a print on demand Publication. This is a reprint, this is not an original. Contents: Introduction; Ptolemy: A Biographical Sketch; The "Optics": A Biographical Sketch; An Overview of the "Optics"; The Historical Influence of the "Optics"; English Translation; & Bibliography. The English translation of this text is based upon Albert Lejeune's critical Latin text of 1956, which was reprinted in the 1990s along with a French translation & supplementary annotations. Illus.

Poison— invisible, unknown, hard to detect and deadly— taps into hard-wired anxieties about the risks of the world around us. From ancient times to the modern age, it has always created more fear than any other threats.In A Basilisk Glance: Poisoners from Plato to Putin, author Robert Templer takes us through the dark maze of poison. He traces its path from when Hercules dipped his arrows in the blood from the severed head of the Hydra to the use of chemical weapons in the Iran-Iraq War in 1980s, from the death of Socrates to the use of toxins as a weapon of assassination, from the mass suicide of Jonestown in 1979 to the sarin attack in the Tokyo metro system.Today, as the war in Ukraine rages, we are reminded of the use of radioactive and nerve weapons by Russian President Vladimir Putin to kill his opponents. His targets— like other victims of poison through the ages— know that they are never safe; a cup of tea, a door handle or even their own underwear might be tainted with a deadly toxin.

🐍 Discover the Dark Secrets of the Basilisk!🐍 Journey into the heart of ancient myths with the ChatStick Team's latest installment in the "Enchanted Bestiary" series. 📖 Explore the Basilisk's deadly gaze, its chilling legends, and its grip on human imagination across the ages. From its cryptic origins to modern-day portrayals, this ebook promises a captivating read. 🌍 Cross cultural borders, meet mythical adversaries, and dive deep into human psyche and fears. 🌌 Whether you're a folklore enthusiast or a curious reader, let the Basilisk's tale enchant, educate, and thrill you like never before. 🌟

An examination of how the body--its organs, limbs, and viscera--were represented in the literature and culture of early modern Europe. This provocative volume demonstrates, the symbolism of body parts challenge our assumptions about "the body" as a fundamental Renaissance image of self, society, and nation.

Sharrock.--William C. Fitzgerald, University of California, Berkeley "American Historical Review"

Hans Baldung Grien, the most famous apprentice and close friend of German artist Albrecht Dürer, was known for his unique and highly eroticised images of witches. In paintings and woodcut prints, he gave powerful visual expression to late medieval tropes and stereotypes, such as the poison maiden, venomous virgin, the Fall of Man, 'death and the maiden' and other motifs and eschatological themes, which mingled abject and erotic qualities in the female body. Yvonne Owens reads these images against the humanist intellectual milieu of Renaissance Germany, showing how classical and medieval medicine and natural philosophy interpreted female anatomy as toxic, defective and dangerously beguiling. She reveals how Hans Baldung exploited this radical polarity to create moralising and titillating portrayals of how monstrous female sexuality victimised men and brought them low. Furthermore, these images issued from-and contributed to-the contemporary understanding of witchcraft as a heresy that stemmed from natural 'feminine defect,' a concept derived from Aristotle. Offering new and provocative interpretations of Hans Baldung's iconic witchcraft imagery, this book is essential reading for historians of art, culture and gender relations in the late medieval and early modern periods.