The Accomplished Guest

"Set along the East Coast from Maine to Key West, this collection of stories explores unconventional friendships, frustrated loves, mortality, and aging"--

Instant New York Times Bestseller Longlisted for Andrew Carnegie Medal for Excellence 2020 New England Society Book Award Winner for Fiction “The Guest Book is monumental in a way that few novels dare attempt.” —The Washington Post The thought-provoking new novel by New York Times bestselling author Sarah Blake An exquisitely written, poignant family saga that illuminates the great divide, the gulf that separates the rich and poor, black and white, Protestant and Jew. Spanning three generations, The Guest Book deftly examines the life and legacy of one unforgettable family as they navigate the evolving social and political landscape from Crockett’s Island, their family retreat off the coast of Maine. Blake masterfully lays bare the memories and mistakes each generation makes while coming to terms with what it means to inherit the past.

(Applause Books). Best in Show is the first in-depth look at the method behind film director and actor Christopher Guest's madness and genius. John Kenneth Muir focuses his attention on the acclaimed Guest-directed trilogy of what some call "mockumentaries": Waiting for Guffman , Best in Show and A Mighty Wind . In these films Guest has escorted rapt audiences into the purportedly real worlds of a small-town theatrical company, dog show competition, and folk music festival. Muir also details the events that lead to Rob Reiner's influential and legendary This Is Spinal Tap , which Rolling Stone called the best rock and roll movie of all time, and in which Guest played the part of guitarist Nigel Tufnel. Much of Best in Show exemplifies the unique process by which Guest directs films. He employs a common repertory company, improvises scenes often without any rehearsal, and does not use any screenplay with dialogue, instead following a detailed outline often co-authored with his ace actor/writer Eugene Levy. Company members that have been interviewed for this book include Fred Willard, Harry Shearer, Bob Balaban and Michael Hitchcock. Guest's influences Saturday Night Live , National Lampoon as well as his more conventional comedies, such as The Big Picture and Almost Heroes , are studied. Best in Show is general enough to bring new fans to the table, yet detailed enough to satisfy the most in-the-know Guest fan and film student. A complete filmography with Guest's directing, acting and writing credits is included, as is the appendix, "You Know You're in a Christopher Guest Film When ..." Guest once commented, "I am drawn to people who have dreams that are slightly out of reach." Now, thanks to John Kenneth Muir, the fascinating world of Christopher Guest and company is substantially more within reach.

“Reading Lee Smith ranks among the great pleasures of American fiction . . . Gives evidence again of the grace and insight that distinguish her work.” —Robert Stone, author of Death of the Black-Haired Girl It’s 1936 when orphaned thirteen-year-old Evalina Toussaint is admitted to Highland Hospital, a mental institution in Asheville, North Carolina, known for its innovative treatments for nervous disorders and addictions. Taken under the wing of the hospital’s most notable patient, Zelda Fitzgerald, Evalina witnesses cascading events that lead up to the tragic fire of 1948 that killed nine women in a locked ward, Zelda among them. Author Lee Smith has created, through a seamless blending of fiction and fact, a mesmerizing novel about a world apart--in which art and madness are luminously intertwined.

A mesmerizing first novel about trust, dependence, and fear, from a major new writer Ruth is widowed, her sons are grown, and she lives in an isolated beach house outside of town. Her routines are few and small. One day a stranger arrives at her door, looking as if she has been blown in from the sea. This woman—Frida—claims to be a care worker sent by the government. Ruth lets her in. Now that Frida is in her house, is Ruth right to fear the tiger she hears on the prowl at night, far from its jungle habitat? Why do memories of childhood in Fiji press upon her with increasing urgency? How far can she trust this mysterious woman, Frida, who seems to carry with her own troubled past? And how far can Ruth trust herself? The Night Guest, Fiona McFarlane's hypnotic first novel, is no simple tale of a crime committed and a mystery solved. This is a tale that soars above its own suspense to tell us, with exceptional grace and beauty, about ageing, love, trust, dependence, and fear; about processes of colonization; and about things (and people) in places they shouldn't be. Here is a new writer who comes to us fully formed, working wonders with language, renewing our faith in the power of fiction to describe the mysterious workings of our minds. A Kirkus Reviews Best Fiction Book of 2013

"For those who've never had the opportunity to party like a rock star and felt like they were missing out, Please Take Me Off the Guest List' may very well smooth over those regrets." --The New York Times T Magazine, Men's Fashion issue "It's a gorgeous book, but there's more to it than that. Wakefield is a designer; she juxtaposed Zinner's photos with Lipez's stories of life in the rock and roll gutter in a really unique way. There is literally no way you could make this book into a satisfying e-book. It's a beautiful artifact." --The Stranger In this outstanding collaboration, Nick Zinner's photographs evoke the world he travels with his band the Yeah Yeah Yeahs, while Zachary Lipez's essays recount his adventures as a bartender, drug abuser, bookstore clerk, metal fan, miserable adolescent, and relentless skirt chaser. The book is designed by Zinner's and Lipez's longtime collaborator, book artist Stacy Wakefield. Nick Zinner plays guitar in the three-time Grammy-nominated rock band Yeah Yeah Yeahs and other collaborative projects. His photos have been exhibited all over the world. He lives in New York City. Zachary Lipez sings in the band Freshkills, tends bar at Beauty Bar Brooklyn, and deejays all over New York City. His writing appears on Vol.1 blog. Stacy Wakefield worked as design director for Index magazine, Artforum, and Bookforum. She now lives in the Catskills where she designs art books.

This is the story of a love-smitten Charles; his friend Sam, the Phi Beta Kappa and former coat salesman; and Charles' mother, who spends a lot of time in the bathtub feeling depressed.

This propulsive post-apocalyptic thriller “in which Agatha Christie’s And Then There Were None collides with Stephen King’s The Shining” (NPR) follows a group of survivors stranded at a hotel as the world descends into nuclear war and the body of a young girl is discovered in one of the hotel’s water tanks. Jon thought he had all the time in the world to respond to his wife’s text message: I miss you so much. I feel bad about how we left it. Love you. But as he’s waiting in the lobby of the L’Hotel Sixieme in Switzerland after an academic conference, still mulling over how to respond to his wife, he receives a string of horrifying push notifications. Washington, DC, has been hit with a nuclear bomb, then New York, then London, and finally Berlin. That’s all he knows before news outlets and social media goes black—and before the clouds on the horizon turn orange. Two months later, there are twenty survivors holed up at the hotel, a place already tainted by its strange history of suicides and murders. Jon and the rest try to maintain some semblance of civilization. But when he goes up to the roof to investigate the hotel’s worsening water quality, he is shocked to discover the body of a young girl floating in one of the tanks, and is faced with the terrifying possibility that there might be a killer among the group. As supplies dwindle and tensions rise, Jon becomes obsessed with discovering the truth behind the girl’s death. In this “brilliantly executed...chilling and extraordinary” post-apocalyptic mystery, “the questions Jameson poses—who will be with you at the end of the world, and what kind of person will you be?—are as haunting as the plot itself.” (Emily St. John Mandel, nationally bestselling author of Station Eleven).

Among the "best American short stories of the past two decades" (The Atlantic Monthly) from one of our most acclaimed writers. In short stories "so vibrant and alive they have heartbeats, the prose so electric and dazzling it makes the pulse race" (Vanity Fair), a masseuse breaks her rich client's wrist bone, a friend visits at the hospital long after she is welcome, and a woman surrenders her husband to a creepily adoring student. With her singular brand of gorgeous dark humor, Joy Williams explores the various ways—comic, tragic, and unnerving—we seek to accommodate diminishment and loss, offering a rich examination of our capacity for transformation and salvation.

As bestselling author of the critically acclaimed masterpiece, Ordinary People, Judith Guest knows the subtle rhythms of family life. With a perceptive eye that captures the nuanced relationships of husbands and wives, parents and children, and the constant tug-of-war of sibling rivalry, she creates remarkably real characters struggling with profound dilemmas. Now, in her luminous new novel, Errands, Guest once again gives us an unforgettable family that finds the fabric of their lives unraveling. North of Bay City, Michigan, past the small highway town of Au Gres, past acres of sugar beets and fields of grazing sheep, the Browner family enters the slow curve in the road that leads onto a view of Lake Huron. Keith, Annie, and their three children have rented the same cottage here every summer for the past six years. They know this place like the back of their station wagon. But a shadow has fallen over this particular trip: Keith is dying of cancer. It is a fate he has accepted. Annie however can not, will not. Once safe inside a happy seventeen-year marriage, Annie finds her entire world turned upside down after Keith's death. Her sister, Jess, does her best to comfort Annie, only to find the boundaries of their own close relationship stretched to its limits. Consumed with grief, mounting bills, everyday tasks that seem insurmountable, and three kids that have become nagging sources of frustration, Annie fails to see that the family is beginning to come apart. Thirteen-year-old Harry, the oldest, changes into a brooding teen, roaming the streets with a new rebellious friend; Julie, the youngest at nine, starts to lie about her whereabouts, but keeps a secretjournal that reveals her true feelings; and Jimmy, sandwiched forever in the middle, can no longer take the pressure of being the peacemaker. As each child moves toward his or her own level of acceptance, a second threatening event will transform both the children and Annie, teaching them that, even with the loss of Keith, they are still a family--a different family, but one that is no less loving, real, and enduring than they had been with a father and husband in the house. Searing in its depiction of despair, warm in its evocation of family and the fragile ties that bind them, and tempered with gentle humor and dazzling wit, Errands is nothing less than a triumph. Judith Guest strikes at the very core of loss, and has written her most extraordinary novel to date. A MAIN SELECTION OF THE LITERARY GUILD(c) AN ALTERNATE SELECTION OF THE DOUBLEDAY BOOK CLUB(c) "From the Hardcover edition.