That Which Was So Fair A Ghost Story

The Fen country in the autumn of 1850 is dank and drab. A young woman, Catherine Greencliffe, comes from the other end of England to care for a small child who has been abandoned by his mother. On the surface all seems well but she soon becomes prey to mysterious compulsions and visions. She comes to realise that Southwell Hall holds a secret that she is not invited to share and at last makes a dreadful discovery.

The Fen country in the autumn of 1850 is dank and drab. A young woman, Catherine Greencliffe, comes from the other end of England to care for a small child who has been abandoned by his mother. On the surface all seems well but she soon becomes prey to mysterious compulsions and visions. She comes to realise that Southwell Hall holds a secret that she is not invited to share and at last makes a dreadful discovery.

"Miles ahead of the average ghost-story" — Sunday Times. A novelist retreats to an abandoned house in the heart of London, where he becomes enthralled by an 18th-century spirit — and where his contact with the outside world gradually diminishes. Acclaimed by such masters as Lovecraft as one of the best ghost stories in the English language.

A terrifying ghost story by the bestselling author of The Woman in Black. Late one summer evening, antiquarian bookseller Adam Snow is returning from a client visit when he takes a wrong turn. He stumbles across a derelict Edwardian house and, compelled by curiosity, approaches the door. Standing before the entrance, he feels the unmistakable sensation of a small cold hand creeping into his own, 'as if a child had taken hold of it'. At first he is merely puzzled by the odd incident but then begins to suffer attacks of fear and panic, and is visited by nightmares. He is determined to learn more about the house. But when he does, he receives further, increasingly sinister, visits from the small hand.

No one is more interested in Psychical Investigation Work than Miss Torfrida Vincent, one of the three beautiful daughters of Mrs. H. de B. Vincent, who is, herself, still in the heyday of life, and one of the loveliest of the society women I have met. Though I have known her sisters several years, I only met Torfrida for the first time a few months ago, when she was superintending the nursing of her mother, who had just undergone an operation for appendicitis. One day, when I was visiting my convalescent friend, Torfrida informed me that she knew of a haunted house in Edinburgh, a case which she felt sure would arouse my interest and enthusiasm. "It is unfortunate," she added somewhat regretfully, "that I cannot tell you the number of the house, but as I have given my word of honour to disclose it to no one, I feel sure you will excuse me. Indeed, my friends the Gordons, who extracted the promise from me, have got into sad trouble with their landlord for leaving the house under the pretext that it was haunted, and he has threatened to prosecute them for slander of title." The house in question has no claim to antiquity. It may be eighty years old--perhaps a little older--and was, at the time of which I speak, let out in flats. The Gordons occupied the second storey; the one above them was ...

To mark the publication of Stop What You're Doing and Read This!, a collection of essays celebrating reading, Vintage Classics are releasing 12 limited edition themed ebook 'bundles', to tempt readers to discover and rediscover great books. M.R. JAMES' GHOST STORIES SELECTED AND INTRODUCED BY RUTH RENDELL M. R. James wrote his ghost stories to entertain friends on Christmas Eve, and they went on to both transform and modernise a genre. James harnesses the power of suggestion to move from a recognisable world to one that is indefinably strange, and then unforgettably terrifying. Sheets, pictures, carvings, a dolls house, a lonely beach, a branch tapping on a window - ordinary things take on more than a tinge of dread in the hands of the original master of suspense. DRACULA 'The door is shut, and the chains rattle; there is a grinding of the key in the lock; I hear the creaking of lock and bolt...I shall not remain alone with them. I may find a way from this dreadful place, away from this cursed spot, from this cursed land, where the devil and his children still walk with earthly feet!' Young lawyer Jonathan Harker travels to Transylvania on business for a mysterious Count. Months later in England, beautiful Lucy Westenra falls ill and dies, inexplicably, as if from a severe loss of blood. Lucy's friends, including Jonathan's fiancée Mina and the intrepid doctor Van Helsing, must begin a desperate battle against a powerful, ancient evil, in Bram Stoker's definitive gothic tale.

The acclaimed New York Times–bestselling biography and “emotionally detailed portrait of the artist as a young man” (Michiko Kakutani, The New York Times) In the first biography of the iconic David Foster Wallace, D.T. Max paints the portrait of a man, self-conscious, obsessive and struggling to find meaning. If Wallace was right when he declared he was “frightfully and thoroughly conventional,” it is only because over the course of his short life and stunning career, he wrestled intimately and relentlessly with the fundamental anxiety of being human. In his characteristic lucid and quick-witted style, Max untangles Wallace’s anxious sense of self, his volatile and sometimes abusive connection with women, and above all, his fraught relationship with fiction as he emerges with his masterpiece Infinite Jest. Written with the cooperation of Wallace’s family and friends and with access to hundreds of unpublished letters, manuscripts and journals, this captivating biography unveils the life of the profoundly complicated man who gave voice to what we thought we could not say.

Atmospheric, chilling and often witty tales from the storytellers of ancient and modern phantom appearances From the misty air of the highlands, to the reekie streets of Edinburgh's underground city, comes an entertaining selection of classic and mysterious Scottish ghost stories, including ‘The Screaming Skull of Greyfriars’, ‘Mary Burnet’, ‘Wandering Willie’s Tale’ and ‘Glamis Castle’, from the pen of John Buchan, Elliott O’Donnell, Margaret Oliphant, Robert Louis Stevenson, Walter Scott and more. From myth to mystery, the supernatural to horror, fantasy and science fiction FLAME TREE 451 offers tales, myths and epic literature from the beginnings of humankind, through the medieval era to the stories of imagination and dark romance of today.

Mrs H.D. Everett was the last in a long line of gifted Victorian novelists who knew how to grip the reader through the invasion of everyday life by the abnormal and dramatic, leaving the facts to produce their special thrills without piling on the agony. 'I always know', says one of her characters, 'how to distinguish a true ghost story from a faked one. The true ghost story never has any point and the faked one dare not leave it out.'