Temple Or The Tomb

A former member of the People's Temple discusses his conversion to, involvement in, disillusionment with, and investigation of the cult of Jim Jones in which his mother and sister both met their deaths

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

From book cover: Tombs Temples And Ancient Art: When Joseph Lindon Smith went out to Egypt as a young artist in 1898, archaeology was beginning to uncover some of the fabled treasures of an ancient land. For the next half-century, he devoted himself to the great "finds" as they were excavated from the encroaching sands, depicting them in countless paintings for the leading museums of the world. He became the friend of Flinder Petrie, the greatest of late nineteenth and early twentieth century Egyptologists, and the co-worker of the best-known archaeologists down to 1950; he explored and painted at Petra, Persepolis, Ur Palmyra, and Baalbek; he also did work with Sylvanus Griswold Morley in the ancient Maya centers of America, and painted in the Far East. His personal account of what transpired under his eyes and of the chronology and relations of ancient art over a wide area is at once exciting narrative and important history. The many illustrations chosen from his painting provide visual accompaniment to his story of classical civilizations and reveal the literal quality of his own art, which has in notable instances preserved for us the likeness of things that have since crumbled or faded on exposure to light and air after being buried for centuries. Tombs, Temples, And Ancient Art gains strength for its informality, for while the initiated will discover facts and interpretations of high importance to science, all readers will recognize in it the work of a man alive to adventure.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The heart of the book reviews the history of the Tomb over the centuries in light of new discoveries, from the original construction of the Edicule by Constantine up to modern times.