Tamarind Techniques For Fine Art Lithography

This comprehensive text covers all facets of fine art lithography, from setting up a workshop of any size to pulling a successful edition. It ofers complete, illustrated step-by-step instructions for all techniques in use.

Showcasing the broad aesthetic capabilities of lithography, Tamarind Touchstones demonstrates the diversity of the artists who have embraced lithography and their increased facility and comfort with the medium.

The years from 1960 to 1990 witnessed an extraordinary outburst of creative activity among American printmakers. A number of important new workshops were founded, from such influential studios as Universal Limited Art Editions as Long Island and the Tamarind Lithography Workshop in Los Angeles to small presses throughout the country. In contrast to traditional European ateliers, where professional printers reproduced artists' designs for commercial edition printing, the new American workshops stressed collaboration, and emphasized radical experimentation with medium and process. The work produced in these studios often owed as much to the imaginative gifts of the printer as the conception of the artist.

"Magical secrets are quickly grasped. They open doors to fresh ways of seeing and understanding. Artists use aquatint, a form of etching, to create delicate washes, velvety blacks, and intricate layers of color impossible in other art media. In this book, the third in a series about etchings, Emily York discusses 46 aquatints by 32 artists, with special attention to fascinating sequential works by Richard Diebenkorn and Al Held. Emily York is a master painter at Crown Point Press, a publishing workshop where artists have been creating etchings since 1962. She ties processes directly to art, and with clear writing and abundant illustrations explains the aquatint processes of spit bite, sugar lift, soap ground, and water bite. She also details steel-facing and multiple-plate printing, and gives step-by-step instructions for making your own aquatints. Anyone who cares about art will enjoy this book, and anyone who makes etchings will find it indefensible. The included DVD demonstrates the processes, and the accompanying website provides ongoing information about printmaking."--Publisher's description.

The machine gun had a dramatic effect on the conduct of warfare; one or two men operating a single machine could produce the same weight of fire as a squadron of rifles, and when used against an inferior enemy, the effect could be devestating. During the First World War, the use of the machine gun in conjunction with massed barbed wire and other obstacles put an end to battlefield mobility until new weapons and tactics could be devised. This book describes the development of the machine gun from the earliest models to the present day. The focus is very much on portable infantry weapons used in the support role, so automatic cannon of 20mm and larger calibres are excluded. The categories of weapon included are, therefore, Light Machine Guns [LMGs], a term which includes the Squad Automatic Weapon [SAW] and Light Support Weapon [LSW]; Medium Machine Guns [MMGs]; Heavy Machine Guns [HMGs] and General Purpose Machine Guns [GPMGs]. One specialist variety of machine guns is included in a separate chapter: the grenade machine gun [GMG], also known as the automatic grenade launcher [AGL]. With a country-by-country breakdown of machine guns, including comprehensive appendices of gun and ammunition data, along with hundreds of photographs, this is a comprehensive study of a most effective battlefield weapon.

Waterless Lithography, An Artist's Guide to Professional-Quality Prints using Nik Semenoff's Method is an excellent studio handbook for any printmaking lab. Step by step instructions aided by full color examples this book guides you through basic, intermediate and advanced aspects of Waterless Lithography.