Stranger Fictions

Zaynab, first published in 1913, is widely cited as the first Arabic novel, yet the previous eight decades saw hundreds of novels translated into Arabic from English and French. This vast literary corpus influenced generations of Arab writers but has, until now, been considered a curious footnote in the genre's history. Incorporating these works into the history of the Arabic novel, Stranger Fictions offers a transformative new account of modern Arabic literature, world literature, and the novel. Rebecca C. Johnson rewrites the history of the global circulation of the novel by moving Arabic literature from the margins of comparative literature to its center. Considering the wide range of nineteenth- and early twentieth-century translation practices—including "bad" translation, mistranslation, and pseudotranslation—Johnson argues that Arabic translators did far more than copy European works; they authored new versions of them, producing sophisticated theorizations of the genre. These translations and the reading practices they precipitated form the conceptual and practical foundations of Arab literary modernity, necessitating an overhaul of our notions of translation, cultural exchange, and the global. Examining nearly a century of translations published in Beirut, Cairo, Malta, Paris, London, and New York, from Qiat Rūbinun Kurūzī (The story of Robinson Crusoe) in 1835 to pastiched crime stories in early twentieth-century Egyptian magazines, Johnson shows how translators theorized the Arab world not as Europe's periphery but as an alternative center in a globalized network. Stranger Fictions affirms the central place of (mis)translation in both the history of the novel in Arabic and the novel as a transnational form itself.

Zaynab, first published in 1913, is widely cited as the first Arabic novel, yet the previous eight decades saw hundreds of novels translated into Arabic from English and French. This vast literary corpus influenced generations of Arab writers but has, until now, been considered a curious footnote in the genre's history. Incorporating these works into the history of the Arabic novel, Stranger Fictions offers a transformative new account of modern Arabic literature, world literature, and the novel. Rebecca C. Johnson rewrites the history of the global circulation of the novel by moving Arabic literature from the margins of comparative literature to its center. Considering the wide range of nineteenth- and early twentieth-century translation practices—including "bad" translation, mistranslation, and pseudotranslation—Johnson argues that Arabic translators did far more than copy European works; they authored new versions of them, producing sophisticated theorizations of the genre. These translations and the reading practices they precipitated form the conceptual and practical foundations of Arab literary modernity, necessitating an overhaul of our notions of translation, cultural exchange, and the global. Examining nearly a century of translations published in Beirut, Cairo, Malta, Paris, London, and New York, from Qiat Rūbinun Kurūzī (The story of Robinson Crusoe) in 1835 to pastiched crime stories in early twentieth-century Egyptian magazines, Johnson shows how translators theorized the Arab world not as Europe's periphery but as an alternative center in a globalized network. Stranger Fictions affirms the central place of (mis)translation in both the history of the novel in Arabic and the novel as a transnational form itself.

Stranger Than Fiction: When Our Minds Betray Us is a spellbinding invitation into the world of the human mind that will change our perceptions of mental illness forever. Despite the growing body of scientific discoveries into the nature of the human mind, the stigma attached to mental illness remains deeply entrenched in the general public's consciousness, the product of inaccurate information and centuries of mystery. In a simple conversational style, two distinguished clinicians, Drs. Marc and Jacqueline Feldman, discuss the complexities of mental disorders and their treatment. Using the metaphor of the lie of the mind, a disorder in which a person's thinking becomes unintentionally distorted, the authors approach mental illness from the perspective that these disorders are merely extreme variations of universally shared thoughts, feelings, and behaviors. Stranger Than Fiction removes the artificial division separating the mentally ill from the general public and demystifies symptoms that often seem bizarre. On this journey through the human psyche, the Feldmans use vivid, enlightening, and often poignant cases from their own professional experience that dramatically illustrate how psychiatrists help patients liberate themselves from the mental conditions that imprison them. The reader is invited into therapy sessions and hospital rooms and receives an insider's view of the difficulties that each therapist confronts when treating disturbed patients. The authors show how clinical decisions often rely more on educated hunches than medical certainties and reveal that the practice of psychiatry is as much an art as it is a science. After finishing this unforgettable book, readers will better understand the true nature of mental illness and witness the joy that even the smallest triumph produces in patients and caregivers alike.

Amazing stories where truth is stranger than fiction.

Using the lens of business history to contextualize the development of an American literary tradition, Truth Stranger than Fiction shows how African American literature and culture greatly influenced the development of realism, which remains one of the most significant genres of writing in the United States. More specifically, Truth Stranger than Fiction traces the influences of generic conventions popularized in slave narratives - such as the use of authenticating details, as well as dialect, and a frank treatment of the human body - in later realist writings. As it unfolds, Truth Stranger than Fiction poses and explores a set of questions about the shifting relationship between literature and culture in the United States from 1830-1930 by focusing on the evolving trend of literary realism. Beginning with the question, 'How might slave narratives - heralded as the first indigenous literature by Theodore Parker - have influenced the development of American Literature?' the book develops connections between an emerging literary marketplace, the rise of the professional writer, and literary realism.

This instant #1 New York Times bestseller and “modern techno-thriller” (New York Journal of Books) follows Mitch Rapp in a race to prevent Russia’s gravely ill leader from starting a full-scale war with NATO. When Russian president Maxim Krupin discovers that he has inoperable brain cancer, he’s determined to cling to power. His first task is to kill or imprison any of his countrymen who can threaten him. Soon, though, his illness becomes serious enough to require a more dramatic diversion—war with the West. Upon learning of Krupin’s condition, CIA director Irene Kennedy understands that the US is facing an opponent who has nothing to lose. The only way to avoid a confrontation that could leave millions dead is to send Mitch Rapp to Russia under impossibly dangerous orders. With the Kremlin’s entire security apparatus hunting him, he must find and kill a man many have deemed the most powerful in the world. Success means averting a war that could consume all of Europe. But if his mission is discovered, Rapp will plunge Russia and America into a conflict that neither will survive in “a timely, explosive novel that shows yet again why Mitch Rapp is the best hero the thriller genre has to offer” (The Real Book Spy).

The traveling exorcist, television and radio personality (Discovery Channel, Lifetime Movie Network, Destination America) and bestselling author, Bill Bean, shares some of his most amazing experiences in Stranger Than Fiction: True Supernatural Encounters of a Spiritual Warrior. -- Publisher Description.

In this collection of photographs, Jim Stone captures both the humorous and the tragic factets of the human condition. Interspersed with the images are believe-it-or-not news stories that describe ordinary and extraordinary events that remind us that truth is indeed stranger than fiction.

Kiffin was a leading contributor to the 1689 Baptist Confession of Faith. He became a pastor in London as well as a wealthy merchant, M.P. and Alderman of the City.

Captivate reluctant readers with tales of high drama and adventure! Stranger Than Fiction Teacher's Guide contains reproducibles for reinforcement, enrichment, and vocabulary development. Teacher's Guide covers: Unexplained Events Mysterious Places History's Mysteries Scary Tales Urban Legends