St Leon

St. Leon is the story of a French aristocrat, Count Reginald de St. Leon, who loses his fortune gambling and experiences guilt that almost drives him crazy. Count Reginald narrates his life story, starting with his father's death when he was an infant. He was brought up by his mother, a woman full of the prejudices of aristocracy and magnificence. Reginald had great regard for aristocratic honor. After being inspired by his uncle, the Marquis de Villeroy, he joined the Italian war of 1521–1526, hoping to gain military fame in the battle of Pavia. When he returned home from service, he found out that his mother was dead, and the twenty-year-old was forced to take control of his own affairs. The novel explores the themes of immortality, love and friendship, integrity, and religion. Godwin combines elements of domestic, philosophical, and fantasy novels into a historical fiction of extensive range. There are exciting gothic elements in the story.

Reproduction of the original: St. Leon by William Godwin

Were it not for officials at Xavier University, this book would never have been written. As part of the Master's Degree, a student had to do a research project. I chose to write the History of St. Leon as my research project. Gene McCann, who was the editor of the Lawrenceburg Register at that time, told me he would pay me for the rights to publish it when it was finished. I agreed and Gene and I took many pictures of structures in St. Leon that were still standing at that time. Many of those pictures are included in this revised version of the History of St. Leon.

This compelling novel tells the story of St. Leon, a man with extraordinary powers and abilities. It is a tale of betrayal, love, and redemption, and provides a fascinating look at life in the sixteenth century. A must-read for lovers of historical fiction and tales of extraordinary individuals. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This bracing study redefines romanticism in terms of its philosophical habits of self-consciousness. According to Paul Hamilton, metaromanticism, or the ways in which writers of the romantic period generalized their own practices, was fundamentally characteristic of the romantic project itself. Through a close look at the aesthetics of Friedrich Schiller and Jean-Jacques Rousseau, and key works by Samuel Taylor Coleridge, Percy and Mary Shelley, John Keats, Sir Walter Scott, Jane Austen, and many others, Hamilton shows how the romantic movement's struggle with its own tenets was not an effort to seek an alternative way of thought, but instead a way of becoming what it already was. And yet, as he reveals, the romanticists were still not content with their own self-consciousness. Pushed to the limit, such contemplation either manifested itself as self-disgust or found aesthetic ideas regenerated in discourses outside of aesthetics altogether.

The Gothic Wanderer Rises Eternal in Popular Literature From the horrors of sixteenth century Italian castles to twenty-first century plagues, from the French Revolution to the liberation of Libya, Tyler R. Tichelaar takes readers on far more than a journey through literary history. The Gothic Wanderer is an exploration of man's deepest fears, his eff orts to rise above them for the last two centuries, and how he may be on the brink finally of succeeding. Tichelaar examines the figure of the Gothic wanderer in such well-known Gothic novels asÿThe Mysteries of Udolpho,ÿFrankenstein, andÿDracula, as well as lesser known works like Fanny Burney'sÿThe Wanderer, Mary Shelley'sÿThe Last Man, and Edward Bulwer-Lytton'sÿZanoni. He also finds surprising Gothic elements in classics like Dickens'ÿA Tale of Two Citiesÿand Edgar Rice Burroughs'ÿTarzan of the Apes. From Matthew Lewis'ÿThe Monkÿto Stephenie Meyer'sÿTwilight, Tichelaar explores a literary tradition whose characters refl ect our greatest fears and deepest hopes. Readers will find here the revelation that not only are we all Gothic wanderers--but we are so only by our own choosing. Acclaim forÿThe Gothic Wanderer "The Gothic Wandererÿshows us the importance of its title figure in helping us to see our own imperfections and our own sometimes contradictory yearnings to be both unique and yet a part of a society. The reader is in for an insightful treat." --Diana DeLuca, Ph.D. and author of Extraordinary Things "Make no mistake about it, The Gothic Wanderer is an important, well researched and comprehensive treatise on some of the world's finest literature." --Michael Willey, author of Ojisan Zanoniÿ