Sonata In B Minor For The Piano

Liszt's B minor Sonata is now regarded as his finest work for piano, and one of the pinnacles of Romantic piano music. This handbook opens with a survey of Liszt's early attempts at sonata composition - which include some well-known pieces that, hitherto, have been unrecognised as sonata forms - and clears away some of the persistent myths regarding programme music in Liszt's output. In the central chapters, built around an analysis of the B minor Sonata, Kenneth Hamilton discusses various interpretative approaches, arguing that the contradictory writings on the subject stem from the deliberate formal ambiguity of the piece itself - one reason for its perennial fascination, perhaps. The book concludes with a chapter on the performance practice and the performing history of the work, which should be of particular interest to pianists.

The six "Musical Moments" Opus 16 are a set of separate solo works for piano composed by Rachmaninoff in 1896. They present forms characteristic of previous musical eras, such as nocturne, song without words, barcarolle, etude, and theme and variations. Titles: No. 1 in B-Flat Minor * No. 2 in E-Flat Minor * No. 3 in B Minor * No. 4 in E Minor * No. 5 in D-Flat Major * No. 6 in C Major.

Expertly arranged Piano Solo by Franz Liszt from the Kalmus Edition series. These Etudes are from the Romantic era. (Lamento, Leggierezza, Sospiro)

Expertly arranged piano solo from our Kalmus Edition.

Sonata in B minor for piano, S178 - Schirmer edition

In a series of lively essays that tell us much not only about the phenomenon that was Franz Liszt but also about the musical and cultural life of nineteenth-century Europe, Alan Walker muses on aspects of Liszt's life and work that he was unable to explore in his acclaimed three-volume biography of the great composer and pianist. Topics include Liszt's contributions to the Lied, the lifelong impact of his encounter with Beethoven, his influence on students who became famous in their own right, his accomplishments in transcribing and editing the works of other composers, and his innovative piano technique. One chapter is devoted to the Sonata in B Minor, perhaps Liszt's single most celebrated composition. Walker draws heavily on Liszt's astonishingly large personal correspondence with other composers, critics, pianists, and prominent public figures. All the essays reveal Walker's broad and deep knowledge of Liszt and Romantic music generally and, in some cases, his impatience with contemporary performance practice.