Somebody Down Here Likes Me Too

Rocky Graziano, juvenile delinquent, middleweight boxing champion, and comedic actor, was the last great fighter from the golden age of boxing, the era of Joe Louis, Jake LaMotta, and Sugar Ray Robinson. In Rocky Graziano: Fists, Fame, and Fortune, Jeffrey Sussman tells the rags-to-riches story of Tommy Rocco Barbella, who came to be known as Rocky Graziano. Raised by an abusive father, Graziano took to the streets and soon found himself in reformatories and prison cells. Drafted into the U.S. Army, Graziano went AWOL but was eventually caught, tried, and sent to prison for a year. After his release, Rocky went on to have one successful boxing match after another and quickly ascended up the pyramid of professional boxing. In one of the bloodiest battles in the history of the middleweight division, Rocky beat Tony Zale and became the middleweight champion of the world. Rocky retired from boxing after he lost his crown to Sugar Ray Robinson and went on to have a successful acting career in two acclaimed television series. Rich and famous, he was no longer the angry young man he once was. In his post-boxing life, Rocky became known for his good humor, witty remarks, and kindness and generosity to those in need. Rocky Graziano’s life is not only inspiring, it is also a story of redemption, of how boxing became the vehicle for saving a young man from a life of anger and crime and leading him into a life of happiness and honesty. The first biography of Graziano in over 60 years, this book will bring his story to a new generation of boxing fans and sports historians.

Continues the story of Rocky Graziano, describing highlights of his boxing career, relationships with numerous celebrities, political figures, and other notables

On stage from her childhood, Martha Raye (1916-1994) proudly embraced the role of the clown, her gift for slapstick comedy enhanced by a fine singing voice. She became a star with her first feature film, Rhythm on the Range (1936), as the zany, loudmouthed girl looking for love--or chasing it as it ran away. She won popular and critical acclaim with The Martha Raye Show (1954-1956) before it was abruptly cancelled, partly because of her chaotic personal life. Drawing on new interviews with her colleagues, this retrospective covers the life and career of an enduringly funny lady who influenced a generation of women comedians. Her reign as a top NBC star of the 1950s is covered, along with her appearances on popular variety shows, her roles in fondly remembered series like The Bugaloos, McMillan and Alice, and her film career that teamed her with the likes of Jack Benny, Charlie Chaplin and Doris Day.

Regarded by his contemporaries as one of television’s premier comedy creators, Nat Hiken was the driving creative force behind the classic 1950s and 1960s series Sgt. Bilko and the hilarious Car 54, Where Are You? King of the Half Hour, the first biography of Hiken, draws extensively on exclusive first-hand interviews with some of the well-known TV personalities who worked with him, such as Carol Burnett, Fred Gwynne, Alan King, Al Lewis, and Herbert Ross. The book focuses on Hiken’s immense talent and remarkable career, from his early days in radio as Fred Allen’s head writer to his multiple Emmy-winning years as writer-producer-director on television. In addition to re-establishing Hiken's place in broadcast history, biographer, David Everitt places him in the larger story of early New York broadcasting. Hiken’s career paralleled the rise and fall of television’s Golden Age. He embodied the era’s best qualities—craftsmanship, a commitment to excellence and a distinctive, uproariously funny and quirky sense of humor. At the same time, his uncompromising independence prevented him from surviving the changes in the industry that brought the Golden Age to an end in the 1960s. His experiences bring a fresh and until now unknown perspective to the medium’s most extraordinary period.

A.E. Hotchner first met Paul Newman in 1956, when the relatively unknown actor assumed the role James Dean was to play in Hotchner's first television play, based on an Ernest Hemingway story. The project elevated both men from relative obscurity to stardom, and commenced a close and trusted friendship that lasted until Newman's death in 2008. In A Friendship, Hotchner presents a complicated, unpredictable and talented man and leads the reader through their shared adventures. The pair travelled extensively around the globe, and owned fishing boats that involved them in embarrassing incidents. They successfully defended themselves before a jury in a ludicrous two-year trial, and triumphed in a beery tennis match against Robert Redford and Jack Valenti. Most notably, they started a food company, Newman's Own, as a prank and watched it soar into a major enterprise that has given all its 200 million dollars of profits to charities. Hotchner's knowledge of Newman is unparalleled, and as a gifted storyteller he brings to the reader crucial insights Newman revealed about himself. A Friendshipis the story of an unusual friendship and a tribute to the beloved actor who gave to the world as much as the world gave him.

On June 10, 1948, the eyes of the sporting world were focused on a minor league ballpark in Newark, New Jersey--the unlikely venue of a much-anticipated rubber match between the two men at the top of boxing's prestigious middleweight division, Tony Zale and Rocky Graziano. They had met in the ring twice before, each winning one bout. In their third fight, Zale, a clever and powerful puncher, hoped to regain his title from Graziano, a knock-out artist six years his junior. This book tells the story of the greatest middleweight trilogy of boxing's Golden Age, a championship battle Newark hoped would catalyze brighter days for a city rife with political corruption and organized crime and grappling with the beginning of deindustrialization.

A masterfully updated edition of The F-Word which renders a comprehensive portrait of English's most notorious and colorful word. No word has generated more uses, more creative euphemisms, and more strong opinions than fuck. Jesse Sheidlower's historical dictionary, now in print for over 25 years, charts the uses of fuck and its many permutations, from absofuckinglutely to zipless fuck. It illustrates every sense of every entry with quotations, from the earliest that can be found to a recent example, showing exactly how the word has been used throughout history. This new edition is not just a minor update but a comprehensive revision of Sheidlower's groundbreaking text for the internet age. Major new discoveries push back the known history of fuck by almost two hundred years. Sheidlower also considers rapidly changing attitudes towards the use of fuck in public discourse. The volume includes over 1,000 new quotations; over 100 antedatings (earlier examples of existing entries, improving our understanding of the word's development); and many dozens of new entries, including high-profile recent uses such as AF 'as fuck', fuckboi, and the group of expressions of the sort to give no fucks or zero fucks given.

The love affair between boxing and Hollywood began with the dawn of film. As early as the days of Chaplin, the "boxing film" had assumed its place as a subgenre, and over the decades it has taken the forms of biographies, dramas, romances, comedies, and even musicals and westerns. Such well known pictures as The Champ, Body and Soul, Don King: Only in America, Girl Fight, The Irish in Us, The Kid from Brooklyn, Somebody Up There Likes Me, Raging Bull, each of the Rocky movies and When We Were Kings are just a few examples of the feature films included in this filmography. Thoroughly researched, this work examines 98 boxing films from the 1920s through 2003. Each entry provides basic filmographic data (the film's studio, its genre, its length, cast and credits); a detailed synopsis of the film; illuminating commentary on the boxing sequences; and excerpts from contemporary reviews. Most entries also summarize the making of the film, with particular attention to the training of the actors for the boxing scenes. The filmography also includes information on studio publicity releases and advertisements, press books and exhibitor campaign materials for each film.

DIVSchulberg goes toe to toe with his lifelong passion in this collection of his greatest writings on boxing/divDIV “As much as I love boxing, I hate it.” So begins screenwriter, novelist, and journalist Budd Schulberg’s collection of essays on the sweet science of bruising, a sport that fueled his literary ambitions and unsettled his conscience from a young age. He gives riveting accounts of classic bouts, such as Rocky Marciano–Archie Moore, Muhammad Ali–George Foreman, and Marvin Hagler–Thomas Hearns. Yet these essays also offer insight into the sport’s sociological significance from a man who covered its highlights and corruption-marred lowlights for decades. Sparring with Hemingway stands as the unparalleled history of boxing’s place in American culture throughout the twentieth century./divDIV /divDIVThis ebook features an illustrated biography of Budd Schulberg including rare images and never-before-seen documents from the author’s estate./div