Sins Of Innocence

In Jean Stone’s moving novel of what might have been, four very different women with one very powerful thing in common are reunited—with one another, and with the children they gave up for adoption. Jess has led a charmed life, but now that her beautiful teenage daughter is pregnant, all she can think of is the baby she gave away. Susan lost one child years ago, and now, as a divorced college professor, she’s terrified of losing another. P.J. overcame an unwanted pregnancy to become a high-powered art director, but her whirlwind life is halted by an unsettling discovery. Ginny makes an unlikely Hollywood wife, but men, money, and four marriages can’t erase the horrors of her past—or satisfy her need for love. Twenty-five years ago, they met in a home for unwed mothers. At the time, all they had to hold on to was one another. Now Jess, Susan, P.J., and Ginny must find the courage to face the past: The date is set for a reunion with the children they have never known. And no matter what happens, their lives will never be the same. Jess’s story continues in Jean Stone’s Tides of the Heart! Includes a special message from the editor, as well as excerpts from these Loveswept titles: Trying to Score, Long Simmering Spring, and Scarlet Lady.

In the horror show of gods and monsters, Eden Ryel was the star. Conceived of her mother, a Merovingian--a direct descendant of Christ--and her father, the half-human son of a fallen angel, Eden's very existence had prompted The Great War. Prophesied to be the Keeper of the Balance, she struggles to realize her purpose. Levi, the overconfident and charming half-human son of Lucifer takes nothing seriously. Not even when he finally meets the young woman who is destined to end his existence. A common bond is formed under the pressures they face from both sides, but their respective religious texts predict opposite outcomes. Either way, they must choose: war, death, or love.

Innocence betrayed... Memories of a long–ago summer night still taunt Laura Neill. With all the provocative innocence of youth, she stole into her stepbrother Oliver's bedroom, and discovered love and fleeting happiness in his arms. Driven away by his apparent betrayal, it's been eight long years since Laura last visited home. Can she now face Oliver without confessing the aching love she still feels for him –– or the secrets she's held all this time?

Abandoned as a child, the stately mansion Dana Grantham called home symbolized the security she so desperately wanted. She dreamed of a future within its four walls until a shameful scandaland billionaire Zac Belisandro drove her away. Now Dana has the opportunity to return to the life she craves, but she comes face-to-face with Zac. He's tainted her life once before, and now he has an outrageous propositionhe'll give Dana her heart's desire if she gives him her hand in marriageand her innocence on their wedding night!"

A cold-blooded kidnapper has been playing a twisted game with a terrified Minnesota town. Now a respected member of the community stands accused of a horrific act of evil. But when a second boy disappears, a frightened public demands to know: Have the police caught the wrong man? Is the nightmare continuing—or just beginning? Prosecutor Ellen North believes she’s building a case against a guilty man—and that he has an accomplice in the shadows. As she prepares for the trial of her career, Ellen suddenly finds herself swept into a cruel contest of twisted wits, a dark dance of life and death . . . with an evil mind as guilty as sin. Praise for Tami Hoag and Guilty as Sin “Without a doubt . . . one of the most intense suspense writers around.”—Chicago Tribune “A chilling study of evil that holds the reader until the shocking surprise ending.”—New York Times bestselling author Phillip Margolin “The tangled relationships that lie just beneath the surface of Deer Lake are tantalizingly revealed.”—The New York Times Book Review “Accomplished and scary.”—Cosmopolitan

The De Malo represents some of Aquinas' most mature thinking on goodness, badness, and human agency. In it he examines the full range of questions associated with evil: its origin, its nature, its relation to good, and its compatibility with the existence of an omnipotent, benevolent God. This edition offers Richard Regan's new, clear readable English translation, based on the Leonine Commission's authoritative edition of the Latin text. Brian Davies has provided an extensive introduction and notes. (Please note: this edition does not include the Latin text).

On the heels of the international bestseller Only Time Will Tell, Jeffrey Archer picks up the sweeping story of the Clifton Chronicles.... Only days before Britain declares war on Germany, Harry Clifton, hoping to escape the consequences of long-buried family secrets, and forced to accept that his desire to marry Emma Barrington will never be fulfilled, has joined the Merchant Navy. But his ship is sunk in the Atlantic by a German U-boat, drowning almost the entire crew. An American cruise liner, the SS Kansas Star, rescues a handful of sailors, among them Harry and the third officer, an American named Tom Bradshaw. When Bradshaw dies in the night, Harry seizes on the chance to escape his tangled past and assumes his identity. But on landing in America, he quickly learns the mistake he has made, when he discovers what is awaiting Bradshaw in New York. Without any way of proving his true identity, Harry Clifton is now chained to a past that could be far worse than the one he had hoped to escape.

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes, a large umbrella, and an uncanny insight into human evil. In "The Head of Caesar" he is "formerly priest of Cobhole in Essex, and now working in London." He makes his first appearance in the story "The Blue Cross" published in 1910 and continues to appear throughout forty-eight short stories in five volumes, with two more stories discovered and published posthumously, often assisted in his crime-solving by the reformed criminal M. Hercule Flambeau. Brown's abilities are also considerably shaped by his experience as a priest and confessor. In "The Blue Cross," when asked by Flambeau, who has been masquerading as a priest, how he knew of all sorts of criminal "horrors," Father Brown responds: "Has it never struck you that a man who does next to nothing but hear men's real sins is not likely to be wholly unaware of human evil?" He also states how he knew Flambeau was not really a priest: "You attacked reason. It's bad theology." The stories normally contain a rational explanation of who the murderer was and how Brown worked it out. He always emphasises rationality; some stories, such as "The Miracle of Moon Crescent," "The Oracle of the Dog," "The Blast of the Book" and "The Dagger with Wings," poke fun at initially sceptical characters who become convinced of a supernatural explanation for some strange occurrence, but Father Brown easily sees the perfectly ordinary, natural explanation. In fact, he seems to represent an ideal of a devout but considerably educated and "civilised" clergyman. That can be traced to the influence of Roman Catholic thought on Chesterton. Father Brown is characteristically humble and is usually rather quiet, except to say something profound. Although he tends to handle crimes with a steady, realistic approach, he believes in the supernatural as the greatest reason of all.