Shot At Dawn

The issue of military executions during the war has always been controversial and embargoes have made it difficult for researchers to get at the truth. Now these two writers give us a vast amount of information. They show that trials were grossly unfair and incompetent. Many of the condemned men had been soldiers of exemplary behaviour, courage and leadership but had cracked under the dreadful strain of trench warfare. This acclaimed book is the authority on this shameful saga.

Sentenced to death for abandoning his unit, a soldier recounts the events leading up to his arrest. The reality of trench warfare is a shock to Allan McBride. Like many other young soldiers, he enthusiastically signed up for the chance to join the war effort and be a part of the fighting. But after months in the ravaged battlefields, watching men, including his friend Ken, get blown up by German shelling, something in Allan snaps and he leaves his unit, believing he is "walking home to Canada" to get help for his friend. After nearly a week of wandering aimlessly, Allan is taken in by a band of real deserters — men who have abandoned their units and live on the edge of survival in the woods of northern France. Once Allan realizes what he's done, he is paralyzed by the reality of his circumstance: if he stays with these men, it's possible they will be found and have to face the consequences; and if he returns to his unit, he will be charged with desertion — a charge punishable by death. In this outstanding new title in the I Am Canada series, acclaimed author John Wilson explores life in the horrific trenches of WWI and the effect of battle on a shell-shocked soldier.

Shot at Dawn chronicles the tragic fate of more than 300 soldiers on the Western Front between 1918-18. The authors scoured the Imperial War Museum, public records and war diaries to piece together the jigsaw. A graphic account of man's inhumanity to man is the result of their labours.

Commissioned by the Ruskin School of Art at the Universty of Oxford as part of 14-18 Nov WWI Centenary Art Commissions, Shot at Dawn is a new body of work by the photographer Chloe Dewe Mathew that focuses on the sites at which British, French and Belgian troops were executed for cowardice and desertion between 1914 and 1918. The project comprises images of twenty-three locations at which individuals were shot or held in the period leading up to their executions and all were taken as close to the exact time of execution as possible and at approximately the same time of year.

This book is open access under a CC BY 4.0 licence. This book is a multidisciplinary work that investigates the notion of posthumous harm over time. The question what is and when is death, affects how we understand the possibility of posthumous harm and redemption. Whilst it is impossible to hurt the dead, it is possible to harm the wishes, beliefs and memories of persons that once lived. In this way, this book highlights the vulnerability of the dead, and makes connections to a historical oeuvre, to add critical value to similar concepts in history that are overlooked by most philosophers. There is a long historical view of case studies that illustrate the conceptual character of posthumous punishment; that is, dissection and gibbetting of the criminal corpse after the Murder Act (1752), and those shot at dawn during the First World War. A long historical view is also taken of posthumous harm; that is, body-snatching in the late Georgian period, and organ-snatching at Alder Hey in the 1990s.

This open access book is the culmination of many years of research on what happened to the bodies of executed criminals in the past. Focusing on the eighteenth and nineteenth centuries, it looks at the consequences of the 1752 Murder Act. These criminal bodies had a crucial role in the history of medicine, and the history of crime, and great symbolic resonance in literature and popular culture. Starting with a consideration of the criminal corpse in the medieval and early modern periods, chapters go on to review the histories of criminal justice, of medical history and of gibbeting under the Murder Act, and ends with some discussion of the afterlives of the corpse, in literature, folklore and in contemporary medical ethics. Using sophisticated insights from cultural history, archaeology, literature, philosophy and ethics as well as medical and crime history, this book is a uniquely interdisciplinary take on a fascinating historical phenomenon.

Three hundred and fifty-one men were executed by British Army firing squads between September 1914 and November 1920. By far the greatest number, 266 were shot for desertion in the face of the enemy. The executions continue to haunt the history of the war, with talk today of shell shock and posthumous pardons. Using material released from the Public Records Office and other sources, the authors reveal what really happened and place the story of these executions firmly in the context of the military, social and medical context of the period.

The story of First World War deserters who were shot at dawn, then pardoned nearly a century later has often been told, but these 306 soldiers represent a tiny proportion of deserters. More than 80,000 cases of desertion and absence were tried at courts martial on the home front but these soldiers have been ignored. Andrea Hetherington, in this thought-provoking and meticulously researched account, sets the record straight by describing the deserters who disappeared from camps and barracks within Great Britain at an alarming rate. She reveals how they employed a range of survival strategies, some ridding themselves of all connection with the military while others hid in plain sight. Their reasons for desertion varied. Some were already living a life of crime whilst others were conscientious objectors who refused to respond to their call-up papers. Boredom, protest, troubles at home or physical and mental disabilities all played their part in men deciding to go on the run. Andrea Hetherington’s timely book gives us a vivid insight into a hitherto overlooked aspect of the First World War.

In the fog of a Paris dawn in 1832, ƒvariste Galois, the 20-year-old founder of modern algebra, was shot and killed in a duel. That gunshot, suggests Amir Alexander, marked the end of one era in mathematics and the beginning of another. Arguing that not even the purest mathematics can be separated from its cultural background, Alexander shows how popular stories about mathematicians are really morality tales about their craft as it relates to the world. In the eighteenth century, Alexander says, mathematicians were idealized as child-like, eternally curious, and uniquely suited to reveal the hidden harmonies of the world. But in the nineteenth century, brilliant mathematicians like Galois became Romantic heroes like poets, artists, and musicians. The ideal mathematician was now an alienated loner, driven to despondency by an uncomprehending world. A field that had been focused on the natural world now sought to create its own reality. Higher mathematics became a world unto itselfÑpure and governed solely by the laws of reason. In this strikingly original book that takes us from Paris to St. Petersburg, Norway to Transylvania, Alexander introduces us to national heroes and outcasts, innocents, swindlers, and martyrsÐall uncommonly gifted creators of modern mathematics.

Private Peaceful relives the life of Private Tommo Peaceful, a young First World War soldier awaiting the firing squad at dawn. During the night he looks back at his short but joyful past growing up in rural Devon: his exciting first days at school; the accident in the forest that killed his father; his adventures with Molly, the love of his life; and the battles and injustices of war that brought him to the front line. Winner of the Blue Peter Book of the Year, Private Peaceful is by the third Children's Laureate, Michael Morpurgo, award-winning author of War Horse. His inspiration came from a visit to Ypres where he was shocked to discover how many young soldiers were court-martialled and shot for cowardice during the First World War. This edition also includes introductory essays by Michael Morpurgo, Associate Director of Private Peaceful production Mark Leipacher, as well as an essay from Simon Reade, adaptor & director of this stage adaptation of Private Peaceful.