Shooting Old Film Cameras

Old School Photography is a must-have modern manual for learning how to create great photographs with a 35mm film camera. Famed YouTube personality Kai Wong expertly and humorously shares 100 essential tips for selecting and using film cameras, shooting with film and various lenses, and employing specific techniques to ensure you can get great results quickly. Known for his breadth of knowledge and quick wit, Kai Wong delivers an informative and entertaining read on how to take great film photos. • An informative and entertaining read on how to take great film photos • A must-have guide for those new to old-school film techniques • A much-needed book for the current resurgence of vintage 35mm film cameras Renewed interest in film photography has surged in the past few years, both among those rediscovering their past passion and those discovering it for the first time. Vintage cameras that had previously lost their value are now often worth more than they first sold for due to high demand amongst enthusiasts, students, and collectors. Film manufacturers have even started reissuing long discontinued stocks—for example, Kodak's much-loved and recently re-released classic Ektachrome slide film. In our modern world, billions of people have access to instantaneous photography on their mobile phones, but as a result there has been a resurgent desire for a more tactile, physical, unaltered, and thus honest medium. Much of which, ironically, ends up on the internet, with photography fans and influencers sharing their images across Instagram, Flickr, YouTube, and the like. More so than with digital photography, film photography requires a sense of craft, skill, patience, technical knowledge, and a trial-and-error process that results in a greater sense of accomplishment. Old School Photography is both enlightening and humorous, and attracts a new generation of fans who are eager to experiment with film cameras, make prints, and post their film photographs online.

Approximately 113 pages with about 108 color images and this book is ENTIRELY pictorial.There is considerable debate among photographers about whether film is better than digital with about an equal number lining up on both sides and presenting their opinions and relevant and irrelevant data. It is not the purpose of this volume to espouse one position or another. It is sufficient to know that they are each different and subject to a considerable range of interpretation. However, it is quite enjoyable to take one of these old cameras, that have absolutely no automatic functionality, and create excellent images. I suspect that it is the same force that drives auto enthusiasts to take an old Model T Ford car and restore it. They certainly don't have the power and ease of operation of modern automobiles but they are extraordinarily fun to drive!Unlike other books about old cameras this one does not dwell on the fine technicalities of the individual camera (although limited technical data is present) but to present images taken with each camera to show the reader concrete examples of images taken with each model.The Nikon F100 35MM SLR camera was first made in the late 1999 and discontinue in 2006. The camera is capable of auto everything as well as manual everything except film advance and rewind that will remain auto.The author began photography and photo-journalism in early 1963 when he accepted an offer from his local newspaper to write about and photograph sports events at the Arizona high school where he was a junior. After a stint in the service, he had an opportunity to study photography and printing techniques with Bernard Hoffman, a true gentleman and scholar, and one of the earliest staff photographers for Life Magazine. Since that time he has had thousands of photographs and hundreds of articles published by more than 60 national and international periodicals. He was also a contributing editor for one of them for more than ten years. Topics ran the gamut from professional sports, medicine, archeology, and photography to science.After twenty years away from Arizona he returned in 1985 and it has been the base from which all his photographic excursions are launched. Along with many others he has embraced digital photography but can still be seen, from time to time, peering through the ground glass of a large format camera, hoisting a large medium format 6x7, or indeed still using a 35mm film camera.The photographer currently has fine art photography on exhibit at The Center for Fine Arts in Globe, Arizona, and is currently represented by more than ten stock photo agencies where he has more than 13,000 photographs available for commercial use.

This book is entirely pictorial and contains more than 160 color and black and white images. Every image contained herein was taken with the Yashica 230 AF Super 35MM film camera. There is considerable debate among photographers about whether film is better than digital with about an equal number lining up on both sides and presenting their opinions and relevant and irrelevant data. It is not the purpose of this volume to espouse one position or another. It is sufficient to know that they are each different and subject to a considerable range of interpretation. However, it is quite enjoyable to take one of these old cameras, that have absolutely no automatic functionality, and create excellent images. I suspect that it is the same force that drives auto enthusiasts to take an old Model T Ford car and restore it. They certainly don't have the power and ease of operation of modern automobiles but they are extraordinarily fun to drive! Unlike other books about old cameras this one does not dwell on the fine technicalities of the individual camera (although limited technical data is present) but to present images taken with each camera to show the reader concrete examples of images taken with each model.

Attracted by the image quality, the tactile joy of a finely made camera, and the affordable prices of vintage equipment, photographers around the world are rediscovering the joys of manual photography. This comprehensive guide to shooting film photography covers all the bases, from setting up a camera through film processing. In a convenient format, filled with diagrams, examples, and illustrations, Analog Photography is a portable reference tool for neophytes and experienced photographers alike. With an irresistible package inspired by the aesthetics of vintage user manuals, this is "a great-looking publication and a fantastic place from which to start, or rekindle, a journey into film photography" (Creative Review).

Approximately 152 pages of color mages - this book is ENTIRELY pictorial.There is considerable debate among photographers about whether film is better than digital with about an equal number lining up on both sides and presenting their opinions and relevant and irrelevant data. It is not the purpose of this volume to espouse one position or another. It is sufficient to know that they are each different and subject to a considerable range of interpretation. However, it is quite enjoyable to take one of these old cameras that normally have absolutely no automatic functionality, and create excellent images. I suspect that it is the same force that drives auto enthusiasts to take an old Model T Ford car and restore it. They certainly don't have the power and ease of operation of modern automobiles but they are extraordinarily fun to drive! This one is a bit different in that virtually all functions except focusing are automatic. This particular camera had a tendency to consistantly overexpose so the iso was set 50% higher to compensate for that tendency. Unlike other books about old cameras this one does not dwell on the fine technicalities of the individual camera (although limited technical data is present) but to present images taken with each camera to show the reader concrete examples of images taken with each model.The author began photography and photo-journalism in early 1963 when he accepted an offer from his local newspaper to write about and photograph sports events at the Arizona high school where he was a junior. After a stint in the service, he had an opportunity to study photography and printing techniques with Bernard Hoffman, a true gentleman and scholar, and one of the earliest staff photographers for Life Magazine. Since that time he has had thousands of photographs and hundreds of articles published by more than 60 national and international periodicals. He was also a contributing editor for one of them for more than ten years. Topics ran the gamut from professional sports, medicine, archeology, and photography to science.After twenty years away from Arizona he returned in 1985 and it has been the base from which all his photographic excursions are launched. Along with many others he has embraced digital photography but can still be seen, from time to time, peering through the ground glass of a large format camera, hoisting a large medium format 6x7, or indeed still using a 35mm film camera.The photographer currently has fine art photography on exhibit at The Center for Fine Arts in Globe, Arizona.Show more

This book is entirely pictorial and every image contained herein was taken with the Canon AE-1 35MM film camera. There is considerable debate among photographers about whether film is better than digital with about an equal number lining up on both sides and presenting their opinions and relevant and irrelevant data. It is not the purpose of this volume to espouse one position or another. It is sufficient to know that they are each different and subject to a considerable range of interpretation. However, it is quite enjoyable to take one of these old cameras, that have absolutely no automatic functionality, and create excellent images. I suspect that it is the same force that drives auto enthusiasts to take an old Model T Ford car and restore it. They certainly don't have the power and ease of operation of modern automobiles but they are extraordinarily fun to drive!

This newly revised edition of Bryan Peterson's most popular book demystifies the complex concepts of exposure in photography, allowing readers to capture the images they want. Understanding Exposure has taught generations of photographers how to shoot the images they want by demystifying the complex concepts of exposure in photography. In this newly updated edition, veteran photographer Bryan Peterson explains the fundamentals of light, aperture, and shutter speed and how they interact with and influence one another. With an emphasis on finding the right exposure even in tricky situations, Understanding Exposure shows you how to get (or lose) sharpness and contrast in images, freeze action, and take the best meter readings, while also exploring filters, flash, and light. With all new images, as well as an expanded section on flash, tips for using colored gels, and advice on shooting star trails, this revised edition will clarify exposure for photographers of all levels.

In recent years, film photography has witnessed a significant renaissance—and not just among those who have previously shot with film. Interest in film photography and analog photography has also grown enormously among those who only have experience shooting digitally. In The Film Photography Handbook, 2nd Edition, authors Chris Marquardt and Monika Andrae speak to both types of film photographers as they offer an easy-to-understand, complete resource to shooting film. In this updated and expanded edition, they address today’s working climate, including such topics as the hybrid film/digital workflow, the digitization of negatives, and using smartphones for light metering and to assist in film processing. This book is intended for anyone who is curious about film and analog photography, whether you need a refresher course or are discovering this wonderful format for the first time. You’ll learn how easy it is to shoot and process black-and-white film at home, and that just a little special equipment is needed to get into film photography. You’ll learn all about: • The important differences between film and digital photography • Numerous film cameras, as well as how to buy a second-hand camera • Film formats, from 35 mm to medium format and large format • Exposure settings, tonal values, and tonal representations in different types of film, from color negatives and slides to the enormous spectrum of black-and-white films • Processing film, covering everything you need to know: equipment, chemicals, and workflow • Scanning negatives to bring your analog photography into a digital workflow • Both presenting and archiving your prints and negatives Working in such an “analog” medium requires a unique approach to photography, and it fosters a completely different form of creativity. Working in film and embracing analog photography can also prove to be a great inspiration for your own digital photography, as well. The Film Photography Handbook, 2nd Edition covers it all—from the technical to the creative—and will have you shooting film in no time, whether it’s with an old rangefinder, an inexpensive Holga, or a medium-format Rolleiflex or Hasselblad.

This book is entirely Pictorial and contains some artistic NUDITY. Pentax introduced the Pentax 645 single lens reflex 6 x 4.5 camera in 1984 and it continued in production until 1997. This medium format camera uses 120 or 220 roll film and it is still readily available today through multiple sources at quite reasonable prices. The camera is still serviced today by Pentax and I had both of mine completely serviced by their authorized repair facility in Phoenix Arizona and they both are smooth as glass and an absolute joy to use. The Pentax 645 has become my 'go to' camera for medium format. Yielding 15 frames from 120 film and 30 from 220 the film is loaded onto holders that quickly insert into the fixed back of the camera. I normally carry three loaded spare holders and can reload very rapidly when required. The film auto advances at 1.5 frames per second via the built in motor drive which requires six AA batteries. Focusing is manual but exposure control is either manual or multiple automatic exposure modes all with exposure metering TTL center weighted. The ISO range is 6-6400 in 1/3 stop increments with shutter speeds of 15 - 1/1000 of a second and bulb from a vertical cloth focal plane shutter. This book is ENTIRELY pictorial and was created to give the reader a sense of what they can expect from this absolutely marvelous film camera. Film used was Kodak Ektar 120 color negative, and Kodak TMAX ISO 100 black and white. There is considerable debate among photographers about whether film is better than digital with about an equal number lining up on both sides and presenting their opinions and relevant and irrelevant data. It is not the purpose of this volume to espouse one position or another. It is sufficient to know that they are each different and subject to a considerable range of interpretation. However, it is quite enjoyable to take one of these old cameras and create excellent images. I suspect that it is the same force that drives auto enthusiasts to take an old Model T Ford car and restore it. They certainly don't have the power and ease of operation of modern automobiles but they are extraordinarily fun to drive!