Shakespeare And Emilia

Emilia Bassano was identified as the Dark Musical Lady of the Shakespeare Sonnets by A.L.Rowse in 1973. This book presents previously unpublished evidence to prove that Rowse's identification was correct. Emilia, an early feminist poet and musician, was the daughter of the youngest of six Venetian brothers, all professional musicians, brought to London by HenryVIII in 1540 to ensure a musical wedding for Anne of Cleves. Peter Bassano, the author and a descendent of Emilia's uncle, Anthony, suggests that Shakespeare was the father of Emilia's son, Henry. Shortly after the child's birth in May 1593 Shakespeare took a trip to Northern Italy with three of Emilia's musician cousins travelling through towns well known to Shakespeare lovers as the setting of his early plays. The book does not agree with the views of John Hudson and Peter Matthews that Emilia wrote the Shakespeare canon. He believes that Shakespeare was Shakespeare but that Emilia was hugely influential on Shakespeare's writing, particularly in his outspoken heroines. He suggests that Emilia and Shakespeare met at Bisham Abbey when Emilia had written and performed in the entertainment to welcome the Queen. Bassano believes that A Lover's Complaint published as an appendix to the Sonnets, is entirely appropriate and relates to three protagonists that he identifies in the main text. He identifies Emilia as the author of two additional works, the text for William Byrd's 1589 Songs of Sundrie Natures and 1592 masque, Speeches to Welcome the Queen to Bisham. There are strong concordances with Shakespeare's works and Emilia's. One of her sonnets in the Byrd collection, 'Of Gold all burnished like the sun' was parodied by Shakespeare in the famous Sonnet 130 'My mistress' eyes are nothing like the sun'. The conclusions in this book are diametrically opposed to the conclusions in the 2020 book by Paul Edmondson and Stanley Wells, All the Sonnets of Shakespeare. The author makes the suggestion that Tennessee Williams is a descendant of Shakespeare.

'A spicy work of biographical conjecture ... It's also a rousing reminder of the countless creative women who have been written out of history or have had to fight relentlessly to make themselves heard.' EVENING STANDARD 'The great virtue of Lloyd Malcolm's speculative history lies in its passion and anger: it ends with a blazing address to the audience that is virtually a call to arms. It is throughout, however, a highly theatrical piece ... In rescuing Emilia from the shades, [the play] gives her dramatic life and polemical potency.' GUARDIAN The little we know of Emilia Bassano Lanier (1569 - 1645) is that she may have been the Dark Lady of Shakespeare's Sonnets, mistress of Lord Chamberlain, one of the first English female poets to be published, a mother, teacher who founded a school for women, and radical feminist with North African ancestry. Living at a time when women had such limited opportunities, Emilia Lanier is therefore a fascinating subject for this speculative history. In telling her story, Morgan Lloyd Malcolm represents the stories of women everywhere whose narratives have been written out of history. Originally commissioned for Shakespeare's Globe with an all-female cast, Emilia is published here as a Methuen Drama Student Edition with commentary and notes by Elizabeth Schafer, Professor of Drama at Royal Holloway, University of London, UK.

Amelia Bassano Lanier is proved to be a strong candidate for authorship of Shakespeare's plays: Hudson looks at the fascinating life of this woman, believed by many to be the dark lady of the sonnets, and presents the case that she may have written Shakespeare's plays.

"For I have sworn thee fair, and thought thee bright; Who art as black as hell, as dark as night." —William Shakespeare, Sonnet 147 In the boldest imagining of the era since Shakespeare in Love and Elizabeth, a finalist for the Italian Premio del Castello del Terriccio, this spellbinding novel of witchcraft, poetry, and passion, brings to life Aemilia Lanyer, the "Dark Lady" of Shakespeare's Sonnets—the playwright's muse and his one true love. The daughter of a Venetian musician but orphaned as a young girl, Aemilia Bassano grows up in the court of Elizabeth I, becoming the Queen's favorite. She absorbs a love of poetry and learning, maturing into a striking young woman with a sharp mind and a quick tongue. Now brilliant, beautiful, and highly educated, she becomes mistress of Lord Hunsdon, the Lord Chamberlain and Queen's cousin. But her position is precarious; when she falls in love with court playwright William Shakespeare, her fortunes change irrevocably. A must-read for fans of Tracy Chevalier (Girl With a Pearl Earring) and Sarah Dunant (The Birth of Venus), Sally O'Reilly's richly atmospheric novel compellingly re-imagines the struggles for power, recognition, and survival in the brutal world of Elizabethan London. She conjures the art of England's first professional female poet, giving us a character for the ages—a woman who is ambitious and intelligent, true to herself, and true to her heart.

Without William Shakespeare, we wouldn’t have literary masterpieces like Romeo and Juliet. But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.

Poems by the apparent subject of Shakepseare's sonnets. Text of the poems based on copies in the Bodleian Library and the British Library, which were originally published in 1611.

2017-2018 Sarton Women's Book Awards Winner in Historical Fiction 2018 International Book Awards Finalist in Fiction: Historical Emilia Bassano has four strikes against her: she is poor, beautiful, female, and intelligent in Elizabethan England. To make matters worse, she comes from a family of secret Jews. When she is raped as a teenager, she knows she probably will not be able to make a good marriage, so she becomes the mistress of a much older nobleman. During this time she falls in love with poet/player William Shakespeare, and they have a brief, passionate relationship—but when the plague comes to England, the nobleman abandons her, leaving her pregnant and without financial security. In the years that follow, Emilia is forced to make a number of difficult decisions in her efforts to survive, and not all of them turn out well for her. But ultimately, despite the disadvantaged position she was born to, she succeeds in pursuing her dreams of becoming a writer—and even publishes a book of poetry in 1611 that makes a surprisingly modern argument for women’s equality.

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A funny, joyful, frank and inspiring book about embracing both feminism and our imperfections, from the creator of the hit comedy podcast, Deborah Frances-White. From inclusion to the secret autonomy in rom coms, from effective activism to what poker can tell us about power structures, Deborah explores what it means to be a twenty-first-century feminist, and encourages us to make the world better for everyone. The book also includes exclusive interviews with performers, activists and thinkers - Jessamyn Stanley, Zoe Coombs Marr, Susan Wokoma, Bisha K. Ali, Reubs Walsh, Becca Bunce, Amika George, Mo Mansfied and Leyla Hussein - plus a piece from Hannah Gadsby.