Shadow Pasts

In this controversial study of postwar German's children's books, Zohar Shavit reveals a troubling perspective on the German understanding of the Holocaust.

In wartime New York City, budding reporter Jenny Ryan is chasing the biggest story of her life. Everyone said the death of her beloved research scientist father was an accident, but she knows it was her fault. When an anonymous phone call puts the blame on wealthy industrialist Marcus Forrester, Jenny doesn't hesitate to act. Armed with absolution and a tenacious drive for justice, she will stop at nothing to bring him down. She didn't count on falling for the key to her plan ? Forrester's mistress. On the surface, Kathryn Hammond has it all: a successful nightclub singing career, elegant grace, and stunning good looks that draw all eyes to her when she enters a room. No one can see her tragic past, or the demons she battles daily as she toils stateside, carrying out what she considers dead-end missions for the OSS while the real war rages in Europe. She knows nothing short of her death in service to the greater good will redeem her for the lives lost on a mission gone bad. All that changes when Jenny Ryan becomes her latest dead-end mission and awakens long dormant concepts like hope, redemption, and the worst thing that could happen to an agent toward their subject: desire. These two women, on very disparate paths, are caught in a reluctant, slow burn that will save them, but at what cost, and are they willing to pay the price?

Looks at the depiction and meaning of shadows in the history of Western art

WWW.BWESTONROOK.COM Randy Curtis was a shy backward kid who grew up in the sleepy town of Edgewater. Naturally, the girl who he loved, Lori, didnt feel the same way about him. And of course, he was always the target of schoolyard bullies, particularly Brad Bedford. On the night of graduation, he finally and dramatically taught his tormentors a lesson and revealed his feelings for Lori, and then disappeared with no intentions of ever returning. But years later, when his mothers death is clouded in suspicion, he returns to Edgewater only to find that he not only has to face his past, but also deal with a complex set of new enemies and obstacles. A Shadow From the Past is an earnest novel, deeply felt and worked out with a good deal of honesty and force. Randy Curtis, returning to Edgewater after a mysterious 10-year absence for his mothers funeral is able at last to set his life to rights, reconcile and find true love with Lori, the girl who had abandoned him (and who he in turn had abandoned), and bring to justice the four teenagers who terrorized his helpless mother. But in the process Randy is forced to become something dark, something secret, something that he fears will ultimately be his own demise.

Attacked by a demon. Rescued by an Angel of Death. A reincarnated princess with no clue of her past. When an astrological event causes the universal seals to break, the sleepy town of Saint's Grove, Virginia, is overrun with paranormal entities. In the mayhem, bakery owner, Arabella "Bella" Franklin is attacked by a demon, and Jayden, an Angel of Death, comes to her rescue. Unlike Bella, who cannot recall her past life, Jayden has never forgotten the passion they shared centuries earlier. Their reunion will give him an opportunity to rekindle their bond, as well as regain his life as a human. But first, he must convince Bella of her former life and the love they once felt for one another. With only seven days until the universal seals repair, memories of Bella's past life begin to surface, as does the knowledge that if she can't kill the demon before the time is up, she-and possibly Jayden-may be forced to spend eternity in Hell.

What spam is, how it works, and how it has shaped online communities and the Internet itself. The vast majority of all email sent every day is spam, a variety of idiosyncratically spelled requests to provide account information, invitations to spend money on dubious products, and pleas to send cash overseas. Most of it is caught by filters before ever reaching an in-box. Where does it come from? As Finn Brunton explains in Spam, it is produced and shaped by many different populations around the world: programmers, con artists, bots and their botmasters, pharmaceutical merchants, marketers, identity thieves, crooked bankers and their victims, cops, lawyers, network security professionals, vigilantes, and hackers. Every time we go online, we participate in the system of spam, with choices, refusals, and purchases the consequences of which we may not understand. This is a book about what spam is, how it works, and what it means. Brunton provides a cultural history that stretches from pranks on early computer networks to the construction of a global criminal infrastructure. The history of spam, Brunton shows us, is a shadow history of the Internet itself, with spam emerging as the mirror image of the online communities it targets. Brunton traces spam through three epochs: the 1970s to 1995, and the early, noncommercial computer networks that became the Internet; 1995 to 2003, with the dot-com boom, the rise of spam's entrepreneurs, and the first efforts at regulating spam; and 2003 to the present, with the war of algorithms—spam versus anti-spam. Spam shows us how technologies, from email to search engines, are transformed by unintended consequences and adaptations, and how online communities develop and invent governance for themselves.

A series of re-photographed x-rays of art objects from antiquity.

At certain times of the day - at sunrise, and sunset - the outlines of prehistoric fields, barrows and hill-forts in the British landscape may be thrown into relief. Such 'shadow sites', best seen from above, and captured by an airborne camera, are both examples of, and metaphors for, a particular way of seeing the landscape. At a time of rapid modernisation and urbanisation in mid-twentieth-century Britain, an archaeological vision of the British landscape reassured and enchanteda number of writers, artists, photographers, and film-makers. From John Piper, Eric Ravilious and Shell guide books, to photographs of bomb damage, aerial archaeology, and The Wizard of Oz, Kitty Hauser delves into evocative interpretations of the landscape and looks at the affinities betweenphotography as a medium to capture traces of the past as well as their absence.

Through a range of case studies from eastern and western Europe, this book breaks new ground in investigating the extent to which European peoples living within Europe were also subjected to the ideologies and practices of colonialism.

In a world where Light threatens to corrupt and conquer, Taithe, a prisoner, possesses something invaluable: a formidable sword. This relic lures enemies from every corner – human, Effelin, and Dwarf alike – all desperate to claim its power and conceal their betrayals. But amidst this chaos, dark magic rises, vying to curb Light’s dominance. Rescued from the clutches of the malevolent Spite and on the brink of death, Taithe is transported to Dwarrowdelve, the fabled lost mine of Dwarvern legends. Here, alongside the fierce Effelin Caliphe and the legendary Tunnel-Hunters, The Styx, he confronts a multitude of foes, from vicious black wolves to lurking Orcs and other treacherous beings. But the most insidious threat of all is the Imp who shadows Taithe, hungry for the stolen treasure. In the depths of Dwarrowdelve, alliances will be tested, loyalties forged, and a choice must be made: to stand with the Light or embrace the Rock and Shadows. The balance of the world teeters on this decision, with Spite’s freedom – and the potential downfall of all – in the balance. The true enemy isn’t always as it seems; will they discern it in time?