See Yourself Sensing

" ... Is the first book to survey the intersection between design, the body, science and the senses, from the utopian pods and head gear of the 1960s, to the high-tech prostheses, wearable computing, implants, and interfaces between computers and humans of the past decade ..."--Introduction, p. 6.

See Yourself X (SYX) is the second volume of Madeline Schwartzman's timely series that look at the human perception and the sensory apparatus.See Yourself Sensing: Redefining Human Perception (2011)the first of the series, is a collection of fifty years of futuristic proposals for the body and the senses.See Yourself X focuses in on our fundamental perceptual domainthe human headpresenting an array of conceptual and constructed ideas for extending ourselves physically into space. What will be the physical future of the head and the sensory apparatus in fifty years time, as the mechanisms for how we communicate and sense change and become obsolete, prompted, possibly, by the advancement of brain-to-brain communication? SYX looks at where we are now, in the hope of projecting into that future. SYX explores all forms of physical head augmentation, including new organs, hair extensions and dos, masks, head constructions and gear, headdresses, prosthetics and helmets by artists, designers, inventors, scientists, and world cultures, as well as technological extensions into space. Conceptual topics include the obliteration of the face in fashion, art and folk wedding costume; the politics of hair extension from 18th century hair rolls to contemporary fashion; surrealistic juxtapositions of objects and the head; gender, ritual and identity in contemporary art hair and hair constructions; space-age architectural helmets of the 60s, and conceptual projects that highlight, analyse or deny the internal or perceived functioning of the head and brain. Everyone with a head should be interested in this book. SYX had inauspicious origins. In March 2012 Schwartzman was involved in an airplane crash on the way to a book talk. The wing of her Delta MD-80 knocked over a shuttle bus at over 150 miles per hour while landing in Detroit. Luckily no one was hurt. But it did spark an investigation: do pilots feel the width of their wings? If so, this would mean that the head was effectively approximately 150 feet wide? This was the catalyst for SYX: to look across art practices and contemporary culture at all ways of extending the head into space, and to move headlong into the future. See Yourself Sensing has been used widely at design institutions across the world.See Yourself X, like its predecessor, will be both an exhibition in book form, and an academic book, with examples of Schwartzman's innovative head-centred design projects from Columbia University and Parsons.

The inspiring true story of a young woman who became deaf at age 19 while pursuing a degree in music--and how she overcame adversity and found the courage to live out her dreams.

Discover powerful hidden social "levers" and networks within your company... then, use that knowledge to make slight "tweaks" that dramatically improve both business performance and employee fulfillment! In People Analytics, MIT Media Lab innovator Ben Waber shows how sensors and analytics can give you an unprecedented understanding of how your people work and collaborate, and actionable insights for building a more effective, productive, and positive organization. Through cutting-edge case studies, Waber shows how: Changing the way call center employees spent their breaks increased performance by 25% while significantly reducing stress Quantifying the failure of marketing and customer service to communicate led to a more cohesive and profitable organization Tweaking the balance of in-person and electronic communication can enhance the value of both Sensor data can help you discover who your internal experts really are Identifying employees involved in "creative" behaviors can help you promote innovation throughout your business Sensors and simulations can help you optimize your sick-day policies Measuring informal interactions can improve the chances that a merger, acquisition, or "mega-project" will succeed Drawing on his cutting-edge work at MIT and Harvard, Waber addresses crucial issues ranging from technology to privacy, revealing what will be possible in a few years, and what you can achieve right now. In bringing the power of analytics to organizational development, he offers immense new opportunities to everyone with responsibility for workplace performance.

A noted psychologist shares the personal accounts of women who suffered from the eating disorder bulimia nervosa, and their efforts to recover.

Ways of Sensing is a stimulating exploration of the cultural, historical and political dimensions of the world of the senses. The book spans a wide range of settings and makes comparisons between different cultures and epochs, revealing the power and diversity of sensory expressions across time and space. The chapters reflect on topics such as the tactile appeal of medieval art, the healing power of Navajo sand paintings, the aesthetic blight of the modern hospital, the role of the senses in the courtroom, and the branding of sensations in the marketplace. Howes and Classen consider how political issues such as nationalism, gender equality and the treatment of minority groups are shaped by sensory practices and metaphors. They also reveal how the phenomenon of synaesthesia, or mingling of the senses, can be seen as not simply a neurological condition but a vital cultural mode of creating social and cosmic interconnections. Written by leading scholars in the field, Ways of Sensing provides readers with a valuable and engaging introduction to the life of the senses in society.

David Howes’s sweeping history of the senses in the disciplines of anthropology and psychology and in the field of law lays the foundations for a sensational jurisprudence, or a way to do justice to and by the senses of other people. In part 1, Howes demonstrates how sensory ethnography has yielded alternative insights into how the senses function and argues convincingly that each culture should be approached on its own sensory terms. Part 2 documents how the senses have been disciplined psychologically within the Western tradition, starting with Aristotle and moving through the rise of Lockean empiricism and cognitive neuroscience. Here, Howes presents an anthropologically informed critique of experimental and cognitive psychology, sensory science, and phenomenology. In part 3, he introduces the paradigm of the “historical anthropology of the senses and sensation” and applies it to the analysis of trade relations between Europe and China in the early modern period, to the treaty-making process in North America during the colonial period, and to all the unresolved disputes over land rights and Indigenous sovereignty that continue to this day, arguing that these differences are rooted in a cultural clash of sensoria. Designed for the classroom, Sensorial Investigations displays an expansive critical engagement with generations of scholarship. It is essential reading for students and scholars of the history and anthropology of the senses, the psychology of sensation, and socio-legal studies.

Examines the intersection of Samuel Beckett's thirty-second playlet Breath with the visual artsSamuel Beckett, one of the most prominent playwrights of the twentieth century, wrote a thirty-second playlet for the stage that does not include actors, text, characters or drama but only stage directions. Breath (1969) is the focus and the only theatrical text examined in this study, which demonstrates how the piece became emblematic of the interdisciplinary exchanges that occur in Beckett's later writings, and of the cross-fertilisation of the theatre with the visual arts. The book attends to fifty breath-related artworks (including sculpture, painting, new media, sound art, performance art) and contextualises Beckett's Breath within the intermedial and high-modernist discourse thereby contributing to the expanding field of intermedial Beckett criticism. Key FeaturesExamines Beckett's ultimate venture to define the borders between a theatrical performance and purely visual representationJuxtaposes Beckett's Breath with breath-related artworks by prominent visual artists who investigate the far-reaching potential of the representation of respiration by challenging modernist essentialismThe focus on this primary human physiological function and its relation to arts and culture is highly pertinent to studies of human performance, the nature of embodiment and its relation to cultural expressionFacilitates new intermedial discourses around the nature and aesthetic possibilities of breath, the minimum condition of existence, at the interface between the visual arts and performance practices and their relation to questions of spectacle, objecthood and materiality

How digital technologies affect the way we conceive of the self and its relation to the world, considered through the lens of media art practices. In Tactics of Interfacing, Ksenia Fedorova explores how digital technologies affect the way we conceive of the self and its relation to the world. With the advent of ubiquitous computing, the self becomes an object of technological application, increasingly defined by data received from tracking technologies. Subtly, these technologies encourage versions of ourselves that are easier to interpret computationally. Fedorova views these shifts in self-perception through the lens of contemporary media art practices, examining a range of artistic tactics that enable embodied and intimate experiences of machinic operations on our lives.

Through the use of meditations, Scripture passages, stories, and prayers, Sr. Marie Paul Curley offers a way to develop a personal relationship with God and to discover his unconditional love for us. Curley writes from her own experience, creating a guide to fostering healthy self-esteem and a sense of personal affirmation for even the busiest reader.