Scottish International

"Considering an unprecedented range of literary, political and archival materials, it explores how questions of 'voice', language and identity featured in debates leading to the new Scottish Parliament in 1999"--Publisher description

Between 1400 and 1650 Scotland underwent a series of drastic changes, in court, culture, and religion. This International Companion traces the impact of these historical transformations on Scotland's literatures, in English, Gaelic, Latin and Scots, and provides a comprehensive overview to the major cultural developments of this turbulent age.

A Companion to Scottish Literature offers fresh readings of major authors and periods of Scottish literary production from the first millennium to the present. Bringing together contributions by many of the world’s leading experts in the field, this comprehensive resource provides the historical background of Scottish literature, highlights new critical approaches, and explores wider cultural and institutional contexts. Dealing with texts in the languages of Scots, English, and Gaelic, the Companion offers modern perspectives on the historical milieux, thematic contexts and canonical writers of Scottish literature. Original essays apply the most up-to-date critical and scholarly analyses to a uniquely wide range of topics, such as Gaelic literature, national and diasporic writing, children’s literature, Scottish drama and theatre, gender and sexuality, and women’s writing. Critical readings examine William Dunbar, Robert Burns, Walter Scott, Robert Louis Stevenson, Muriel Spark and Carol Ann Duffy, amongst others. With full references and guidance for further reading, as well as numerous links to online resources, A Companion to Scottish Literature is essential reading for advanced students and scholars of Scottish literature, as well as academic and non-academic readers with an interest in the subject.

Cinema from Scotland has attained an unprecedented international profile in the decade or so since Shallow Grave (1995) and Trainspotting (1996) impinged on the consciousness of audiences and critics around the world. Scottish Cinema Now is the first collection of essays to examine in depth the new films and filmmakers that have emerged from Scotland over the last ten years. With contributions from both established names and new voices in British Cinema Studies, the volume combines detailed textual analysis with discussion of industrial issues, scholarship on new movies with historical investigation of unjustly forgotten figures and film from Scotland’s cinematic past, and a focus on international as well as indigenous images of Scottishness. Responding to the ways in recent Scottish filmmaking has transformed the country’s cinematic landscape, Scottish Cinema Now reexamines established critical agendas and sets new ones for the study of Scotland’s relationship with the moving image in the twenty-first century.

Although a number of publications have appeared in recent years marking the importance of the ‘swinging sixties’, many tend to be personally reflective in nature and London-centric in their coverage. By contrast, The Scottish Sixties: Reading, Rebellion, Revolution? addresses this misrepresentation and in so doing fills a gap in both Scottish and British literary and cultural studies. Through a series of academic analyses based on archival records, ephemera and work produced during the 1960s, this volume focuses uniquely on Scotland. In its concern with some of the key figures of Scottish cultural life, the book considers amongst other topics the implications of censorship, the role of little magazines in shaping cultural debates, the radical nature of much Scottish literature of the time, developments in the avant-garde and the role of experiment in theatre, film, TV, fine art and music.

First published in 1973, Professor Kellas's account of Scottish government and politics has long been recognised as the standard textbook in the field. Its scope includes a definition of the Scottish political system, and critical descriptions of Scottish administration (central and local), parliamentary activity, parties, electoral behaviour, and pressure groups. Scottish nationalism is given a wider interpretation than usual, covering not only the support for the Scottish National Party, but the manifestations of national feeling in Scottish life generally. The General Election of 1987 provided further evidence of the distinctive character of politics in Scotland, with the Conservative Party reduced to ten MPs, barely sufficient to fill the existing Scottish ministerial posts. In a new postscript Professor Kellas looks at the principal political developments of the period since 1983, and examines the political and constitutional implications of the current imbalance of forces as between Westminster and Scotland.

Scottish nationalism is a powerful movement in contemporary politics, yet the goal of Scottish independence emerged surprisingly recently into public debate. The origins of Scottish nationalism lie not in the medieval battles for Scottish statehood, the Acts of Union, the Scottish Enlightenment, or any other traditional historical milestone. Instead, an influential separatist Scottish nationalism began to take shape only in the 1970s and achieved its present ideological maturity in the course of the 1980s and 1990s. The nationalism that emerged from this testing period of Scottish history was unusual in that it demanded independence not to defend a threatened ancestral culture but as the most effective way to promote the agenda of the left. This accessible and engaging account of the political thought of Scottish nationalism explores how the arguments for Scottish independence were crafted over some fifty years by intellectuals, politicians and activists, and why these ideas had such a seismic impact on Scottish and British politics in the 2014 independence referendum.

The Handbook of Scottish Politics provides a detailed overview of politics in Scotland, looking at areas such as elections and electoral behaviour, public policy, political parties, and Scotland's relationship with the EU and the wider world. The contributors to this volume are some of the leading experts on politics in Scotland.

Those who have been football supporters all their lives can never forget the first match they ever saw, although they might not recall the result. This is because it is the players that stay in the memory and the magic moments they provided for millions of spectators in their time.Every generation throws up its own football field magicians and The Scottish Football Hall of Fame encapsulates the Saturday afternoon spell cast by fine footballers for ordinary working men who lived to cheer on their heroes every week. Fervour was passed down from father to son, and in this way the future of the clubs as well as the fame of a few golden greats was guaranteed. Players like R.S.McColl (Queen's Park), Bobby Walker (Hearts), Alan Morton (Rangers), Denis Law (Manchester United) and Kenny Dalglish (Celtic) are in this pantheon, and they span the arc of Scottish football from its earliest days till modern times. These, and more than a hundred like them, are the men you will read about in these pages. Men who were once household names are captured here in their sporting immortality and introduced to generations of football enthusiasts who never saw them play. The Scottish Football Hall of Fame gives a unique overview of the beautiful game, where by means of illuminating narrative and anecdote, legend can unite with historical fact to honour not only the wearers of the famous dark blue shirt but every foot-soldier in the Tartan Army who has ever shouted 'Scotland! Scotland!' from the terraces.