Scientific Illus Symbols

Every graduate student, postdoc and scientist knows that images and illustrations can make or break their lecture, poster presentation, and journal or book article. Graphics software and laser printers have placed professional-quality graphics within the reach of everyone. But in the end, whether your audience sees clear, understandable images or not depends on whether you followed the principles presented here. Learn the strengths and weaknesses of different forms of visual presentations. Understand when to use a figure, and how much information can be represented in one. See examples of bad, good, and better graphs and tables. The author also presents information on presenting DNA sequences, protein structures, and other molecular graphics. '

Excerpt from Scientific Illustrations and Symbols: Moral Truths Mirrored in Scientific Facts This book is an assemblage of striking and interesting scientific facts, arranged so as to be of immediate use to men who require a suggestive topic, a forcible analogy, a cogent symbol, or a suitable illustration. It may also be pleasant reading to busy lovers of Nature who are glad to spare half-hours from time to time in contemplating the marvels of Creation. Anecdotes have long been used to illustrate moral truth; but scientific facts are often preferable. Clergymen and ministers are finding out that their hearers are somewhat tired of such of the former as are drawn chiefly from the sentimental side of life and do not rest upon reliable historical foundation. Scientific facts being revelations of Nature herself, are not open to cavil. Nature is a parable; and if we listen with reverent, loving ears, and look with sincere, eager eyes where she invites us, we receive eternal truths. Every pond, and every star, has its distinctive lesson ready for the man who will learn it. Professor H. Drummond in his suggestive work speaks of "natural law in the spiritual world." From my point of view these terms should be reversed. Spiritual law is the one and only law. The universe is merely the mirror thereof. As regards the mechanical arrangement of the present volume, it is such as should render rapid reference to every part quite easy. All kindred topics are grouped throughout its pages together. Besides this, there is at page 407 an alphabetical index of all the general topics; and on page 416 an index of natural objects, technical terms, places, things, and creatures. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This spectacularly illustrated book chronicles the exciting progress of scientific investigation through the ages as it has been mirrored in the art used to document its ideas and breakthroughs. From the cave paintings of prehistory through the ancient civilizations of Egypt, Assyria, and Greece to Renaissance drawings and modern microscopy, these images reveal the hidden influences and cultural pressures of their times. Separate chapters focus on the animal world, herbs and the birth of botany, physics and the science of non-living matter, mankind in the world; the world in space; and other seminal topics. The illustrations have been chosen from among the best preserved in the world, some never before reproduced. All help to show how scientific illustration first arose; how it mirrored in many ways the value systems of the science of its time; how images were borrowed, transformed, and occasionally came to predict future discoveries. 210 illustrations.

A practical "how-to-do-it" guide for creating and printing effective graphics. Develops specific standards and guidelines for the publication of illustrated scientific documents.

Rich in world history and political power, veiled in secrecy, and rife with rituals and arcane symbols -- from art and architecture to the images that adorn our currency -- the Freemasons arose from ambiguous origins centuries ago to play a major role in drafting the initial documents of the United States, and even in constructing the intricate landscape of Washington, D.C., itself a virtual mystery by design. These puzzles lay the foundation for Dan Brown's serpentine thriller, The Lost Symbol, and also raise provocative questions. Why do some Masonic symbols remain obscured, while others are hidden in plain sight? Which presidents were the embodiments of Masonic ideals? What is the significance of the construction of the Library of Congress, Washington National Cathedral, the Washington Monument, the Capitol, and the physical layout of Washington, D.C.'s roadways and cul-de-sacs? And to what secretive end do they all lead? Now millions of curious fans can follow Robert Langdon step-by-step, and discover for themselves the answers to the absorbing conundrums posed by The Lost Symbol in this comprehensive, fully illustrated, and intricately detailed tour of the arcana of Washington, D.C. It takes readers through the enigmatic codes, captivating trivia, unfathomable riddles, intriguing records, historic maps, ciphers, and conspiracies of the phenomenal bestseller. What's more, it reveals the fascinating details of a world of unknown locales, mysticism, intrigue, and secret societies -- all of which lie in the shadow of The Lost Symbol.

Contains definitions and interpretations of over 1,600 signs and symbols and discusses the cross-cultural, sociological, and psychological uses, meaning, and development of signs and symbols as a whole.

In nearly 1500 entries, many of them strikingly and often surprisingly illustrated, J. C. Cooper has documented the history and evolution of symbols from prehistory to our own day. With over 200 illustrations and lively, informative and often ironic texts, she discusses and explains an enormous variety of symbols extending from the Arctic to Dahomey, from the Iroquois to Oceana, and coming from systems as diverse as Tao, Christianity, Judaism, Buddhism, Islam, Tantra, the cult of Cybele and the Great Goddess, the Pre-Columbian religions of the Western Hemisphere and the Voodoo cults of Brazil and West Africa.