Scars Of A Nation

On December 30, 2007, declaration of highly disputed presidential election results triggered widespread violence across Kenya. The height of the violence was on January 1, 2008 when attackers who were unleashing murderers' violence on supporters of the presidential candidate who had just been declared winner meticulously planned and torched down Kenya Assemblies of God church full of women, children, and old people who had sought refuge there after learning of an imminent attack on Kiambaa Village in Eldoret Kenya. Seventeen people, mostly women and children, were burnt alive inside the church, and more than eighteen other people were shot with arrows, hacked with machete, and killed outside the church. Anthony Njoroge Mbuthia, who was then ten years old, survived the church fire but with very severe burns. He was treated in Kenya for one year and then referred to Shriners Hospital for children in Sacramento, California, USA, for reconstructive surgery. The international community led by the UN, USA, and the African Union quickly intervened to stop the murderers' violence that was becoming genocide, and thereafter mediation efforts between the combatants gave rise to a government of national unity that incorporated all political stakeholders. Investigations into the violence revealed that crimes against humanity were committed by well-organized and properly financed tribal militias. Several people, among them two who would later become president and deputy president, were indicted by the international criminal court that seats in The Hague, Netherlands. While Anthony was recuperating at the hospital and while he was suffering acute pain, he asked, "Dad . . . why did they burn the church? I thought the church is a sacred place?" I had no simple answer. Scars of a Nation is a story that gives a witness narration of what transpired during and after the violence efforts to obtain justice for Anthony and all other survivors and victims of the violence, while at the same time answering Anthony's question, "Dad . . . why did they burn the church?" which is actually the real motivation behind the writing of this book.

Tory hunting -- Britain's dilemma -- Rubicon -- Plundering protectors -- Violated bodies -- Slaughterhouses -- Black holes -- Skiver them! -- Town-destroyer -- Americanizing the war -- Man for man -- Returning losers

Best First Book Award from the History Honor Society, Phi Alpha Theta Scars of War examines the decisions of U.S. policymakers denying the Amerasians of Vietnam--the biracial sons and daughters of American fathers and Vietnamese mothers born during the Vietnam War--American citizenship. Focusing on the implications of the 1982 Amerasian Immigration Act and the 1987 Amerasian Homecoming Act, Sabrina Thomas investigates why policymakers deemed a population unfit for American citizenship, despite the fact that they had American fathers. Thomas argues that the exclusion of citizenship was a component of bigger issues confronting the Nixon, Ford, Carter, and Reagan administrations: international relationships in a Cold War era, America's defeat in the Vietnam War, and a history in the United States of racially restrictive immigration and citizenship policies against mixed-race persons and people of Asian descent. Now more politically relevant than ever, Scars of War explores ideas of race, nation, and gender in the aftermath of the Vietnam War. Thomas exposes the contradictory approach of policymakers unable to reconcile Amerasian biracialism with the U.S. Code. As they created an inclusionary discourse deeming Amerasians worthy of American action, guidance, and humanitarian aid, federal policymakers simultaneously initiated exclusionary policies that designated these people unfit for American citizenship.

Decolonization is the term commonly used to refer to this transition from a world of colonial empires to a world of nation-states in the years after World War II. This work demonstrates that this process involved considerable violence and instability.

This collection of essays is a confessional, stylistic account (in the Joan Didion tradition) of coming of age in the Bronx alongside the birth and evolution of hip-hop culture. This collection presents a mosaic of seminal figures in hip-hop, documentary essays exploring the social decay of hip-hop, and a substantial element of memoir, as well as observations on the generational issues of urban America. With a foreword by acclaimed poet Saul Williams, Scars exposes the motivations and aspirations of a culture whose spiritual centre was the Bronx.

In the early morning of November 29, 1864, with the fate of the Union still uncertain, part of the First Colorado and nearly all of the Third Colorado volunteer regiments, commanded by Colonel John Chivington, surprised hundreds of Cheyenne and Arapaho people camped on the banks of Sand Creek in southeastern Colorado Territory. More than 150 Native Americans were slaughtered, the vast majority of them women, children, and the elderly, making it one of the most infamous cases of state-sponsored violence in U.S. history. A Misplaced Massacre examines the ways in which generations of Americans have struggled to come to terms with the meaning of both the attack and its aftermath, most publicly at the 2007 opening of the Sand Creek Massacre National Historic Site. This site opened after a long and remarkably contentious planning process. Native Americans, Colorado ranchers, scholars, Park Service employees, and politicians alternately argued and allied with one another around the question of whether the nation’s crimes, as well as its achievements, should be memorialized. Ari Kelman unearths the stories of those who lived through the atrocity, as well as those who grappled with its troubling legacy, to reveal how the intertwined histories of the conquest and colonization of the American West and the U.S. Civil War left enduring national scars. Combining painstaking research with storytelling worthy of a novel, A Misplaced Massacre probes the intersection of history and memory, laying bare the ways differing groups of Americans come to know a shared past.

"From decorated Green Beret sniper, UFC headliner, and all around badass, Tim Kennedy, a rollicking, inspirational memoir offering lessons in how to embrace failure and weather storms, in order to unlock the strongest version of yourself. Tim Kennedy has a problem; he only feels alive right before he's about to die. Kennedy, a Green Beret, decorated Army sniper, and UFC headliner, has tackled a bull with his bare hands, jumped out of airplanes, dove to the depths of the ocean, and traveled the world hunting poachers, human traffickers, and the Taliban. But he's also the same man who got kicked out of the police department, fire department, and as an EMT, before getting two women pregnant four days apart, and finally, been beaten up by his Special Forces colleagues for, quite simply, "being a selfish asshole." In Scars and Stripes, Kennedy describes how these failures shaped him into the successful businessman and devoted husband and father he is today. Through unbelievably vivid, wild anecdotes Kennedy reveals all the dumb, violent, embarrassing, and undeniably heroic things he's done in his life, including multiple combat missions in Afghanistan, building a school in Texas for elementary kids, and creating two-multimillion-dollar businesses. You will learn that failure isn't the end-rather it's the first step towards unearthing the best version of yourself and finding success, no matter how overwhelming the setbacks may feel"--

In The Scar That Binds, Keith Beattie examines the central metaphors of the Vietnam War and their manifestations in American culture and life. Blending history and cultural criticism in a lucid style, this provocative book discusses an ideology of unity that has emerged through widespread rhetorical and cultural references to the war. A critique of this ideology reveals three dominant themes structured in a range of texts: the "wound," "the voice" of the Vietnam veteran, and "home." The analysis of each theme draws on a range of sources, including film, memoir, poetry, written and oral history, journalism, and political speeches.

They worked Virginia's tobacco fields, South Carolina's rice marshes, and the Black Belt's cotton plantations. Wherever they lived, enslaved people found their lives indelibly shaped by the Southern environment. By day, they plucked worms and insects from the crops, trod barefoot in the mud as they hoed rice fields, and endured the sun and humidity as they planted and harvested the fields. By night, they clandestinely took to the woods and swamps to trap opossums and turtles, to visit relatives living on adjacent plantations, and at times to escape slave patrols and escape to freedom. Scars on the Land is the first comprehensive history of American slavery to examine how the environment fundamentally formed enslaved people's lives and how slavery remade the Southern landscape. Over two centuries, from the establishment of slavery in the Chesapeake to the Civil War, one simple calculation had profound consequences: rather than measuring productivity based on outputs per acre, Southern planters sought to maximize how much labor they could extract from their enslaved workforce. They saw the landscape as disposable, relocating to more fertile prospects once they had leached the soils and cut down the forests. On the leading edge of the frontier, slavery laid waste to fragile ecosystems, draining swamps, clearing forests to plant crops and fuel steamships, and introducing devastating invasive species. On its trailing edge, slavery left eroded hillsides, rivers clogged with sterile soil, and the extinction of native species. While environmental destruction fueled slavery's expansion, no environment could long survive intensive slave labor. The scars manifested themselves in different ways, but the land too fell victim to the slave owner's lash. Although typically treated separately, slavery and the environment naturally intersect in complex and powerful ways, leaving lasting effects from the period of emancipation through modern-day reckonings with racial justice.

On a hot summer day in a quiet frontier settlement, a bloody raid leads to an even bloodier conflict. A young Mohawk warrior and a patrotic farm boy have survived the battle, but can they survive the night? Sixteen-year-old Noah Daniels wants nothing more than to fight in George Washington's Continental Army, but an accident as a child left him maimed and unable to enlist. He is forced to watch the Revolution from his family's hard scrabble farm in Upstate New York—until a violent raid on his settlement thrusts him into one of the bloodiest battles of the American Revolution, and ultimately, face to face with the enemy. In Scar: A Revolutionary War Tale, J. Albert Mann takes readers deep into the woods of northern New York, where two young enemies meet face to face. Based on actual events and exhaustive research, this gripping, dramatic tale of courage and honor will prove impossible to forget.