Samuels Return

A Summer/Fall 2018 Indies Introduce Debut Fiction Selection When Samuel Johnson dies, he finds himself in the body of the man who killed him, unable to depart this world but determined, at least, to return to the son he left behind. Moving from body to body as each one expires, Samuel’s soul journeys on a comic quest through an American half-century, inhabiting lives as stymied, in their ways, as his own. A ghost story of the most unexpected sort, Martin Riker’s extraordinary debut is about the ways experience is mediated, the unstoppable drive for human connection, and the struggle to be more fully alive in the world. Martin Riker grew up in central Pennsylvania. He worked as a musician for most of his twenties, in nonprofit literary publishing for most of his thirties, and has spent the first half of his forties teaching in the English department at Washington University in St. Louis. In 2010, he and his wife Danielle Dutton co-founded the feminist press Dorothy, a Publishing Project. His fiction and criticism have appeared in publications including the Wall Street Journal, the New York Times, London Review of Books, the Baffler, and Conjunctions. This is his first novel.

The first scent of blooming flowers, fresh green fields, and invigorating days of sunshine. A Southern Maryland Amish spring bursts with hope, bright promise—and a practical young widow’s chance to try love anew . . . With two lively daughters, an active newborn, and a huge farm to tend, Lena Troyer has no time for impossible what-ifs. She just can’t let herself be distracted by Samuel Mast’s unexpected return. Even though her childhood sweetheart became the man she longed to marry, Samuel never saw or wrote Lena again after his family abruptly moved away. Now a widow, Lena is determined to keep Samuel's helpful ways and irresistible good humor at arm’s length—no matter how often he’s there when she needs him most . . . A restless father with a shameful secret was the reason Samuel’s many letters never got to Lena. And it’s why Samuel can’t bring himself to tell Lena the truth—though he’s doing everything he can to regain her trust and prove he’s worthy of the resourceful woman she’s become. But as a rival for his affections complicates matters, Samuel and Lena must somehow put the past to rest—and believe that faith, honesty, and rekindled love will be more than enough to finally build a family together . . .

It has long been accepted that when Samuel Taylor Coleridge rejected the Unitarianism of his youth and returned to the Church of England, he did so while accepting a general Christian orthodoxy. Christopher Corbin clarifies Coleridge’s religious identity and argues that while Coleridge’s Christian orthodoxy may have been sui generis, it was closely aligned with moderate Anglican Evangelicalism. Approaching religious identity as a kind of culture that includes distinct forms of language and networks of affiliation in addition to beliefs and practices, this book looks for the distinguishable movements present in Coleridge’s Britain to more precisely locate his religious identity than can be done by appeals to traditional denominational divisions. Coleridge’s search for unity led him to desire and synthesize the "warmth" of heart religion (symbolized as Methodism) with the "light" of rationalism (symbolized as Socinianism), and the evangelicalism in the Church of England, being the most chastened of the movement, offered a fitting place from which this union of warmth and light could emerge. His religious identity not only included many of the defining Anglican Evangelical beliefs, such as an emphasis on original sin and the New Birth, but he also shared common polemical opponents, appropriated evangelical literary genres, developed a spirituality centered on the common evangelical emphases of prayer and introspection, and joined Evangelicals in rejecting baptismal regeneration. When placed in a chronological context, Coleridge’s form of Christian orthodoxy developed in conversation with Anglican Evangelicals; moreover, this relationship with Anglican Evangelicalism likely helped facilitate his return to the Church of England. Corbin not only demonstrates the similarities between Coleridge’s relationship to a form of evangelicalism with which most people have little familiarity, but also offers greater insight into the complexities and tensions of religious identity in late eighteenth and early nineteenth century Britain as a whole.

DIVDIVSlavery is outlawed, Nevèrÿon is free, and Gorgik the Liberator must revisit the mines for a final struggle where he himself was once a slave/divDIV Alone in a deserted castle in the Nevèrÿon countryside, a great warrior and a young barbarian meet at midnight to tell each other tales from their intersecting lives. But are they really alone? And, if they aren’t, what will it mean for Nevèrÿon . . . ?/divDIV The three stories in this volume end Samuel R. Delany’s Return to Nevèrÿon saga and cycle. But they are also its beginning—taking us back to the start of Gorgik’s epic—although, from what we’ve learned from the others, even that has become an entirely new story, though not a word in it has been changed . . ./divDIV This ebook features an illustrated biography of Samuel R. Delany including rare images from his early career./divDIV/div/div

In this critique of the liberal perspective on desegregation, Samuels leads readers from the Brown decision to Green v. School Board of New Kent County and on to United States v. Fordice to show how the future of public black universities has been left uncertain at best. For Samuels, economic equality, not segregation, remains the primary obstacle to fully realized citizenship for African Americans. He argues that African Americans' pursuit of equality in higher education can be achieved without defunding programs at these schools and that their funding should be increased in recognition of their role in preserving African American culture.

Two late-developing nations, Japan and Italy, similarly obsessed with achieving modernity and with joining the ranks of the great powers, have traveled parallel courses with very different national identities. In this audacious book about leadership and historical choices, Richard J. Samuels emphasizes the role of human ingenuity in political change. He draws on interviews and archival research in a fascinating series of paired biographies of political and business leaders from Italy and Japan. Beginning with the founding of modern nation-states after the Meiji Restoration and the Risorgimento, Samuels traces the developmental dynamic in both countries through the failure of early liberalism, the coming of fascism, imperial adventures, defeat in wartime, and reconstruction as American allies. Highlights of Machiavelli's Children include new accounts of the making of postwar Japanese politics—using American money and Manchukuo connections—and of the collapse of Italian political parties in the Clean Hands (Mani Pulite) scandal.The author also tells the more recent stories of Umberto Bossi's regional experiment, the Lega Nord, the different choices made by Italian and Japanese communist party leaders after the collapse of the USSR, and the leadership of Silvio Berlusconi and Ishihara Shintar on the contemporary right in each country.

"The episodes in 1 and 2 Samuel are striking in their depiction of human characterspriests, soldiers, kings, prophets, and royal advisersbut also significant in how they narrate the central character of this history, the God of Israel. History, in these books, is not simply an accounting of royal intrigue, military battles, and socio-economic struggle but the stage upon which God reveals God's very self. First and Second Samuel relay some of the most memorable vignettes in all Scripturethe call of Samuel, David's battle with Goliath, and David's seizure of Bathsheeba as his wifeand discover in them the hand of God." from the introduction First and Second Samuel describe the beginnings of monarchy in ancient Israel and introduce us to intriguing characters: Samuelprophet, priest, and judge; Saulthe tragic figure who becomes Israel's first king; and DavidSaul's celebrated successor and Israel's key leader whose influence endured for generations. But as Jensen makes clear in his splendid commentary, there is another figure who is a central character: God. Throughout his theologically rich treatment of these biblical books, Jensen explores what makes these texts important for us. He suggests that we read 1 and 2 Samuel because they reveal the complexities of the human person; the ambiguities of our social arrangements as nations; and God's agency in a conflicted world. Jensen notes that as we are shaped by and grapple with the biblical stories, we are invited to find our own stories within them. "What keeps us coming back to faith," he says, "is its stories: stories that tell the truth about the human condition, our shared corporate life, and the life God gives to the world."

"A masterpiece of contemporary Bible translation and commentary."—Los Angeles Times Book Review, Best Books of 1999 Acclaimed for its masterful new translation and insightful commentary, The David Story is a fresh, vivid rendition of one of the great works in Western literature. Robert Alter's brilliant translation gives us David, the beautiful, musical hero who slays Goliath and, through his struggles with Saul, advances to the kingship of Israel. But this David is also fully human: an ambitious, calculating man who navigates his life's course with a flawed moral vision. The consequences for him, his family, and his nation are tragic and bloody. Historical personage and full-blooded imagining, David is the creation of a literary artist comparable to the Shakespeare of the history plays.