Saint Raymonds Silver Jubilee

Includes extra sessions.

Founded in Indian Territory in 1858, the Sisters of Charity of Leavenworth met, a century later, challenges of a new frontier in the church's call to adapt to modern circumstances and in their own awareness of deepening social and ecclesial needs. For three decades, sisters struggled with conditions that threatened unity: issues of governance, demands of professional training, diverse backgrounds, differing experience of communal life, developing theology of religious vows. Diminishing numbers coupled with need for leadership led to new institutional roles and new forms of ministry. Emerging Frontiers records the struggle and its outcome. A common past and determination to stay together marked the long search for a renewed common vision. A new century brought re-dedication to a Vincentian heritage and far-flung partnerships in the mission given by Jesus Christ to his people. Commitment to those in need, especially women and children; fidelity to the church; faithful relationship with those of means and good will, and with the earth; transition to sponsorship of institutional ministries, many now administered by lay women and men; solidarity with all who stand for justice and peace: this was the resolution of a renewed Community whose story is told here.

Calypso, with its diverse cultural heritage, was the most significant Caribbean musical form from World War I to Trinidad and Tobago Independence in 1962. Though wildly popular in mid-1950s America, Calypso--along with other music from "the island of the hummingbird"--has been largely neglected or forgotten. This first-ever discography of the first 50 years of Trinidadian music includes all the major artists, as well as many obscure performers. Chronological entries for 78 rpm recordings give bibliographical references, periodicals, websites and the recording locations. Rare field recordings are cataloged for the first time, including East Indian and Muslim community performances and Shango and Voodoo rites. Appendices give 10-inch LP (78 rpm), 12-inch LP (33 1/3 rpm), extended play (ep) and 7-inch single (45) listings. Non-commercial field recordings, radio broadcasts and initially unissued sessions also are listed. The influence of Trinidadian music on film, and the "Calypso craze" are discussed. Audio sources are provided. Indexes list individual artists and groups, recording titles and labels.