Room For Possibilities

Country living evokes bucolic landscapes and picturesque villages rolling Connecticut countryside, verdant farmland, the sun-drenched hills of Malibu and the architecture that echoes these idyllic settings. These houses, ranging from family estates to weekend retreats, are the personal homes of decorators and tastemakers, including Jonathan Adler, Martyn Lawrence-Bullard, and Steven Gambrel. The properties exemplify varied design perspectives and provide fresh ideas about how country living is ideal for creative expression. This inspiring medley ranges from Tony Duquette s exotic pavilion-style California home to a charming New York Victorian, a modernist Palm Springs desert getaway by Neutra, a nineteenth-century Gothic cottage on Shelter Island, and an eighteenth-century Connecticut house. Along with design ideas for interiors, the book also covers the garden and pool areas. Since outdoor entertaining is an integral part of country living, a section devoted to tabletop display is included. These beautifully photographed inspirations encourage the reader to explore the design opportunities in the country guided by the best interior designers.

Despite putting in tons of extra work, ambitious consultant Riley Jenkins keeps losing clients who say they're looking for fresher ideas. When her firm send her on a women's leadership retreat, Riley is forced to put her phone and learn from the mysterious, kindly group leader who seems to be able to achieve so much with so little stress. Through this charming and inspiring story, bestselling author Laura Vanderkam applies everything she's learned about time-management and work-life balance.

The epistemology and the phenomenology of perception are closely related insofar as both depend on experiences of self-evident objectivity—experiences in which the objectivity of a state of affairs is evident from within our experience of that state of affairs. Jennifer Church offers a distinctive account of perception, showing how imagining alternative perspectives and alternative possibilities plays a key role in creating and validating experiences of self-evident objectivity. Offered first as an account of what it takes to perceive ordinary objects such as birds and trees, the account is then extended to show how it is also possible to perceive such things as causes, reasons, mental states, distant galaxies, molecular arrangements, mathematical relations, and interpersonal obligations. A chapter is devoted to the phenomenology and epistemology of moral perception, including the perception of persons as such; and a chapter is devoted to the peculiarities of aesthetic perception, including the perception of artworks as such. In all of these cases, Church argues, perception can be literal (not merely figurative or metaphorical) and substantive (not merely formal or deflationary). Her account helps to explain the advantages of perceptual versus non-perceptual knowledge. It also helps to make sense of some historical discussions of the role of the imagination in acquiring and validating knowledge, in relation to Plato's cave, Descartes' explanation of rational intuition, and Kant's arguments concerning objectivity, causality, and the Categorical Imperative.

Facilitation and mediation are important skills in our highly organized world. Holding Change is a guide for attending to both in ways that align with nature, with pleasure, with our best imaginings of our future. It provides lessons for generating the ease necessary to move through life’s inevitable struggles and for practicing the art of holding others without losing ourselves. Black feminists have evolved this wisdom, but it can serve anyone working to create change, individually, interpersonally, and within our organizations. The majority of the book is sourced from brown’s twenty-plus years of facilitation and mediation work, with additional wisdom from a selection of living Black feminist facilitators and mediators.

This book introduces a new metaphysics which deals with the psycho-physical problem in philosophical psychology, as well as with problems in the scientific standing of psychoanalysis and chaos theory, the feminine psyche, the possibility of cinematic illusion, meaningful madness, and why machines cannot think.

"[A] searing debut." —i>O, The Oprah Magazine In her powerful collection, first published in 2016 and now featuring new stories, Vanessa Hua gives voice to immigrant families navigating a shifting America. Tied to their ancestral and adopted homelands in ways unimaginable in generations past, these memorable characters span both worlds but belong to none, illustrating the conflict between self and society, tradition and change. This all–new edition of Deceit and Other Possibilities marks the emergence of a remarkable writer.

In this book, internationally migrant families invite us to listen to the storylines of their mostly muted voices as they navigate the local schools in their new cultural context. They call us to hear them as they grapple with issues they encounter. They implore us to feel like an outsider and see the school as a foreign culture with language and communication barriers. The book is organized to enhance this carework. Each chapter begins with a vignette that includes the voices of one or more members of international migrating families, while introducing the context of the chapter. At the end of each chapter readers will find specific implications to consider. These are constructed with preservice teachers, practicing teachers, and educational administrators in mind. As you read each chapter, there is the call for school transformation. The families in this book entreat school personnel to engage with international migrant families and to embrace a risk and resilience model as we strive together for success. These storylines challenge us to examine our personal storylines for biases and deficit understandings and call us all to purposefully rewrite these in the spirit of possibilities as the families in this book have embodied for us.