Robert Penn Warren Critical Perspectives

Long recognized as one of America's foremost men of letters, Robert Penn Warren continues to dazzle us with his many-sided genius. In the haunting images of his poetry, the narrative power of his fiction, the revealing insights of his essays, we find literary achievement of the highest order. Warren's writing has merited the close attention of literary critics. In this book Neil Nakadate brings together the most important critical essays, including a new essay written for this volume, to give a comprehensive view of the range of Warren's work. A list of Warren's published works, 1929-1980, and a useful checklist of critical works on Warren's writing supplement this rich and balanced collection of essays. Contributors: A.L. Clements, Chester E. Eisinger, Norton R. Girault, Robert B. Heilman, H.P. Heseltine, James H. Justus, Richard Law, Frederick P.W. McDowell, Neil Nakadate, Ladell Payne, M. Bernetta Quinn, John Crowe Ransom, Victor Strandberg, Walter Sullivan, William Tjenos, Simone Vauthier, and Robert Penn Warren

A representative selection of critical essays on the literary achievements of the poet, novelist, and literary critic.

Robert Penn Warren (1905-1989) excelled in three written genres-fiction, poetry, and literary criticism-and is one of the few writers to be awarded Pulitzer Prizes for both his poetry and his fiction. With Cleanth Brooks, he inspired practitioners of New Criticism and revolutionized the way literature was taught and studied in the academy. His 1946 novel All the King's Men, a fictionalized account of Louisianan Huey P. Long's gubernatorial administration, remains the template for American political commentary in fiction. In 1985, Warren became the first U.S. Poet Laureate. Conversations with Robert Penn Warren collects interviews ranging from the 1950s to the 1980s. Featuring interviews conducted by such writers and journalists as William Kennedy, Bill Moyers, C. Vann Woodward, and Roy Newquist, this collection's depth and focus are remarkable. Warren's critical acumen is present in every piece here, as he talks forthrightly about literature's place in American culture, the role of history in his novels and poetry, and the contemporary events that raged during his lifetime. Conversations with Robert Penn Warren is a rewarding look at a man whose life and literary career spanned most of the twentieth century. Robert Penn Warren (1905-1989) excelled in three written genres-fiction, poetry, and literary criticism-and is one of the few writers to be awarded Pulitzer Prizes for both his poetry and his fiction. With Cleanth Brooks, he inspired practitioners of New Criticism and revolutionized the way literature was taught and studied in the academy. His 1946 novel All the King's Men, a fictionalized account of Louisianan Huey P. Long's gubernatorial administration, remains the template for American political commentary in fiction. In 1985, Warren became the first U.S. Poet Laureate. Conversations with Robert Penn Warren collects interviews ranging from the 1950s to the 1980s. Featuring interviews conducted by such writers and journalists as William Kennedy, Bill Moyers, C. Vann Woodward, and Roy Newquist, this collection's depth and focus are remarkable. Warren's critical acumen is present in every piece here, as he talks forthrightly about literature's place in American culture, the role of history in his novels and poetry, and the contemporary events that raged during his lifetime. Conversations with Robert Penn Warren is a rewarding look at a man whose life and literary career spanned most of the twentieth century.

Grimshaw examines the writer's views about the primacy of self-knowledge and explores the painful and arduous path his protagonists must follow to gain such knowledge and the interrelationship of his artistic endeavors, which were woven together by common thematic concerns - history, time, truth, responsibility, love, hope, and endurance.".

Synthesizes much of the significant criticism dealing with Warren's works over almost half a century (1930-79), emphasising the novels, particularly the earlier ones. Critics represented are Richard Howard, Allan Nevins, Morton Zabel, Christopher Isherwood, Malcolm Cowley, Joseph Epstein and Richard Sale.

Robert Penn Warren was unique among twentieth-century American writers for having achieved excellence in a broad and assorted range of genres: poems, novels, plays, critical works, historical essays, personal essays, biography, and innovative textbooks. In this collection of essays, critics and poets -- among the finest Warren scholars -- assess Warren's legacy within his various genres and illuminate his centrality to twentieth-century American culture. Although Warren was best known for his novel All the King's Men, the fact that most of these essays focus on his poetry attests to the urgency these poets and scholars feel about the need to call attention to this relatively neglected aspect of his work. Although their approaches and themes are varied, the pieces in The Legacy of Robert Penn Warren are united in their assertion that the writer's true legacy is that he was, in a century of increasing specialization, a myriad-minded Renaissance man.

The myth of America--the gap between American ideals and the actualities of American life--is a central and controlling metaphor in the works of Robert Penn Warren. Ranging across Warren's distinguished sixty-five year career, Robert Penn Warren and the American Imagination identifies the concerns that stem from Warren's vision of American history as a struggle to restore the lost ideals of the founding fathers and shows how they resonate through his writings. From his 1928 biography of the abolitionist John Brown to the late poems of Altitudes and Extensions, Warren returned again and again to themes related to democracy, regionalism, personal liberties, individual responsibilities, minority relations, and above all the loss of ideals. Ruppersburg initially focuses on Warren's expression of these themes in three major narrative poems: Brother to the Dragons portrays slavery in all its horror and its consequences for Jeffersonian idealism; Audubon: A Vision extols the power of imagination in one man's quest to assert an American identity in the wilderness; and Chief Joseph of the Nez Perce regards the victimization of Native Americans and their exclusion from traditional versions of American history as evidence of flaws in the founding vision. In his nonfiction works Segregation and Who Speaks for the Negro? Warren depicted the civil rights movement as a struggle for identity and individualism. Ruppersburg traces the development of Warren's attitudes, arguing that his support of the civil rights movement paradoxically stemmed from agrarianism, which by the 1950s meant something very different to him from the agrarianism of I'll Take My Stand. In addition, Warren hoped that the civil rights movement would restore some of the nation's original revolutionary ardor and idealism. The book closes with an examination of Warren's views on the future of democracy and the individual in a world dominated--and threatened--by science and technology. Looking particularly at The Legacy of the Civil War, Democracy and Poetry, and the poem "New Dawn," Ruppersburg concludes that Warren was skeptical about our prospects for survival. Still, through his advocacy of the arts and the primacy of the individual, Warren affirmed the values that he believed would help Western culture to endure. Robert Penn Warren sought to explore the meaning of the American experience, to validate the promise and the dangers of American ideals, and to urge the nation to take stock of itself and struggle for control of its fate in history. Through this obsessive search for America's identity, Ruppersburg demonstrates, Warren affirmed his own position as one of the most accomplished and significant of modern American writers.

Provides in-depth analysis of the life, works, career, and critical importance of Robert Penn Warren.