Rivals Of The Republic

The daughter of a renowned orator must solve the murder of a young priestess in this historical mystery series debut set in Ancient Rome. Rome, First Century B.C. The body of a Vestal Virgin is found in the Tiber River, and soon after, a senator is found having bled to death in his bath. As Roman authorities turn a strangely blind eye, Hortensia, the daughter of the capital’s most celebrated orator, begins investigating this trail of murders that leads straight into the dark heart of Rome. Despite her husband’s and father’s attempts to protect her, rebelling against the societal constraints to her sex, Hortensia plunges deeper into the corrupt underworld of the city. And only one man can save her from becoming the next victim: Lucrio, the ex-gladiator to whom she already owes her life. But Lucrio has secrets as well, and his past threatens to subsume both him and Hortensia. Rivals of the Republic is the exciting fiction debut from Roman historian and author Annelise Freisenbruch. Using her supreme knowledge of the period, Freisenbruch delivers a meticulously accurate and suspenseful mystery that will grip readers from beginning to end.

No country feels China's rise more deeply than Japan. Through intricate case studies of visits by Japanese politicians to the Yasukuni Shrine, conflicts over the boundaries of economic zones in the East China Sea, concerns about food safety, and strategies of island defense, Sheila A. Smith explores the policy issues testing the Japanese government as it tries to navigate its relationship with an advancing China. Smith finds that Japan's interactions with China extend far beyond the negotiations between diplomats and include a broad array of social actors intent on influencing the Sino-Japanese relationship. Some of the tensions complicating Japan's encounters with China, such as those surrounding the Yasukuni Shrine or territorial disputes, have deep roots in the postwar era, and political advocates seeking a stronger Japanese state organize themselves around these causes. Other tensions manifest themselves during the institutional and regulatory reform of maritime boundary and food safety issues. Smith scrutinizes the role of the Japanese government in coping with contention as China's influence grows and Japanese citizens demand more protection. Underlying the government's efforts is Japan's insecurity about its own capacity for change and its waning status as the leading economy in Asia. For many, China's rise means Japan's decline, and Smith suggests how Japan can maintain its regional and global clout as confidence in its postwar diplomatic and security approach diminishes.

Rivalries are a fundamental aspect of all international interactions. The concept of rivalry suggests that historic animosity may be the most fundamental variable in explaining and understanding why states commit international violence against each other. By understanding the historic factors behind the emergence of rivalry, the strategies employed by states to deal with potential threats, and the issues endemic to enemies, this book seeks to understand and predict why states become rivals. The recent increase in the quantitative study of rivalry has largely identified who the rivals are, but not how they form and escalate. Questions about the escalation of rivalry are important if we are to understand the nature of conflictual interactions. This book addresses an important research gap in the field by directly tackling the question of rivalry formation. In addition to making new contributions to the literature, this book will summarize a cohesive model of how all interstate rivalries form by using both quantitative and qualitative methods and sources.

Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pablo Picasso and Juan Gris, flocked to Paris. Yet by no means were these Salons equal in power, nor did they work consensually to forge this “modern art centre”. Formed on the basis of their different cultural politics, constantly they rivalled one another for State acquisitions and commissions, exhibition places and spaces, awards, and every other means of enhancing their legitimacy. By no means were the avant-garde salons those that most succeeded. Instead, as this culturo-political history demonstrates, the French Artists’ and National Fine Art Salons were the most successful, with the genderist French Artists' Salon being the most powerful and “official”. Despite the renown today of Neo-Impressionism, Art Nouveau, Fauvism, Cubism and Orphism, the most powerful artists in this “modern art centre” were not Sonia Delaunay, Émile Gallé, Paul Signac, Henri Matisse or even Picasso but such Academicians as Léon Bonnat, William Bouguereau, Fernand Cormon, Edouard Detaille, Gabriel Ferrier, Jean-Paul Laurens, Luc-Oliver Merson and Aimé Morot, who exhibited at the “official” Salon supported by the machinery of the State. In its exposure of the rivalry, conflict and struggle between the Salons and their artists, this is an unprecedented history of dissension. It also exposes how, just below the welcoming internationalist veneer of this “modern art centre”, intense persecutionist paranoia lay festering. Whenever France’s “civilizing mission” seemed culturally, commercially or colonially threatened, it erupted in waves of nationalist xenophobia turning artistic rivalry into bitter enmity. In exposing how rivals became transmuted into conspirators, ultimately this book reveals a paradox resonant in histories that celebrate the international triumph of French modern art: that this magnetic “centre”, which began by welcoming international modernists, ended by attacking them for undermining its cultural supremacy, contaminating its “civilizing mission” and politically persecuting the very modernist culture for which it has received historical renown.

In Legendary Rivals Jaclyn Neel argues for a new interpretation of the foundation myths of Rome. Instead of a negative portrayal of the city’s early history, these tales offer a didactic paradigm of the correct way to engage in competition. Accounts from the triumviral period stress the dysfunctional nature of the city’s foundation to capture the memory of Rome’s civil wars. Republican evidence suggests a different emphasis. Through diachronic analyses of the tales of Romulus and Remus, Amulius and Numitor, Brutus and Collatinus, and Camillus and Manlius Capitolinus, Neel shows that Romans of the Republic and early Principate would have seen these stories as examples of competition that pushed the bounds of propriety.

The emergence of the early American republic as a new nation on the world stage conjured rival visions in the eyes of leading statesmen at home and attentive observers abroad. Thomas Jefferson envisioned the newly independent states as a federation of republics united by common experience, mutual interest, and an adherence to principles of natural rights. His views on popular government and the American experiment in republicanism, and later the expansion of its empire of liberty, offered an influential account of the new nation. While persuasive in crucial respects, his vision of early America did not stand alone as an unrivaled model. The contributors to Rival Visions examine how Jefferson’s contemporaries—including Washington, Adams, Hamilton, Madison, and Marshall—articulated their visions for the early American republic. Even beyond America, in this age of successive revolutions and crises, foreign statesmen began to formulate their own accounts of the new nation, its character, and its future prospects. This volume reveals how these vigorous debates and competing rival visions defined the early American republic in the formative epoch after the revolution.

The formation of the modern state, the rise of capitalism, the Renaissance and Reformation, the scientific revolution and the Age of Enlightenment have all been attributed to the “early modern” period. Nearly everything about its history remains controversial, but one thing is certain: it left a rich and provocative legacy of political ideas unmatched in Western history. The concepts of liberty, equality, property, human rights and revolution born in those turbulent centuries continue to shape, and to limit, political discourse today. Assessing the work and background of figures such as Machiavelli, Luther, Calvin, Spinoza, the Levellers, Hobbes, Locke and Rousseau, Ellen Wood vividly explores the ideas of the canonical thinkers, not as philosophical abstractions but as passionately engaged responses to the social conflicts of their day.

Darden traces the decisions that shaped the entry of post-Soviet states into the world economy.

John Adams vs Thomas Paine: Rival Plans for the Early Republic by historian Jett B. Conner explores how the two rivals helped shape America's first constitutions--the Articles of Confederation and those of several states-- and how they continued contributing to American political thought as it developed during the so-called "critical period" between the adoption of the Articles of Confederation and the start of the Constitutional Convention of 1787. It also focuses on the creation of our democratic republic and compares Paine's and Adams's approaches to structuring constitutions to ensure free government while guarding against abuses of power and the excesses of democratic majorities.

Hannibal vs. Scipio. Grant vs. Lee. Rommel vs. Patton. The greatest battles, commanders, and rivalries of all time come to life in this engrossing guide to the geniuses of military history. “A compelling study of military leadership.”—James M. McPherson, Pulitzer Prize–winning author of Battle Cry of Freedom Any meeting of genius may create sparks, but when military geniuses meet, their confrontations play out upon a vast panorama of states or civilizations at war, wielding the full destructive power of a mighty nation’s armies. Gods of War is the first single-volume, in-depth examination of the most celebrated military rivalries of all time, and of the rare, world-changing battles in which these great commanders in history matched themselves against true equals. From Caesar and Pompey deciding the fate of the Roman Republic, to Grant and Lee battling for a year during the American Civil War, to Rommel and Montgomery and Patton meeting in battle after battle as Hitler strove for European domination, these match-ups and their corresponding strategies are among the most memorable in history. A thrilling look into both the generals’ lives and their hardest-fought battles, Gods of War is also a thought-provoking analysis of the qualities that make a strong commander and a deep exploration of the historical context in which the contestants were required to wage war, all told with rousing narrative flair. And in a time when technology has made the potential costs of war even greater, it is a masterful look at how military strategy has evolved and what it will take for leaders to guide their nations to peace in the future.