Risking Intimacy And Creative Transformation In Psychoanalysis

In this compelling book, Lauren Levine explores the transformative power of stories and storytelling in psychoanalysis to heal psychic wounds and create shared symbolic meaning and coherence out of ungrieved loss and trauma. Through evocative clinical stories, Levine considers the impact of trauma and creativity on the challenge of creating one’s own story, resonant with personal authenticity and a shared sense of culture and history. Levine sees creativity as an essential aspect of aliveness, and as transformative, emergent in the clinical process. She utilizes film, dance, poetry, literature, and dreams as creative frames to explore diverse aspects of psychoanalytic process. As a psychoanalyst and writer, Levine is interested in the stories we tell, individually and collectively, as well as what gets disavowed and dissociated by experiences of relational, intergenerational, and sociopolitical trauma. She is concerned too with whose stories get told and whose get erased, silenced, and marginalized. This crucial question, what gets left out of the narrative, and the potential for an intimate psychoanalytic process to help patients reclaim what has been lost, is at the heart of this volume. Attentive to the work of helping patients reclaim their memory and creative agency, his book will prove invaluable for psychoanalysts and psychotherapists in practice and in training.

Psychoanalytic Perspectives on Virtual Intimacy and Communication in Film brings together a group of psychoanalysts to explore, through film, the new forms of communication, mainly the internet, that enter more and more frequently into the affective lives of people, their intimacy and even the analytic room. The contributors, all practising psychoanalysts, analyse the potential and surprising transformations that human relationships, including psychoanalysis, are undergoing. At present, it is difficult to value the future importance and predict the possible disquieting consequences of the use and abuse of the new technologies; we run the risk of finding ourselves unprepared to face this revolutionary transformation in human connections and affects. Will it be possible in a near future that human beings prefer to fall in love with a machine gifted with a persuasive voice instead of a psychoanalyst 'in person'? The contributors explore the idea that virtual intimacy could begin to replace real life, in sentimental and psychoanalytic relationships. Imagination and fantasy may be strengthened and may ultimately prevail over the body, excluding it entirely. Can the voice of the analyst, sometimes transmitted only by telephone or computer, produce a good enough analytic process as if it were in-person, or will it help to foster a process of idealisation and progressive alienation from real life and connections with other human beings? The film Her (2013), alongside others, offers a wonderful script for discussing this matter, because of the deep and thoughtful examination of love and relationships in the contemporary world that it provides. Psychoanalytic Perspectives on Virtual Intimacy and Communication in Film will be of great interest to all psychoanalysts and psychoanalytic psychotherapists interested in the ongoing impact of technology on human relationships.

Clinical psychoanalysis serves as our best laboratory for exploring the riddle of what it is to be a person, and how a person is at once singularly unique while always a piece of the interpersonal fabric of humanity. In Intimacy and Separateness in Psychoanalysis, Warren Poland casts a freshly erudite eye on this paradox, resisting individual or intersubjective bias and avoiding the parochial allegiances common in our age of pluralism. Poland combines vivid reports from clinical analyses, literary readings, and his own life – all unfolding original observations on a person as both a part of and apart from human commonality. His consideration of how one person’s witnessing facilitates another’s self-definition, a concept extended here in his study of outsiderness as part of human nature, has been marked a keynote contribution. Clinical illustrations of moments that matter but are usually omitted from public presentation are set alongside examples of reading powerful fiction to show how analyst and author both incite fresh openness in a person’s mind. Poland goes farther, exposing the personal power of union and separateness in its keenest form, facing the ultimate separation of one’s own actual death. Only with separateness can true intimacy grow, and only within the fabric of others can true individuality exist. This evocative book, ranging from the lightness of whimsy to the dread of dying, allows every reader to taste of and learn from Poland’s thinking. Psychoanalyst or patient, writer or reader, each one living one’s own life – all can find new understandings in this work.

What can neuroscience contribute to the psychodynamic understanding of creativity and the imagination? A Curious Intimacy is an innovative study into the interrelation between art and neuro-psychoanalysis which significantly narrows the divide between the humanities and the sciences. Situating our grasp of the creative mind within the historical context of theories of sublimation, Lois Oppenheim proposes a change in paradigm for the study of the creative process, questioning the idea that creativity serves, above all, the reparation of early object relationships and the resolution of conflict. The book is divided into two parts. Part One, Art and the Brain, introduces the field of neuro-psychoanalysis and examines the contribution it can make to the discussion of gender and art. Part Two, A New Direction for Interdisciplinary Psychoanalysis, draws on the verbal and visual artistry of Samuel Beckett, Paul Klee and Martha Graham to put to the test the proposed new direction for applied psychoanalysis. Lois Oppenheim concludes by addressing the future of psychoanalysis as it becomes increasingly informed by neuroscience and raising questions about what the neurobiology of emotion and feeling has to tell us about the creative experience of an individual and what might constitute a 'neuro-psychoanalytic aesthetics'. A Curious Intimacy will have great appeal for all those interested in the study of imagination and creativity. It will also be of particular interest to students across the humanities and sciences and to psychotherapists and psychoanalysts wanting to explore the contribution that neuro-psychoanalysis can make to our understanding of the creative process.

Art, Creativity, and Psychoanalysis: Perspectives from Analyst-Artists collects personal reflections by therapists who are also professional artists. It explores the relationship between art and analysis through accounts by practitioners who identify themselves as dual-profession artists and analysts. The book illustrates the numerous areas where analysis and art share common characteristics using first-hand, in-depth accounts. These vivid reports from the frontier of art and psychoanalysis shed light on the day-to-day struggle to succeed at both of these demanding professions. From the beginning of psychoanalysis, many have made comparisons between analysis and art. Recently there has been increasing interest in the relationship between artistic and psychotherapeutic practices. Most important, both professions are viewed as highly creative with spontaneity, improvisation and aesthetic experience seeming to be common to each. However, differences have also been recognized, especially regarding the differing goals of each profession: art leading to the creation of an art work, and psychoanalysis resulting in the increased welfare and happiness of the patient. These issues are addressed head-on in Art, Creativity, and Psychoanalysis: Perspectives from Analyst-Artists. The chapters consist of personal essays by analyst/artists who are currently working in both professions; each has been trained in and is currently practicing psychoanalysis or psychoanalytic psychotherapy. The goal of the book is to provide the audience with a new understanding of psychoanalytic and psychotherapeutic processes from the perspective of art and artistic creativity. Drawing on artistic material from painting, poetry, photography, music and literature, the book casts light on what the creative processes in art can add to the psychoanalytic endeavor, and vice versa. Art, Creativity, and Psychoanalysis: Perspectives from Analyst-Artists will appeal to psychoanalysts and psychoanalytic psychotherapists, theorists of art, academic artists, and anyone interested in the psychology of art.

This book addresses aspects of how creativity is viewed in psychoanalytic theory and worked with in the consulting room, with particular reference to human generativity and the life cycle, within the arts in the broadest sense and its workings in society and culture in the widest sense.

The Intimate Room provides an original exploration of psychoanalytic thought, showing how contemporary psychoanalysis seeks to answer the challenges raised by today's post-modern culture. Offering a deeply personal and insightful reading of Bion, this book acts as a stimulating guide to the development of the theory of the analytic field and both its technical and clinical implications. As such topics of discussion include: the concept of the internal setting the rhetoric of interpretation the 'subversive' notion of Nachträglichkeit the role played by characters in analytic discourse the bi-personal field as virtual reality new concepts of transference. Allowing the reader to engage with the inner space of analysis, The Intimate Room will be of interest to psychoanalysts, psychotherapists and all those with an interest in the field of psychoanalysis. It will also be a useful tool in psychoanalytic and psychotherapeutic work on a day-to-day basis.

This latest book in the Psychoanalysis and Women series includes writings from practising psychoanalysts mainly from Italy and Europe. They take a wide sweep in exploring many aspects of women's creativity with an emphasis throughout the chapters on the contribution of dreaming to creativity. It takes as its starting point creativity in clinical work in the consulting room, and puts forward new perspectives on psychoanalytic theory. The focus then turns to creativity in the life cycle, particularly when there are delays and difficulties in becoming pregnant, as well as the everyday creativity in overcoming obstacles to intimacy and coupling and being able to allow the female body in particular to be receptive to growing and nurturing an infant human being. It turns next to aspects of female creativity in the arts in the broadest sense, discussing artworks and sculpture, film and literature. Lastly, it considers aspects of creative living in society, the large, small and unseen creativity in culture, society and the structures that we live with.

Christopher Bollas is one of the most expressive and eloquent exponents of the ideas, meanings and experience of psychoanalysis currently writing. He has a real gift for taking the reader into the fine texture of the psychoanalytic process. Forces of Destiny examines and reflects on one of the most fundamental questions – what is it that is unique about us as individuals? How does it manifest itself in our personalities, our lives, relationships and in the psychoanalytic process? Drawing on classical notions of ‘fate’ and ‘destiny’ and Winnicott’s idea of the true self, Bollas develops the concept of ‘the human idiom’ to explore and show how we work out – both creatively and in the process of analysis – the ‘dialectics of difference’. In particular he reflects on how the patients may use particular parts of the psychoanalyst’s personality to express their own idiom and destiny drive. Forces of Destiny was Bollas’ second book. His first, The Shadow of the Object (1987), was described by the reviewer in the International Journal of Psycho-Analysis as a ‘unique and remarkable book. I think of it as one of the most interesting and important new books on psychoanalysis which I have read in the last decade.’ Forces of Destiny confirmed his position as one of the most important, thoughtful and engaging psychoanalytic writers. With a new preface from Christopher Bollas, Forces of Destiny remains a classic of psychoanalytic literature, appealing to psychoanalysts as well as readers in art history, literature, philosophy, and cultural studies.

Despite creating vast inequalities and propping up reactionary world regimes, capitalism has many passionate defenders—but not because of what it withholds from some and gives to others. Capitalism dominates, Todd McGowan argues, because it mimics the structure of our desire while hiding the trauma that the system inflicts upon it. People from all backgrounds enjoy what capitalism provides, but at the same time are told more and better is yet to come. Capitalism traps us through an incomplete satisfaction that compels us after the new, the better, and the more. Capitalism's parasitic relationship to our desires gives it the illusion of corresponding to our natural impulses, which is how capitalism's defenders characterize it. By understanding this psychic strategy, McGowan hopes to divest us of our addiction to capitalist enrichment and help us rediscover enjoyment as we actually experienced it. By locating it in the present, McGowan frees us from our attachment to a better future and the belief that capitalism is an essential outgrowth of human nature. From this perspective, our economic, social, and political worlds open up to real political change. Eloquent and enlivened by examples from film, television, consumer culture, and everyday life, Capitalism and Desire brings a new, psychoanalytically grounded approach to political and social theory.