Requiem For The Phoenix

On a cold December night, a gentleman named Jonas Faulkner, stumbles into the town of Esk, gunshot wounds leaving a trail of blood in the show behind him. Despite making an eerily miraculous recovery at the hands of a young and inexperienced nurse, named Anya, and his decision to carve out new life for himself in Esk, he is unable to escape his past, and the host of strange and supernatural creatures that follow him like shadows. As they search for the truth, Anya must question her beliefs and risk her life in order to protect her family, her friends, and those she loves.

Death. Destruction. Despair. These are the hallmarks of the Dread Fleet. It is an unstoppable force that, when summoned to do so, will scourge the galaxy in a Holy Reckoning. It is up to Queen Kalila Akira, Calvin Cross, and the others to stop it. Meanwhile a dark figure lurks in the shadows whose path must cross Calvin's, it is an intersection that could end in death.

"Action-packed, well-woven reading . . . will leave readers wondering how safe they are in the post-9/11 era, and how much their government is really telling them." -Foreword /Clarion Review "The author delivers a . . . stirring thriller that relies on political maneuvering . . . just as much as action." -KIRKUS REVIEWS "Scheming politicians, spies, terrorists, and clandestine power brokers converge in . . . Requiem for the Phoenix." -Blueink Review Two years have passed since the Phoenix operation - al Qaida's secret attack on the American Heartland with a biological weapon of mass destruction. Since then, al Qaida has undergone an unexpected reversal. They broadcast a series of strange messages, offering - with one hand - an olive branch of peace to end terrorism and help support the U.S. president's worldwide democratic reforms. In al Qaida's other hand, however, is their secret plot to launch the second phase of the Phoenix operation - a series of attacks comprising their most devastating wave of terror since 9/11. As the suspense-filled plot unfolds across three continents, al Qaida stops at nothing to make America and the free world yield to their fanatical domination.

Chronicles the Phoenix Suns' 2005-2006 basketball season, discussing players, coaches, games, organizational changes, and more.

Requiem for a Lost City shows us the reality of Civil War Atlanta from the eve of secession to the memorials for the fallen, through the memories of a participant. Sallie Clayton would have been the same age as the fictional Scarlett O'Hara during the Civil War. Sallie Clayton's memoirs, however, are not a work of fiction but bittersweet reminiscences of growing up in a doomed city in the midst of losing a war. Although her memoirs provide invaluable detail on Civil War Atlanta, they also tell of her personal experiences on a plantation in Montgomery, Alabama, and in postwar Augusta and Athens. Sallie Clayton belonged to one of Georgia's wealthiest and most prominent families. Her memoirs are colored by the losses suffered by her family. Robert Davis's introduction to this work illustrates the background of the Claytons, Sallie's writings, and Civil War Atlanta, providing a balanced account of life at "the crossroads of the Confederacy." The introduction also provides a corrective to the popular, Gone With the Wind view of Civil War Atlanta.

In the tragicomic mode of his best-selling Louisiana Power & Light, a hilarious and tenderhearted novel about a son's attempts to save his family. John Dufresne takes us to Requiem, Mass., heart of the Commonwealth, where Johnny's mom, Frances, is driving in the breakdown lane once again. She thinks Johnny and his little sister Audrey have been replaced by aliens; she's sure of it, and she's pretty certain that she herself is already dead, or she wouldn't need to cover the stink of her rotting flesh with Jean Naté Après Bain. Dad, truck driver and pathological liar, is down South somewhere living his secret life. And Audrey, when she's not walking her cat Deluxe in a baby stroller, spends her time locked in a closet telling herself stories. Johnny, meanwhile, is hell-bent on saving the family from itself. In his "truly original voice" (Miami Herald) and with the "miraculous beauty of his tale-telling" (New York Times Book Review), Dufresne brings his unparalleled eye for the tragic and the absurd to the dysfunctions and joys of family in this powerful new novel.

On the surface, the galaxy seems peaceful. Humankind prospers from the Capital World to the far reaches of the Corridor. But to those who can see the signs, it's clear something is wrong. Long, dark fingers are pulling strings inside the military, making clandestine deals with enemy states to fulfill a dark design. Calvin is an intelligence agent working for the Imperial government. He's young, his methods are unorthodox, but he gets results. So when a former military hero steals a warship and threatens to start a war, Calvin is sent to eliminate him. But as he chases his prey across the stars, he realizes they are both pawns in a shadowy chess game that shakes kingdoms, divides empires, and threatens civilization everywhere. And if he is to uncover the mystery and expose the conspiracy he must confront—and embrace—the darkest elements of the galaxy and throw himself and everyone he loves into the line of fire.

In a work rich with colorful anecdotes about family, friends, and colleagues, Sheldon Morgenstern reflects on his childhood in Cleveland, Ohio, summers at the Brevard Music Festival, and years at Northwestern University. He recounts his experiences playing French horn in the Atlanta Symphony, studying conducting at the New England Conservatory, his long tenure as artistic director at the Eastern Music Festival at Guilford College in Greensboro, North Carolina, and performances as guest conductor with dozens of orchestras around the world. Morgenstern scrutinizes the reasons behind the increasing mediocrity of classical music and the precarious financial state of professional symphony orchestras, many of which have already declared bankruptcy. He sharply criticizes the NEA, the Canada Council, and other arts councils and political groups for the elimination of music education in nearly all public schools. He is also highly critical of Yo-Yo Ma, Shlomo Mintz, Daniel Barenboim, and other superstars who command extraordinary fees for sometimes second-rate performances but do little to teach young artists or to support struggling companies and festivals. He concludes by calling for strong actions that will ensure the economic survival of the arts without sacrificing excellence in performance. Filled with vivid behind-the-scenes descriptions and highlighting such well-known figures as Leonard Bernstein, Glenn Gould, Wynton Marsalis, and others, No Vivaldi in the Garage offers a refreshingly candid insider's perspective on the classical music scene.

As Karl Marx the icon has fallen along with so many communist regimes, we are left with the mystery of Karl Marx the man, the complexities of a life that has profoundly affected millions. A Requiem for Karl Marx is Frank Manuel's searching meditation on that life, a learned and elegantly written engagement with the man and his work. Manuel gives us a psychological portrait rendered with sympathy and critical detachment, a probing look at the connections between the private drama of Marx's life and his revolutionary ideas. Manuel pursues these connections from Marx's adolescence and education in Trier through his university studies, marriage to a German baroness, and early affiliation with French and German radical groups. Here we see Marx in moments of youthful rapture, in periods of despair, in maneuvers of blatant hypocrisy, in outbursts of self-mockery. We follow his involuted response to his status as a converted Jew, observe the psychic toll of debilitating bouts of illness, and witness the shattering effects of his aggressive, often brutal conduct toward friend and foe alike. Manuel analyzes in intricate detail the central role of Marx's enduring relationship with Friedrich Engels, which appears to transcend the bounds of friendship, and his changing behavior toward his wife, Jenny, the neurotic and tragic figure who shared his dismal London exile. What becomes clear in this narrative is the link between Marx's personal life and his ideas about class struggle, revolutionary strategy, and utopia--as well as the impact of his personal vision and political tactics on the movements that followed him, down to our day.

Celebrated in history and song, the Chicago, Rock Island and Pacific Railroad Company—the Rock Island Line—was a powerful Midwestern railroad that once traversed thirteen states with its fast freights and Rocket passenger trains but eventually succumbed to government regulation and a changing economy. Gregory Schneider chronicles the Rock Island’s painful decline and along the way reveals some of the key problems within the American railroad industry during the post–World War II era. Schneider takes readers back to a time when railroads still clung to a storied past to offer new insight into the devastating impact of economic policymaking during the 1960s and 1970s. Schneider recounts the largest railroad liquidation in American history—as well as one of the most successful reorganizations in American business—to depict the demise and ultimate collapse of Rock Island as part of a broader account of hard times in the railroad industry beginning in the 1970s. Schneider weaves a complex story of how business, politics, government bureaucracy, and individual greed helped to limit the economic possibilities of the railroad industry and catapult the Rock Island Railroad into oblivion. Weakened by a troubled economy, the Rock fell victim to inept management and labor union intransigence; but Schneider also reveals how government regulations and price controls prevented innovation, hindered capital acquisition, and favored other forms of transportation that lie beyond the scope of regulation. Railroads were even hurt by taxation of property and real estate while competitors were able to use government-subsidized highways and airports without having to pay taxes to fund them. Now that America has gone on to witness the collapse of such mammoth firms as Enron and Lehman Brothers, not to mention the bankruptcy and bailout of General Motors, the story of the Rock provides an instructive lesson in how a major American enterprise was allowed to fall victim to forces often beyond its control—while the bailout of the Penn Central, at the expense of smaller lines like Rock Island, helped initiate the era of “too big to fail.” For economic historians and railroad buffs alike, Rock Island Requiem is a well-researche