Reflections From Dona Alma

The main character of this autobiography is Alma Jackson. She was a Southern Baptist missionary, nurse, and educator to Brazil. As she tells of her journeys, her desire was for others to find the same purpose in life that she did. A reoccurring theme is overcoming timidity, so as to do something spectacular and encourage others to have fun as well as have a purpose. Her methods of achieving this were learned and role-modeled by her large family and the influential friends that she made. This world could use explorers and teachers who dare to dream big and forget to count the costs. Heroes are made of this. Young people are searching for action and romance. They will find it in this book.

The main character of this autobiography is Alma Jackson. She was a Southern Baptist missionary, nurse, and educator to Brazil. As she tells of her journeys, her desire was for others to find the same purpose in life that she did. A reoccurring theme is overcoming timidity, so as to do something spectacular and encourage others to have fun as well as have a purpose. Her methods of achieving this were learned and role-modeled by her large family and the influential friends that she made. This world could use explorers and teachers who dare to dream big and forget to count the costs. Heroes are made of this. Young people are searching for action and romance. They will find it in this book.

This volume seeks to explore developments in the study of sixteenth- and seventeenth-century Spanish literature over the past decade through the prism of a homage volume that recognizes the contributions of James A. Parr. In his ground-breaking 1974 essay in Hispania, he challenged Hispanists to take note of developments in the fields of English and Comparative Studies, not to jump on the bandwagon, but to explore the emerging approaches to textual study in order to identify and adapt those aspects that could help to illuminate the field. In his own work, Parr followed that advice, with studies that incorporated new approaches to genre theory, narratology, and canonicity in order to explore dramatic and prose texts, and Don Quixote. The studies in this anthology make use of many of Parr's innovations, indicating that his work has had a long-lasting impact on the field of Golden Age Hispanism.

The volume gathers twenty original essays by experts of American memory studies from the United States and Europe. It extends discussions of U.S. American cultures of memory, commemorative identity construction, and the politics of remembrance into the topical field of transnational and comparative American studies. In the contexts of the theoretical turns since the 1990s, including prominently the pictorial and the spatial turns, and in the wake of multicultural and international conceptions of American history, the contributions to the collection explore the cultural productivity and political implications of both officially endorsed memories and practices of oppositional remembrance. Reading sites of memory situated in or related to the United States as crossroads of transnational and intercultural remembering and commemoration manifests their possibly controversial function as platforms and agents in the processes of cultural exchange and political negotiation across the spatial, temporal, and ideological trajectories that inform American Studies as Atlantic Studies, Hemispheric Studies, Pacific Studies. The interdisciplinary range of issues and materials engaged includes literary texts, personal accounts, and cultural performances from colonial times through the immediate present, the significance of war monuments and ethnic memorials in Europe, Asia, and the U.S., films about 9/11, public sculptures and the fine arts, American world's fairs as transnational sites of memory.

A burgeoning new branch of Hispanic literature, Latino-Canadian writing is now becoming part of the Canadian and Quebec literary traditions. Latinocanadá, a critical anthology, examines the work of Hispanic writers who have settled in Canada over the past thirty years and includes newly translated selections of their work.

Mexican filmmaking is traced from its early beginnings in 1896 to the present in this book. Of particular interest are the great changes from 1990 to 2004: the confluence of talented and dedicated filmmakers, important changes in Mexican cinematic infrastructure and significant social and cultural transformations. From Nicolas Echevarria's Cabeza de Vaca (1991), to the 1992 releases of Hellboy director Guillermo del Toro's Cronos and Alfonso Arau's Como agua para chocolate, to Alfonso Cuaron's Y tu mama tambien (2001), this work provides a close look at Mexican films that received international commercial success and critical acclaim and put Mexico on the cinematic world map. Arranged chronologically, this edition (originally published in 2005) covers the entire scope of Mexican cinema. The main films and their directors are discussed, together with the political, social and economic contexts of the times.