Red Files

Rival reporters team up for the story of their careers in this lesbian romantic suspense filled with humor, twists, and one fierce ice queen. Ambitious Daily Sentinel journalist Lauren King is chafing on LA's vapid social circuit, reporting on glam, A-list parties while sparring with her rival-the formidable, icy Catherine Ayers. Ayers is an ex-Washington DC political correspondent who suffered a humiliating fall from grace, and her acerbic tongue keeps everyone at bay. Everyone, that is, except knockabout Iowa girl King, who is undaunted, unimpressed and gives as good as she gets. One night a curious story unfolds before their eyes: One business launch, 34 prostitutes and a pallet of missing pink champagne. What on earth does it mean? King and Ayers join forces but they might find a lot more than just a passion for news on the dusty road to Nevada.

This debut poetry collection from Lisa Bird-Wilson reflects on the legacy of the residential school system: the fragmentation of families and histories, with blows that resonate through the generations. Inspired by family and archival sources, Bird-Wilson assembles scraps of a history torn apart by colonial violence. The collection takes its name from the federal government's complex organizational structure of residential schools archives, which are divided into “black files" and “red files." In vignettes as clear as glass beads, her poems offer affection to generations of children whose presence within the historic record is ghostlike, anonymous and ephemeral. The collection also explores the larger political context driving the mechanisms that tore apart families and cultures, including the Sixties Scoop. It depicts moments of resistance, both personal and political, as well as official attempts at reconciliation: “I can hold in the palm of my right hand / all that I have left: one story-gift from an uncle, / a father's surname, treaty card, Cree accent echo, metal bits, grit— / and I will still have room to cock a fist." The Red Files concludes with a fierce hopefulness, embracing the various types of love that can begin to heal the traumas inflicted by a legacy of violence.

The Red Equinox has dawned, and the old gods who have slept for aeons are stirring. Urban explorer and photographer Becca Philips was raised in the shadow of Miskatonic University, steeped in the mysteries of her late grandmother's work in occult studies. But what she thought was myth becomes all too real when cultists unleash terror on the city of Boston. Now she's caught between a shadowy government agency called SPECTRA and the followers of an apocalyptic faith bent on awakening an ancient evil. As urban warfare breaks out between eldritch monsters and an emerging police state, she must uncover the secrets of a family heirloom known as the Fire of Cairo to banish the rising tide of darkness before the balance tips irrevocably at the Red Equinox.

Blood-soaked blades have been taking their toll among the luscious lovelies in Garrett’s home city of TunFaire. And though Garrett can be as civic-minded as the next guy—unless the next guy is Captain Block of the Watch—the private eye isn’t sure he really wants to take on a serial killer psycho who does too good a carving job and never leaves any of the blood behind. Still, having Block pay him for his services with lots of ill-gotten government funds, and having his own partner, the Dead Man, strenuously urge him to take the case, prove an irresistible combination for Garrett. And so he begins a search that would take him from the lowest slums to the highest estates, from confrontations with magic-spitting enemies to run-ins with the king of crime’s wayward daughter, to a final encounter with an ancient evil that has once again been loosed on his unsuspecting town.

"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is an 1842 short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ballwithin seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms. Prospero dies after confronting this stranger, whose "costume" proves to contain nothing tangible inside it; the guests also die in turn. Poe's story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the titular disease. The story was first published in May 1842 in Graham's Magazineand has since been adapted in many different forms, including a 1964 film starring Vincent Price.

Having gained exclusive access to the Russian State Film and Photo Archive, a Russian expert provides extraordinary revelations and never-before-seen images from deep within Russia's document vaults that shed light on unexplored Russian history. Based on a PBS documentary. Photos. Index.

Does the identification number 60 indicate a toxic substance or a flammable solid, in the molten state at an elevated temperature? Does the identification number 1035 indicate ethane or butane? What is the difference between natural gas transmission pipelines and natural gas distribution pipelines? If you came upon an overturned truck on the highway that was leaking, would you be able to identify if it was hazardous and know what steps to take? Questions like these and more are answered in the Emergency Response Guidebook. Learn how to identify symbols for and vehicles carrying toxic, flammable, explosive, radioactive, or otherwise harmful substances and how to respond once an incident involving those substances has been identified. Always be prepared in situations that are unfamiliar and dangerous and know how to rectify them. Keeping this guide around at all times will ensure that, if you were to come upon a transportation situation involving hazardous substances or dangerous goods, you will be able to help keep others and yourself out of danger. With color-coded pages for quick and easy reference, this is the official manual used by first responders in the United States and Canada for transportation incidents involving dangerous goods or hazardous materials.

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