Reading Novels During The Covid 19 Pandemic

Drawing on an ethnographic study of novel readers in Denmark and the UK during the Covid-19 pandemic, this book provides a snapshot of a phenomenal moment in modern history. The ethnographic approach shows what no historical account of books published during the pandemic will be able to capture, namely the movement of readers between new purchases and books long kept in their collections. The book follows readers who have tuned into novels about plague, apocalypse, and racial violence, but also readers whose taste for older novels, and for re-reading novels they knew earlier in their lives, has grown. Alternating between chapters that analyse single texts that were popular (Albert Camus's The Plague, Ali Smith's Summer, Charlotte Brönte's Jane Eyre) and others that describe clusters of, for example, dystopian fiction and nature writing, this work brings out the diverse quality of the Covid-19 bookshelf. Time is of central importance to this study, both in terms of the time of lockdown and the temporality of reading itself within this wider disrupted sense of time. By exploring these varied experiences, this book investigates the larger question of how the consumption of novels depends on and shapes people's experience of non-work time, providing a specific lens through which to examine the phenomenology of reading more generally. This timely work also negotiates debates in the study of reading that distinguish theoretically between critical reading and reading for pleasure, between professional and lay reading. All sides of the sociological and literary debate must be brought to bear in understanding what readers tell us about what novels have meant to them in this complex historical moment.

Drawing on an ethnographic study of novel readers in Denmark and the UK during the Covid-19 pandemic, this book provides a snapshot of a phenomenal moment in modern history. The ethnographic approach shows what no historical account of books published during the pandemic will be able to capture, namely the movement of readers between new purchases and books long kept in their collections. The book follows readers who have tuned into novels about plague, apocalypse, and racial violence, but also readers whose taste for older novels, and for re-reading novels they knew earlier in their lives, has grown. Alternating between chapters that analyse single texts that were popular (Albert Camus's The Plague, Ali Smith's Summer, Charlotte Brönte's Jane Eyre) and others that describe clusters of, for example, dystopian fiction and nature writing, this work brings out the diverse quality of the Covid-19 bookshelf. Time is of central importance to this study, both in terms of the time of lockdown and the temporality of reading itself within this wider disrupted sense of time. By exploring these varied experiences, this book investigates the larger question of how the consumption of novels depends on and shapes people's experience of non-work time, providing a specific lens through which to examine the phenomenology of reading more generally. This timely work also negotiates debates in the study of reading that distinguish theoretically between critical reading and reading for pleasure, between professional and lay reading. All sides of the sociological and literary debate must be brought to bear in understanding what readers tell us about what novels have meant to them in this complex historical moment.

Dr. Samantha Parker locks herself inside a dark decaying morgue during a virus outbreak. Using a rope, she locks the heavy metal door behind her. Cold and alone, she enters the ugly reality of mass graves on Hart Island during her forensic pathology training. Dr. David Falkner, a medical examiner and attending physician, will soon open an unexpected door into Samantha's life as it spins into chaos. Her parents face a similar raging virus and the ensuing panic on board their luxury cruise near Santorini, Greece, and Samantha's boyfriend is about to meet the "bat woman," a real-life research scientist in a Biosafety Level 4 Lab where the global pandemic may have originated. Life, science, and God intersect, exposing blame and guilt, passion and pain, redemption and forgiveness. Medical facts and real events underpin the narrative propelled along a real-life COVID-19 timeline. Written by a breast cancer expert, Dr. Apple provides the reader confidence in knowing what really happened with COVID-19 and how the race for vaccines unfolds. The author's theological perspective is both intriguing and refreshing, and her own experiences of racism, tragedy, and courage contribute to the story.

States of Plague examines Albert Camus’s novel as a palimpsest of pandemic life, an uncannily relevant account of the psychology and politics of a public health crisis. As one of the most discussed books of the COVID-19 crisis, Albert Camus’s classic novel The Plague has become a new kind of literary touchstone. Surrounded by terror and uncertainty, often separated from loved ones or unable to travel, readers sought answers within the pages of Camus’s 1947 tale about an Algerian city gripped by an epidemic. Many found in it a story about their own lives—a book to shed light on a global health crisis. In thirteen linked chapters told in alternating voices, Alice Kaplan and Laura Marris hold the past and present of The Plague in conversation, discovering how the novel has reached people in their current moment. Kaplan’s chapters explore the book’s tangled and vivid history, while Marris’s are drawn to the ecology of landscape and language. Through these pages, they find that their sense of Camus evolves under the force of a new reality, alongside the pressures of illness, recovery, concern, and care in their own lives. Along the way, Kaplan and Marris examine how the novel’s original allegory might resonate with a new generation of readers who have experienced a global pandemic. They describe how they learned to contemplate the skies of a plague spring, to examine the body politic and the politics of immunity. Both personal and eloquently written, States of Plague uncovers for us the mysterious way a novel can imagine the world during a crisis and draw back the veil on other possible futures.

The nine stories in The Game Cafê focus on people who live in New York City--or are traveling there-- in the midst of the coronavirus pandemic. These men and women include a security guard; a mother with a far-away daughter; a ham radio operator; two strangers playing a board game in a café; a woman driving from Los Angeles to Manhattan who makes a stop at a famous corner in Winslow, Arizona; an unemployed airport worker who has an unexpected reconciliation with his brother; and others. While the stories are primarily set in New York, they are also meant to explore how living in modern-day urban environments in the U.S. unalterably shapes the fate of people going through difficult times. "The Game Café by Eleanor Lerman was honestly one of the best short story collections I have ever read. The book contains nine short stories, each of which focuses on an individual living during the COVID-19 pandemic. All of the main characters have very different lives--different professions, genders, sexual orientations, hobbies, and relationships. However, they all have one thing in common: a home or deep connection to New York, a city that keeps these characters thriving and lively."--Theresa Kadair, Manhattan Book Review Fiction. Short Stories. LGBTQ+ Studies.

“A suspenseful, authentic, and emotional narrative makes Pandemic a gripping and powerful story. . . . Riveting and terrifyingly real with moments of hope that shine through when you least expect it, Pandemic is one that will stay with you long after you read the last page.” —Amalie Howard, author of the Alpha Goddess and Aquarathi series and the Riven Chronicles Even under the most normal circumstances, high school can be a painful and confusing time. Unfortunately, Lilianna’s circumstances are anything but normal. Only a few people know what caused her sudden change from model student to the withdrawn pessimist she has become, but her situation isn’t about to get any better. When people begin coming down with a quick-spreading illness that doctors are unable to treat, Lil’s worst fears are realized. With her parents called away on business before the contagious outbreak—her father in Delaware covering the early stages of the disease and her mother in Hong Kong and unable to get a flight back to New Jersey—Lil’s town is hit by what soon becomes a widespread illness and fatal disaster. Now, she’s more alone than she’s been since the “incident” at her school months ago. With friends and neighbors dying all around her, Lil does everything she can just to survive. But as the disease rages on, so does an unexpected tension as Lil is torn between an old ex and a new romantic interest. Just when it all seems too much, the cause of her original trauma shows up at her door. In this thrilling debut from author Yvonne Ventresca, Lil must find a way to survive not only the outbreak and its real-life consequences, but also her own personal demons. The paperback edition includes bonus materials that discuss pandemics of the past: Spanish flu, H1N1, and COVID-19.

s the Coronavirus the end of the world, or just the end of the world as we know it? No matter how you view tomorrow, the consensus is nothing will ever be the same. NOBODY GOES OUT ANYMORE asked 16 of today's most diverse creators of Speculative Fiction to show us their visions of the future and the results ranged from hopeful to full blown Conspiratorial Paranoia. NOBODY GOES OUT ANYMORE explores tomorrow with a critical, unflinching eye. A tomorrow we know we have jeopardized with our actions of the past. Is COVID-19 our Extinction Level Event or just another step in our Evolution?CONTRIBUTORS - Joanna Michal Hoyt - D.L. Russell - David R. Mellor - R.D. Doan - Eartha Watts-Hicks - Bil B. Peters - Anna Lindwasser - Katherine LE White - Kahn Brown Jr. - Rhashaa Price - Josh Carson - Chris Rodriguez - Veronica Smith - Nigel Anthony Sellars - R. Maureen - Mary Patterson Thornburg - Kotia Kozar

"During my first post-lockdown massage, I willingly engaged in the requisite chit chat about lockdown experiences with my therapist. He gushed behind his mask: 'Oh man. It was so great. Every day I woke up, drank coffee, read, rode my bike' My therapist's description did sound pretty great. But it was nothing like my own anxiety-ridden ordeal Had I done the lockdown wrong?" In Next Time There's a Pandemic, artist Vivek Shraya reflects on how she might have approached 2020 and the COVID-19 pandemic differently, and how challenging and changing pervasive expressions, attitudes, and behaviours might transform our experiences of life in—and after—the pandemic. What might happen if, rather than urging one another to "stay safe," we focused instead on being caring? What if, instead of striving to "make the best of it" by doing something, we sometimes chose to do nothing? With generosity, Shraya captures the dissonances of this moment, urging us to keep showing up for each other so we are better prepared for the next time...and for all times.

"Thirteen-year-old Quinn and her friends try to adjust to life during the COVID-19 pandemic."--