Project Censoreds State Of The Free Press 2024

The new and improved "Censored," detailing the top censored stories and media analysis of 2020. Our nation's oldest news-monitoring group, Project Censored, refreshes its longstanding yearbook series, Censored, with State of the Free Press 2021. This edition offers a more succinct and comprehensive survey of the most important but underreported news stories of 2020; in addition to a comparative analysis of the current state of corporate and independent news media, and its effect on democracy. The establishment media sustains a decrepit post-truth era, as examined the lowlight features: "Junk Food News"-frivolous stories that distract the public from actual news-and-"News Abuse"-important stories covered in ways that undermine public understanding. The alternative media provokes a burgeoning critical media literacy age, as evaluated in the highlight feature: "Media Democracy in Action"-relevant stories responsibly reported on by independent organizations. Finally, in an homage to the history of the annual report, the editors reinstate the "Déjà vu News" feature-revisited stories from previous editions. State of the Free Press 2021 endows readers with the critical thinking and media literacy skills required to hold the corporate media to account for distorting or censoring news coverage, and thus, to revitalize our democracy.

Highlighting the year’s most significant independent journalism—including reports on toxic chemicals, climate disinformation, and union victories—Project Censored’s State of the Free Press 2024 illuminates issues and raises voices that the establishment press have throttled. Includes a Foreword by Alan MacLeod, independent investigative journalist and editor of Propaganda in the Information Age. State of the Free Press 2024 shows how independent journalism can promote civic engagement and reconnect people who have otherwise lost interest in sensational “news” that distracts and polarizes us. Balancing critical analysis with optimistic vision, the book’s diverse contributors champion press freedom and critical media literacy to hold the powerful accountable and promote a more just and inclusive society. State of the Free Press 2024 is a joint production of The Censored Press and Seven Stories Press.

As the United States grapples with the ongoing COVID-19 pandemic, the nation’s living legacy of systemic inequalities, and partisan threats to the foundations of democracy, the integrity of news—the focus of Project’s Censored’s work and this book—has never been more important. State of the Free Press 2023 is a joint production of The Censored Press and Seven Stories Press. State of the Free Press 2023 continues Project Censored’s tradition of publicizing the most important stories ignored or obscured by the news establishment, exposing the lies and spin of corporate Junk Food News (frivolous stories that distract the public from actual news) and News Abuse (important stories covered in ways that undermine public understanding) while promoting the best independent journalism, research, and activism. Most importantly, this edition helps endow readers with the critical media literacy skills required to hold power to account for distorting or censoring news coverage.

In the midst of Trump's attacks on the media, comes this look at the rigorous, independent reporting of the year's most underreported news stories. While the country's president displays a brazen disregard for the First Amendment and routinely demonizes the press as "the enemy of the people," Censored 2020 looks beyond Donald Trump's dizzying contempt for the truth to clarify the corporate media's complicity in misinforming the American public--while also providing a clear vision of a better future, based on rigorous, trustworthy independent reporting that presents a fuller picture of truth. With a discerning eye, Censored 2020 focuses the public's attention on the most important but underreported news stories of 2018-2019. These stories expose the corporate news media's systemic blind spots while highlighting the crucial role played by independent journalists in providing the kind of news necessary for informed, engaged citizens. The book also examines this year's lowlights in "junk food news" and "news abuse"--further revealing how corporate news often functions as propaganda--as well as highlights of exemplary organizations that champion "Media Democracy in Action." Additional chapters address the importance of constructive journalism, the untold story of Kashmir, news coverage of LGBTQ issues in the Trump era, "fake news" as a Trojan horse for censorship, and online memes as a form of political communication.

“For more thanforty years, Project Censored has been our watchdog on the establishment media, casting its eye on how the information that we receive––and don’t receive––shapes our democracy. We need it more than ever today!” —Christopher Finan, Executive Director, National Coalition Against Censorship (NCAC) THESE ARE JUST A FEW OF THE STORIES PRESENTED IN CENSORED 2019: --“Open-Source” Intelligence Secrets Sold to Highest Bidders --ICE Intends to Destroy Records of Inhumane Treatment of Immigrants --Indigenous Communities around World Helping to Win Legal Rights of Nature --FBI Racially Profiling “Black Identity Extremists” --The Limits of Negative News and Importance of Constructive Media DID YOU KNOW THAT SINCE 1998 THE US GOVERNMENT SPENT $21 TRILLION IT CAN’T ACCOUNT FOR? Or that Internet co-ops are mobilizing poor communities to resist net neutrality rollbacks? How about the health risks of wireless tech that cell phone companies have covered up, or the opiate crisis that Big Pharma knowingly unleashed? Haven’t heard the news? Neither did the rest of the world. That’s because these and countless other news items are suppressed or ignored by our nation’s “free press” every day. For the past forty-three years, Project Censored has been unearthing the buried stories that corporate media deem unfit to print—and debunking the “fake news” governments and corporations use to consolidate their power—to promote well-informed citizen action and critical media literacy. This year’s Project Censored yearbook features: -- “Vetting Free Speech” by Sally Gimson, Layli Foroudi, and Sean Gallagher -- “#TimesUp: Breaking the Barriers of Sexual Harassment in Corporate Media for You and #MeToo” by Julie Frechette -- “Data Activism through Community Mapping and Data Visualization” by Dorothy Kidd -- “How Mainstream Media Evolved into Corporate Media” by Peter Phillips -- “Campus–Newsroom Collaborations” by Patricia W. Elliott -- “The Public and Its Problems” by Susan Maret Plus Junk Food News, News Abuse, and Media Democracy in Action. In a time of decline in the rule of law and democratic safeguards, Project Censored offers a constructive alternative to the “fake news” blues, holding the corporate media to account for its negative bias, propaganda for wealth and power, and outright censorship.

A look at the top 300 most powerful players in world capitalism, who are at the controls of our economic future. Who holds the purse strings to the majority of the world's wealth? There is a new global elite at the controls of our economic future, and here former Project Censored director and media monitoring sociologist Peter Phillips unveils for the general reader just who these players are. The book includes such power players as Mark Zuckerberg, Bill Gates, Jeff Bezos, Jamie Dimon, and Warren Buffett. As the number of men with as much wealth as half the world fell from sixty-two to just eight between January 2016 and January 2017, according to Oxfam International, fewer than 200 super-connected asset managers at only 17 asset management firms—each with well over a trillion dollars in assets under management—now represent the financial core of the world's transnational capitalist class. Members of the global power elite are the management—the facilitators—of world capitalism, the firewall protecting the capital investment, growth, and debt collection that keeps the status quo from changing. Each chapter in Giants identifies by name the members of this international club of multi-millionaires, their 17 global financial companies—and including NGOs such as the Group of Thirty and the Trilateral Commission—and their transnational military protectors, so the reader, for the first time anywhere, can identify who constitutes this network of influence, where the wealth is concentrated, how it suppresses social movements, and how it can be redistributed for maximum systemic change.

For over a generation, shocking cases of censorship at America’s colleges and universities have taught students the wrong lessons about living in a free society. Drawing on a decade of experience battling for freedom of speech on campus, First Amendment lawyer Greg Lukianoff reveals how higher education fails to teach students to become critical thinkers: by stifling open debate, our campuses are supercharging ideological divisions, promoting groupthink, and encouraging an unscholarly certainty about complex issues. Lukianoff walks readers through the life of a modern-day college student, from orientation to the end of freshman year. Through this lens, he describes startling violations of free speech rights: a student in Indiana punished for publicly reading a book, a student in Georgia expelled for a pro-environment collage he posted on Facebook, students at Yale banned from putting an F. Scott Fitzgerald quote on a T shirt, and students across the country corralled into tiny “free speech zones” when they wanted to express their views. But Lukianoff goes further, demonstrating how this culture of censorship is bleeding into the larger society. As he explores public controversies involving Juan Williams, Rush Limbaugh, Bill Maher, Richard Dawkins, Larry Summers—even Dave Barry and Jon Stewart—Lukianoff paints a stark picture of our ability as a nation to discuss important issues rationally. Unlearning Liberty: Campus Censorship and the End of American Debate illuminates how intolerance for dissent and debate on today’s campus threatens the freedom of every citizen and makes us all just a little bit dumber.

A lively graphic narrative reports on censorship of political cartoons around the world, featuring interviews with censored cartoonists from Pittsburgh to Beijing. Why do the powerful feel so threatened by political cartoons? Cartoons don't tell secrets or move markets. Yet, as Cherian George and Sonny Liew show us in Red Lines, cartoonists have been harassed, trolled, sued, fired, jailed, attacked, and assassinated for their insolence. The robustness of political cartooning--one of the most elemental forms of political speech--says something about the health of democracy. In a lively graphic narrative--illustrated by Liew, himself a prize-winning cartoonist--Red Lines crisscrosses the globe to feel the pulse of a vocation under attack. A Syrian cartoonist insults the president and has his hands broken by goons. An Indian cartoonist stands up to misogyny and receives rape threats. An Israeli artist finds his antiracist works censored by social media algorithms. And the New York Times, caught in the crossfire of the culture wars, decides to stop publishing editorial cartoons completely. Red Lines studies thin-skinned tyrants, the invisible hand of market censorship, and demands in the name of social justice to rein in the right to offend. It includes interviews with more than sixty cartoonists and insights from art historians, legal scholars, and political scientists--all presented in graphic form. This engaging account makes it clear that cartoon censorship doesn't just matter to cartoonists and their fans. When the red lines are misapplied, all citizens are potential victims.

After a series of sex scandals rocked the film industry in 1922, movie moguls hired Will Hays to clear the image of movies. Hays tried a variety of ways to regulate movies before adopting what became known as the production code. Written in 1930 by a St Louis priest, the code stipulated that movies stress proper behaviour, respect for government, and 'Christian values'. The Catholic Church reinforced these efforts by launching its Legion of Decency in 1934. Intended to force Hays and Hollywood to censor films, the Legion of Decency engineered the appointment of Joseph Breen as head of the Production Code Administration. For the next three decades, Breen, Hays, and the Catholic Legion of Decency virtually controlled the content of all Hollywood films.