Printmaking In The Expanded Field

"The radical changes within the field of printmaking the last 20 years has totally changed the approach towards the media. Printmaking is now an art form that consists of sculpture, performance, clothes, installation, the commercial aspect, cyberspace, artist books, multiples, ready-mades, newspapers, etc. The result is a cross pollination which in its turn points to the total reflection of todays contemporary art."--Page 4 of cover.

This book provides a comprehensive overview of printmaking in South Africa, replacing the now outdated monograph by F. L. Alexander. It discusses historically artists who made major contributions within each of the printmaking techniques, giving great detail on contemporary South African art. It is also a handbook on artists working in various mediums and gives full explanations of each work chosen for the exhibition at the 1998 South African National Arts Festival, lists 785 known printmakers born after 1900, and illustrates the work of 89 important artists. It is an essential guide to this important aspect of South African art.

Catalog of an exhibition held at The Museum of Modern Art, New York, Feb. 19-May 14, 2012.

Review of the art of printmaking, focusing on the contemporary approaches to the medium. Includes work from all over the world, profiling some of the most innovative examples of printmaking today. Artists featured include Grayson Perry, Thomas Kilpper, Patrick Caulfield, Marko Blazo, Chuck Close, Masami Teraoka, Michael Craig-Martin, Kara Walker, Willie Cole, Banksy, and others.

Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.

Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata.

This is an art book which highlights the possibility of using natural, organic materials as art supplies and inspiration.

This anthology, the first of its kind, presents thirty-two texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. The texts range from history and criticism to creative writing. More than a general survey, they provide a critical topography of artistic printmaking during the period. The book is directed at an audience of international stakeholders in the field of contemporary print, printmaking and printmedia, including art students, practising artists, museum curators, critics, educationalists, print publishers and print scholars. It expands debate in the field and will act as a starting point for further research.