Poems Of Nm Rashed

A Glimpse of a section of the wide spectrum of thought and feeling in the Third World, Rashed\'s poetry with aremarkable intellectual aura about it, presents the predicament of modern man who is inclined to stick to reason without any faith in the divine. Rashed portrays the disillusioned modern man who finds himself cogged and hanging like a pendulum oscillating between receding hope and looming despair. nd in doing so, along with his technical excellence, he gives a new extension to urdu language.

Introduction -- Embodiment -- Position without Identity -- Allegory and Collectivity -- Temporality -- Conclusion: Hasan the Potter -- Appendix: Poems in Transliteration and Translation.

One of the major modern poets of the Urdu language in the twentieth century, N.M. Ráshed lived and wrote at a time of tremendous upheaval both within and outside the Islamic world--the period between the two World Wars. Viewed as anarchic for his passionate defense of democracy and individualism, Ráshed was responsible for spearheading a modernist movement in Urdu literature. His many critics failed to see that his apparent religious heterodoxy was itself a version of faith, often reflected in his verse as an intense, if tragic, spiritual struggle expressed in earthly terms. Attacking a tradition while remaining within it, Ráshed turned the ghazal, primarily a love lyric and itself a subversive verse form, into a powerful weapon of protest. A composite picture of the world and works of Ráshed is presented here for the first time in English translation with poems drawn from various collections of his verse.

I Too Have Some Dreams explores the work of N. M. Rashed, Urdu's renowned modernist poet, whose career spans the last years of British India and the early decades of postcolonial South Asia. A. Sean Pue argues that Rashed’s poetry carved out a distinct role for literature in the maintenance of doubt, providing a platform for challenging the certainty of collective ideologies and opposing the evolving forms of empire and domination. This finely crafted study offers a timely contribution to global modernist studies and to modern South Asian literary history.

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Traces the emergence of literary history, showing how Iranians and South Asians drew from their shared heritage to produce a 'Persianate modernity'.

This is one of the first books in any language on the life and work of Miraji (1912-1949), one of the major canonical Urdu poets of the 20th century. Presenting close readings of some of Miraji's most compelling and challenging poems, the author reconceives the relationships among nationalism, gender, and sexuality in Indian life.