Philip Nolan

Philip Nolan: The Man Without a Country is Chuck Pfarrer's captivating adaptation of Edward Everett Hale's American classic “The Man Without a Country,” first published in The Atlantic Monthly more than a century ago. Masterfully blending history and fiction, Pfarrer tells the story of a young artillery officer, Philip Nolan, who becomes embroiled in Aaron Burr's 1807 conspiracy to invade the territories of the Louisiana Purchase. Insinuating his scheme has official approval, Burr convinces Nolan to carry a coded message into the Orleans Territory. Nolan has no knowledge of the former vice president's intended treason-and Burr has no idea that Thomas Jefferson has discovered his scheme. Soon Philip Nolan is in military custody with Burr, charged an accessory to the plot. The nation holds its breath as Burr is tried for attempting to tear apart the Union. The charges against Burr seem ironclad, but his lawyers are clever, and Burr walks free. An embarrassed prosecution looks for a scapegoat, and expands the charges against Nolan to include desertion and sedition. Learning that his own court martial will proceed, despite Burr's acquittal, Nolan denounces his accusers, damns his country, and tells the court he wishes never again to hear the words “United States” as long as he lives. The judges return with an ominous verdict: the prisoner's wish will be granted. Nolan is sentenced to permanent exile aboard a series of U.S. warships, never again to hear news from or speak of his country. Decades pass. Shuttled from ocean to ocean, Nolan realizes he is a stateless person, estranged from his keepers and forgotten by his country. Eventually passed aboard an American frigate in the Mediterranean, Nolan comes into the custody of a newly commissioned lieutenant, Frank Curran. When Barbary pirates capture an American whaleship, the pair is drawn into a web of international deceit and mortal danger. As a rescue mission is launched, Nolan teaches the young officer a lesson about duty, loyalty, and the meaning of patriotism. Equal parts adventure, naval history, and morality tale, Philip Nolan: The Man Without a Country is more than frigate duels and small boat actions. Intricately plotted and beautifully crafted, the novel is a poignant and closely observed examination of the human condition.

In this hilarious, no-holds-barred account, journalist Philip Nolan packs his bag (maximum 10kg, please) and takes us on an adventure that is not for the faint-hearted as he flies with Europe 's biggest low-cost airline. Using Ryanair destinations as a route planner, we grab our boarding passes and fight for the first available seat as we travel with him to towns we've never heard of ( Tampere and Wroclaw , anyone?) and to cities we've always wanted to visit. From watching the pilgrims completing the Camino in Santiago de Compostela to cheering with the fans in Frankfurt during the World Cup, from having his alpha waves channelled at a spa in Austria to a little soul cleansing at the baths at Lourdes, from the all-night party that is Riga to the eerie hush of Beauvais on a slow Monday night, we are treated to a kaleidoscopic snapshot of the quirks and foibles of a continent. Ryanair has opened up Europe 's treasures, and a few complete dumps too, in a way never before possible. From Biarritz to Blackpool to Bratislava , Pau to Pisa to Porto, Vienna to Valencia to Venice , Philip Nolan completes a whirlwind tour of the continent he calls Ryanland. The journey is whimsical, wistful and laugh-out-loud funny, as we travel on a spellbinding no-frills odyssey.

NEW AND UPDATED EDITIONA magisterial and profoundly perceptive survey of Britain's post-war role on the global stage, from Suez to Brexit. 'The fullest long-run political and diplomatic narrative yet of Britain's fateful, tragi-comic road to Brexit.'DAVID KYNASTON'An instant classic . . . Stephens is a master of historical codebreaking.'PETER HENNESSEYAward-winning Financial Times journalist Philip Stephens paints a fascinating portrait of sixty years - from Suez to Brexit - as Britain struggles to reconcile its waning power with its past glory. Drawing on decades of personal contact and interviews with senior politicians and diplomats in Britain, the United States and across the capitals of Europe, Britain Alone is a magisterial and deeply perceptive history of our nation and how we arrived at the state we are in.'Commanding . . . Rarely if ever, in the history of the British state since 1707, has one half of Britain's ruling elite committed an act of policy viewed with such absolute contempt by the other half; and rarely has that contempt been expressed with such elegance, such fluency, and such a devastating wealth of supporting detail, as in this mighty survey.' SCOTSMAN'Profoundly knowledgeable.' CHRIS PATTEN'Compelling.' LAWRENCE FREEDMAN'A fascinating history.' IRISH TIMES'A magnificent, exhilarating book' PROSPECT

Reprint of the original, first published in 1877.

An in-depth look at Christopher Nolan, considered to be the most profound, commercially successful director at work today, written with his full cooperation. A rare, revelatory portrait, "as close as you're ever going to get to the Escher drawing that is Christopher Nolan's remarkable brain" (Sam Mendes). In chapters structured by themes and motifs ("Time"; "Chaos"; "Dreams"), Shone offers an unprecedented intimate view of the director. Shone explores Nolan's thoughts on his influences, his vision, his enigmatic childhood past--and his movies, from plots and emotion to identity and perception, including his latest blockbuster, the action-thriller/spy-fi Tenet ("Big, brashly beautiful, grandiosely enjoyable"--Variety). Filled with the director's never-before-seen photographs, storyboards, and scene sketches, here is Nolan on the evolution of his pictures, and the writers, artists, directors, and thinkers who have inspired and informed his films. "Fabulous: intelligent, illuminating, rigorous, and highly readable. The very model of what a filmmaking study should be. Essential reading for anyone who cares about Nolan or about film for that matter."--Neal Gabler, author of An Empire of Their Own: How the Jews Invented Hollywood and Walt Disney, The Biography