Phenomenal Intentionality

Since the late 1970's, the main research program for understanding intentionality -- the mind's ability to direct itself onto the world -- has been based on the attempt naturalize intentionality, in the sense of making it intelligible how intentionality can occur in a perfectly natural, indeed entirely physical, world. Some philosophers, however, have remained skeptical of this entire approach. In particular, some have argued that phenomenal consciousness - - the subjective feel of conscious experience -- has an essential role to play in the theory of intentionality, a role missing in the naturalization program. Thus a number of authors have recently brought to the fore the notion of phenomenal intentionality, as well as a cluster of nearby notions. There is a vague sense that their work is interrelated, complementary, and mutually reinforcing, in a way that suggests a germinal research program. With twelve new essays by philosophers at the forefront of the field, this volume is designed to launch this research program in a more self-conscious way, by exploring some of the fundamental claims and themes of relevance to this program.

Mendelovici proposes a novel theory of intentionality in terms of phenomenal consciousness, arguing that the view avoids the problems of its competitors and can accommodate a wide range of cases, including those of thought and nonconscious states.

Phenomenal intentionality is supposed to be a kind of directedness of the mind onto the world that is grounded in the conscious feel of mental life. This book of new essays explores a number of issues raised by the notion of phenomenal intentionality.

What do thoughts, hopes, paintings, words, desires, photographs, traffic signs, and perceptions have in common? They are all about something, are directed, are contentful - in a way chairs and trees, for example, are not. This book inquires into the source of this power of directedness that some items exhibit while others do not. An approach to this issue prevalent in the philosophy of the past half-century seeks to explain the power of directedness in terms of certain items' ability to reliably track things in their environment. A very different approach, with a venerable history and enjoying a recent resurgence, seeks to explain the power of directedness rather in terms of an intrinsic ability of conscious experience to direct itself. This book attempts a synthesis of both approaches, developing an account of the sources of such directedness that grounds it both in reliable tracking and in conscious experience.

The central concern of the cognitive phenomenology debate is whether there is a distinctive 'cognitive phenomenology, ' that is, a kind of phenomenology that has cognitive or conceptual character in some sense that needs to be precisely determined. This volume addresses the question of whether conscious thought has cognitive phenomenology.

Many different features of the world figure consciously in our perceptual experiences, in the sense that they make a subjective difference to those experiences. These features are thought to range from colours and shapes, to volumes and backsides, from natural or artefactual kinds, to reasons for perceptual belief, and from the existence and externality of objects, to the relationality and wakeful-ness of our perceptual awareness of them. Phenomenal Presence explores the different ways in which features like these may be phenomenally present in perceptual experience. In particular, it focuses on features that are rarely discussed, and the perceptual presence of which is more controversial or less obvious because they are out of view or otherwise easily overlooked; for example, they are given in a non-sensory manner, or they are categorical in the sense that they feature in all perceptual experiences (such as their justificatory power, their wakefulness, or the externality of their objects). The book divides into four parts, each dealing with a different kind of phenomenal presence. The first addresses the nature of the presence of perceptual constancies and variations, while the second investigates the determinacy and ubiquity of the presence of spatial properties in perception. The third part deals with the presence of hidden or occluded aspects of objects, while part four discusses the presence of categorical aspects of perceptual experience. The contributions provide a thorough examination of which features are phenomenally present in perception, and what it is for them to figure in experience in this way.

Intentionality is the mind's ability to be "of," "about," or "directed" at things, or to "say" something. For example, a thought might "say" that grass is green or that Santa Claus is jolly, and a visual experience might be "of" a blue cup. While the existence of the phenomenon of intentionality is manifestly obvious, how exactly the mind gets to be "directed" at things, which may not even exist, is deeply mysterious and controversial. It has been long assumed that the best way to explain intentionality is in terms of tracking relations, information, functional roles, and similar notions. This book breaks from this tradition, arguing that the only empirically adequate and in principle viable theory of intentionality is one in terms of phenomenal consciousness, the felt, subjective, or qualitative feature of mental life. According to the theory advanced by Mendelovici, the phenomenal intentionality theory, there is a central kind of intentionality, phenomenal intentionality, that arises from phenomenal consciousness alone, and any other kind of intentionality derives from it. The phenomenal intentionality theory faces important challenges in accounting for the rich and sophisticated contents of thoughts, broad and object-involving contents, and nonconscious states. Mendelovici proposes a novel and particularly strong version of the theory that can meet these challenges. The end result is a radically internalistic picture of the mind, on which all phenomenally represented contents are literally in our heads, and any non-phenomenal contents we in some sense represent are expressly singled out by us.

Can neurophysiology ever reveal to us what it is like to smell a skunk or to experience pain? In what does the feeling of happiness consist? How is it that changes in the white and gray matter composing our brains generate subjective sensations and feelings? These are several of the questions that Michael Tye addresses, while formulating a new and enlightening theory about the phenomenal "what it feels like" aspect of consciousness. The test of any such theory, according to Tye, lies in how well it handles ten critical problems of consciousness. Tye argues that all experiences and all feelings represent things, and that their phenomenal aspects are to be understood in terms of what they represent. He develops this representational approach to consciousness in detail with great ingenuity and originality. In the book's first part Tye lays out the domain, the ten problems and an associated paradox, along with all the theories currently available and the difficulties they face. In part two, he develops his intentionalist approach to consciousness. Special summaries are provided in boxes and the ten problems are illustrated with cartoons. A Bradford Book Representation and Mind series

Charles Siewert presents a distinctive approach to consciousness that emphasizes our first-person knowledge of experience and argues that we should grant consciousness, understood in this way, a central place in our conception of mind and intentionality. Written in an engaging manner that makes its recently controversial topic accessible to the thoughtful general reader, this book challenges theories that equate consciousness with a functional role or with the mere availability of sensory information to cognitive capacities. Siewert argues that the notion of phenomenal consciousness, slighted in some recent theories, can be made evident by noting our reliance on first-person knowledge and by considering, from the subject's point of view, the difference between having and lacking certain kinds of experience. This contrast is clarified by careful attention to cases, both actual and hypothetical, indicated by research on brain-damaged patients' ability to discriminate visually without conscious visual experience--what has become known as "blindsight." In addition, Siewert convincingly defends such approaches against objections that they make an illegitimate appeal to "introspection." Experiences that are conscious in Siewert's sense differ from each other in ways that only what is conscious can--in phenomenal character--and having this character gives them intentionality. In Siewert's view, consciousness is involved not only in the intentionality of sense experience and imagery, but in that of nonimagistic ways of thinking as well. Consciousness is pervasively bound up with intelligent perception and conceptual thought: it is not mere sensation or "raw feel." Having thus understood consciousness, we can better recognize how, for many of us, it possesses such deep intrinsic value that life without it would be little or no better than death.

Aspects of Psychologism is a penetrating look into fundamental philosophical questions of consciousness, perception, and the experience we have of our mental lives. Psychologism, in Tim Crane's formulation, presents the mind as a single subject-matter to be investigated not only empirically and conceptually but also phenomenologically: through the systematic examination of consciousness and thought from the subject's point of view. How should we think about the mind? Analytical philosophy tends to address this question by examining the language we use to talk about our minds, and thus translates our knowledge of consciousness into knowledge of the concepts which this language embodies. Psychologism rejects this approach. The philosophy of mind, Crane contends, has become too narrow in its purely conceptual focus on the logical and linguistic formulas that structure thought. We cannot assume that the categories needed to understand the mind correspond absolutely with such semantic categories. Crane's claim is that intentionality--the "aboutness" or "directedness" of the mind--is essential to all mental phenomena. He criticizes materialist doctrines about consciousness and defends the position that perception can represent the world in a non-conceptual, non-propositional way, opening up philosophy to a more realistic account of the mind's nature.