Outlaw Territory

Outlaw Territories: Environments of Insecurity/Architectures of Counterinsurgency traces the relations of architecture and urbanism to forms of human unsettlement and territorial insecurity during the 1960s and ’70s. Investigating a set of responses to the growing urban unrest in the developed and developing worlds, Outlaw Territories revisits an era when the discipline of architecture staked out a role in global environmental governance and the biopolitical management of populations. Felicity D. Scott demonstrates how architecture engaged the displacement of persons brought on by migration, urbanization, environmental catastrophe, and warfare, and at the same time how it responded to the material, environmental, psychological, and geopolitical transformations brought on by postindustrial technologies and neoliberal capitalism after World War II. At the height of the US–led war in Vietnam and Cambodia, and ongoing decolonization struggles in many parts of the world, architecture not only emerged as a target of political agitation on account of its inherent normativity but also became heavily imbricated within military, legal, and humanitarian apparatuses, and scientific and technological research dedicated to questions of international management and security. Once architecture became aligned with a global matrix of forces concerned with the environment, economic development, migration, genocide, and war, its conventional role did not remain unchallenged but shifted at times toward providing strategic expertise for institutions responding to transformations born of neoliberal capitalism. Outlaw Territories interrogates this nexus, and questions how and to what ends architecture and the environment came to be intimately connected to the expanded exercise of power within shifting geopolitical frameworks of this time.

Explore more of the dark and gritty history of America known as the Wild West! Outlaw Territory continues to bring together some of the best and brightest creators in comics as they weave their own brand of tales about the Old West.

"Traces the relations of architecture and urbanism to forms of human unsettlement and territorial insecurity during the 1960s and 70s"--Dust jacket.

Join us one last time as the critically acclaimed anthology Outlaw Territory returns with its largest volume ever, showcasing thirty-five tales of the Old West from some of the biggest and brightest talent in the industry today.

Once upon a time in the late nineteenth century, there was an outlaw that captured the imagination of the American public like no other. He can be compared to John Dillinger or Pretty Boy Floyd of the 1930s. Like both of these men, he garnered national press for his exploits; the well-known New York Times had a running commentary on his actions and deeds. This outlaw's name was Crawford Goldsby, better known as Cherokee Bill.Cherokee Bill was every bit as colorful and outrageous as any criminal of the western frontier, perhaps even more so. There were a few things about him that made him truly unique for a famous desperado of the purple sage. First and foremost, he was an African American living in the Indian Territory. He was also Native American, Bill was a citizen of the Cherokee Nation, as a freedman, from his mother's lineage.Compare Cherokee Bill to Billy the Kid, (Billy Antrim), of New Mexico Territory fame. Although both outlaws received national media attention for their crimes while they were living, Billy the Kid was remembered and immortalized in books and films in the twentieth century; this did not occur for Cherokee Bill. Art Burton's newest book will help change that.

All his life Shane Lassiter had revered the man who stood in place of the father he had never known. Nathaniel Wilcock had taken Shane into his own home, loved him as a son, and placed within his grasp one of the largest ranches in the Wyoming Territory.But Shane had heard the stories. He knew the whispers about the fugitive gunman who stood against Wilcock during the land wars that had rocked the valley almost thirty years ago. In Nathaniel Wilcock?s eyes, the gunman was nothing better than a vigilante and an outlaw, and as such he had died. To the people of Hangtree, he was a hero?a martyr who had stood against corrupt power and injustice. When Wilcock?s greed moves him against the only woman Shane has ever loved?a woman who holds the secret that could resurrect everything for which the outlaw fought?Shane finds himself forced into a place not so very different from that of the outlaw thirty years ago. He must make a decision, the shadow of which will forever be cast over the lives of all those he loves. It is a decision between truth and power?between honor and life?between right and wrong.

John Rawls is widely regarded as one of the most influential philosophers of the twentieth century, and his work has permanently shaped the nature and terms of moral and political philosophy, deploying a robust and specialized vocabulary that reaches beyond philosophy to political science, economics, sociology, and law. This volume is a complete and accessible guide to Rawls' vocabulary, with over 200 alphabetical encyclopaedic entries written by the world's leading Rawls scholars. From 'basic structure' to 'burdened society', from 'Sidgwick' to 'strains of commitment', and from 'Nash point' to 'natural duties', the volume covers the entirety of Rawls' central ideas and terminology, with illuminating detail and careful cross-referencing. It will be an essential resource for students and scholars of Rawls, as well as for other readers in political philosophy, ethics, political science, sociology, international relations and law.

Sitting tall in the saddle, with a wide-brimmed black hat and twin Colt pistols on his belt, Bass Reeves seemed bigger than life. Outlaws feared him. Law-abiding citizens respected him. As a peace officer, he was cunning and fearless. When a lawbreaker he

Outlaw Territory is a collection of stories from a rougher and grittier time in America -- tales of the old west from some of the best and brightest writers in the industry, lavishly illustrated by amazing talent both new and experienced.

This collection of fifty outlaw tales includes well-knowns such as Butch Cassidy and the Sundance Kid, Frank and Jesse James, Belle Starr (and her dad), and Pancho Villa, along with a fair smattering of women, organized crime bosses, smugglers, and of course the usual suspects: highwaymen, bank and train robbers, cattle rustlers, snake-oil salesmen, and horse thieves. Men like Henry Brown and Burt Alvord worked on both sides of the law either at different times of their lives or simultaneously. Clever shyster Soapy Smith and murderer Martin Couk survived by their wits, while the outlaw careers of the dimwitted DeAutremont brothers and bigmouthed Diamondfield Jack were severely limited by their intellect, or lack thereof. Nearly everyone in these pages was motivated by greed, revenge, or a lethal mixture of the two. The most bloodthirsty of the bunch, such as the heartless (and, some might argue, soulless) Annie Cook and trigger-happy Augustine Chacón, surely had evil written into their very DNA.