Out Of The Closet And On To The Screen

In the 1960s the Gateways Club was known as 'the' lesbian club in London. In her portrait of the club, Gardiner also gives us a social history of lesbian lives, loves and mores, from a cloistered secret in the 1950s and 1960s, to a battleground between feminists and traditionalists in the 1970s.

Is it a show about nothing or one of the greatest TV series of all time? It's both of course! ÊSeinfeldÊ's impact on popular culture was so profound that it continues to this day-years after it left prime time-thanks to its inimitable characters (Newman! Bubble Boy!) its wacky memorable plots (who can forget The Contest or The Puffy Shirt ?) and the many catchphrases we use regularly (not that there's anything wrong with that).ÞÊSeinfeld FAQÊ is the first-ever comprehensive guide to the sitcom tracing its path from modest beginnings to water-cooler-show status and to its infamous love-it-or-hate-it finale. This humor-filled reference tells all about Jerry Elaine George and Kramer as well as the other unforgettable characters in their world. It features season-by-season episode reviews and a wealth of fun facts about everything from the characters' inevitably doomed relationships to their food obsessions and fashion sense (or lack thereof) as well as profiles of actors and other notables.ÞBroad in scope and yet obsessed with detail (like the show itself) this FAQ is essential reading for anyone who wants to be master of the ÊSeinfeldÊ domain.

A series of essays concerning the Gay Liberation Movement, from individuals and groups associated with the movement.

Straight Skin, Gay Masks and Pretending to Be Gay on Screen examines cinematic depictions of pretending-to-be-gay, assessing performances that not only reflect heteronormative and explicitly homophobic attitudes, but also offer depictions of gay selfhood with more nuanced multidirectional identifications. The case of straight protagonists pretending to be gay on screen is the ideal context in which to study unanticipated progressivity and dissidence in regard to cultural construction of human sexualities in the face of theatricalized epistemological collapse. Teasing apart the dynamics of depictions of both sexual stability and fluidity in cinematic images of men pretending to be gay offers new insights into such salient issues as sexual vulnerability and dynamics and long-term queer visibility in a politically complicated mass culture which is mostly produced in a heteronormative and even hostile cultural environment. Additionally, this book initially examines queer uses of sexuality masquerade in Alternate Gay World Cinema that allegorically features a world pretending to be gay, in which straights are harassed and persecuted, in order to expose the tragic consequences of sexual intolerance. Films and TV series examined as part of the analysis include The Gay Deceivers, Victor/Victoria, Happy Texas, William Friedkin’s Cruising and many other straight and gay screens. This is a fascinating and important study relevant to students and researchers in Film Studies, Media Studies, Gender Studies, Queer Studies, Sexuality Studies, Communication Studies and Cultural Studies.

This collection of essays on transnational Chinese cinema explores the corporal, psychological, and affective aspects of experiencing bodies on screen; engages with the material and discursive elements of embodiment; and highlights the dynamics between the mind and body involved in bio-cultural practices of cinematic production, distribution, exhibition, and reception.

This book traces the uneven history of queer media visibility through crucial turning points including the Hollywood Production Code era, the AIDS crisis of the 1980s, the so-called explosion of gay visibility on television during the1990s, and the re-imagination of queer representations on TV after the events of 9/11. Kohnen intervenes in previous academic and popular accounts that paint the increase in queer visibility over the past four decades as a largely progressive development. She examines how and why a limited and limiting concept of queer visibility structured around white gay and lesbian characters in committed relationships has become the embodiment of progressive LGBT media representations. She also investigates queer visibility across film, TV, and print media, and highlights previously unexplored connections, such as the lingering traces of classical Hollywood cinema's queer tropes in the X-Men franchise. Across all chapters, narratives and arguments emerge that demonstrate how queer visibility shapes and reflects not only media representations, but the real and imagined geographies, histories, and people of the American nation.

Field trips are one of the best parts about school! You get to leave school for the day and enjoy the change away from the classroom. That is unless you just happen to be a student attending Hellman Elementary, as Dylan is about to discover with the school's annual field trip to the one and only Dino Kingdom! Dylan and his brother are living with their grandmother while their mom is away on her own great adventure. However, when Dylan discovers a mysterious, dusty old wooden puzzle box in his mother's former bedroom, it starts to turn Dylan's life upside down, bringing an adventure to Dylan also. For instance, he and his friend have a strange encounter with the elusive frogman, and Dylan is almost positive that his brother is beginning to change into something not quite human. Perhaps transforming into something from the past; perhaps something from the Jurassic era. Will Dylan survive the scariest field trip of the school year? Even if Dylan does, what about his brother? What are his chances? Will Dylan find a way to reverse the bizarre changes that are occurring? Even more so, will he be doomed to become the next strange event at Hellman Elementary?