Out Of Africa

In Out of Africa, author Isak Dinesen takes a wistful and nostalgic look back on her years living in Africa on a Kenyan coffee plantation. Recalling the lives of friends and neighbours—both African and European—Dinesen provides a first-hand perspective of colonial Africa. Through her obvious love of both the landscape and her time in Africa, Dinesen’s meditative writing style deeply reflects the themes of loss as her plantation fails and she returns to Europe. HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.

Set in Africa, it is the story of Dinesen's years in Africa--together with Shadows on the Grass. Copyright © Libri GmbH. All rights reserved.

Not Out of Africa has sparked widespread debate over the teaching of revisionist history in schools and colleges. Was Socrates black? Did Aristotle steal his ideas from the library in Alexandria? Do we owe the underlying tenets of our democratic civilizaiton to the Africans? Mary Lefkowitz explains why politically motivated histories of the ancient world are being written and shows how Afrocentrist claims blatantly contradict the historical evidence. Not Out of Africa is an important book that protects and argues for the necessity of historical truths and standards in cultural education.For this new paperback edition, Mary Lefkowitz has written an epilogue in which she responds to her critics and offers topics for further discussion. She has also added supplementary notes, a bibliography with suggestions for further reading, and a glossary of names.

Beautiful and historic African carpets, baskets, and other textiles provide the design inspiration for these 16 sophisticated knitted cardigans, pullovers, and sweater vests. Intended for seasoned knitters, these projects use domino, double knitting, entrelac, intarsia, and stranded two-color techniques worked in fingering-weight yarns. The Shoowa Vest, the African Domino Pullover, and the Arrowheads Cropped Pullover show off fancy stitching, while other designs feature colors borrowed from the mud-dried fabrics of Mali, the block patterns of Ghana, or motifs from Nigeria, Sierra Leone, Zaire, and Zimbabwe. African animals decorate the Giraffe Vest and Zebra Cardigan, and elsewhere leaping antelope and birds in flight are used in repeating patterns. Full instructions and charted patterns for at least two adult sizes are provided for each design and high-quality photographs of the finished pieces showcase these classic additions to any wardrobe.

Green Hills of Africa is a work of nonfiction by American writer Ernest Hemingway. Hemingway's second work of nonfiction, Green Hills of Africa is an account of a month on safari he and his wife, Pauline Marie Pfeiffer, took in East Africa during December 1933. Much of the narrative describes Hemingway's adventures hunting in East Africa, interspersed with ruminations about literature and authors. Generally the East African landscape Hemingway describes is in the region of Lake Manyara in Tanzania.

This book takes the reader on a delightful journey into Africa and into the world of a little girl called Tippi who tells her unforgettable story on her return from Africa to France at the age of ten. Tippi is no ordinary child. She believes that she has the gift of talking to animals and that they are like brothers to her. Her world is filled with characters like Leon the Chameleon, Abu the elephant whom she calls ‘my brother’, and leopards, snakes, baboons, lions and ostriches ... ‘I speak to them with my mind, or through my eyes, my heart or my soul, and I see that they understand and answer me.’ My Book of Africa contains the words of a little girl who has the gift of reaching out and touching the people and animals of Africa. It s beautifully illustrated with over 100 magical photographs taken by her parents, French filmmakers and photographers, Sylvie Robert and Alain Degré.

From one of Africa’s most influential and eloquent essayists, a posthumous collection that highlights his biting satire and subversive wisdom on topics from travel to cultural identity to sexuality “A fierce literary talent . . . [Wainaina] shines a light on his continent without cliché.”—The Guardian “Africa is the only continent you can love—take advantage of this. . . . Africa is to be pitied, worshipped, or dominated. Whichever angle you take, be sure to leave the strong impression that without your intervention and your important book, Africa is doomed.” Binyavanga Wainaina was a pioneering voice in African literature, an award-winning memoirist and essayist remembered as one of the greatest chroniclers of contemporary African life. This groundbreaking collection brings together, for the first time, Wainaina’s pioneering writing on the African continent, including many of his most critically acclaimed pieces, such as the viral satirical sensation “How to Write About Africa.” Working fearlessly across a range of topics—from politics to international aid, cultural heritage, and redefined sexuality—he describes the modern world with sensual, emotional, and psychological detail, giving us a full-color view of his home country and continent. These works present the portrait of a giant in African literature who left a tremendous legacy.

Isak Dinesen and the land and people she loved are nowhere so real and compelling as in Longing for Darkness, written by Dinesen's majordomo, Kamante, and now boasting a smart new cover. Readers familiar with Out of Africa may recognize many of the enchanting stories. These celebrated tales and others are retold here from Kamante's perspective and are enhanced with his own drawings and letters, Dinesen's words and snapshots, and photographs by Peter Beard. Writes Beard, "Over a period of 12 years, as if divesting himself of his possessions, Kamante put down the extra dimensions of truth which are at the heart of Out of Africa."

Judith Thurman’s brilliant, National Book Award–winning biography of Isak Dinesen—now with a new foreword by the author A brilliant literary portrait, Isak Dinesen remains the only comprehensive biography of one of the greatest storytellers of our time. Dinesen’s magnificent memoir, Out of Africa, established her as a major twentieth-century author, who was twice nominated for the Nobel Prize. With exceptional grace, Judith Thurman’s classic work explores Dinesen’s life. Until the appearance of this book, the life and art of Isak Dinesen have been—as Dinesen herself wrote of two lovers in a tale—“a pair of locked caskets, each containing the key to the other.” Judith Thurman has provided the master key to them both.