No Moonlight In My Cup

No Moonlight in My Cup provides translations and commentaries for more than two hundred Sinitic poems (kanshi 漢詩) from the Nara and Heian courts (710-1185) together with a detailed introduction to this important but relatively little-studied literary genre.

Voices of East Asia provides significant yet accessible readings in translation chosen to stimulate interest in the long and rich cultural history of East Asia, the countries of China, Japan, and Korea. The readings range from ancient to modern, elite to popular, and include poetry, stories, essays, and drama. Each section begins with a broad but brief overview of that country’s political and cultural history. Each reading is preceded by a concise explanation of its literary and cultural context. As expertise in East Asian studies has exploded in the West in recent decades, a novice could be overwhelmed by all the materials available now. In this volume, however, the reader will find a manageable set of texts that may be read on their own, as part of a world literature course, or as supplementary readings for an East Asian history class. As economic and political news from East Asia sweeps across the world, this anthology aims to provide a taste of the enduring traditions upon which contemporary East Asia is built, a glimpse into the hopes and fears, love and sorrow in the hearts of the people behind the headlines. This anthology will be welcomed by students and scholars of Asian history, culture, society and literature.

In Japanese Morphography, Gordian Schreiber takes an in-depth look at texts from pre-modern Japan written exclusively in Chinese characters as morphograms and demonstrates why the language behind the script is, in fact, to be identified as Japanese rather than Chinese.

The war between Merlin and the pagan Mab, Queen of Magic, hurtles toward the final conflict. At last, a good King sits on England's throne. But Arthur leaves Camelot on a quest of shadows, while his nemesis, Mab's disciple Mordred, grows into a monster cruel enough to laugh at his own mother's murder. As Mab's growing evil drives away even her loyal servant, the gnome Frick, Merlin, too, is alone -- his true love, Nimue, lost to him forever. Arthur is betrayed, facing Mordred at the heart of an apocalyptic civil war. For when Arthur battles Mordred, when Merlin battles Mab, all hope will turn to ashes, all dreams will pass into legend. And not even Magic can survive.

This book identifies that “Xiang thinking” is the eidetic connotation and a fundamental trait of traditional Chinese thinking, offering insights of considerable methodological significance. "Xiang thinking" is a mode of thinking different from conceptual thinking or idealized rational thinking and, in a certain sense, it is more primal. In the past century, particularly since 1949, the primary works on Chinese philosophical history have, as a rule, addressed the ancient Chinese tradition of philosophical ideas by virtue of the philosophies of Plato, Descartes and Hegel: methods that inherently challenge Chinese philosophical insights. This has naturally led to the fact that the insights as such remained obscured. This book starts to reverse this trend, intending to help Chinese people understand and appraise themselves in a more down-to-earth fashion. In addition, it is particularly helpful to people of other cultures if they want to understand ancient Chinese philosophy and culture in a context of fresh and inspiring philosophical ideas. (By Zhang Xianglong)