New Media Technologies And The Transition To Personal Public Spheres

New Media Technologies and the Transition to Personal Public Spheres attempts to situate recent developments in new media and communication technologies within the larger discussion of the public sphere. By exploring the initial impacts of first radio and then of television on the public sphere the effects of new social media tools like blogs, wikis, and other new mediums for open dialogue on the larger public sphere can be better understood. These new communication technologies have the potential to reinvigorate a public sphere which has become largely dominated by the mass media, corporate interests, and `substantial people'. Open news and participatory journalism online has undermined the mass media's control over the agenda setting process and by doing so helped to allow discussions previously barred from the public agenda into the public discourse.^This friction between mass media and participatory media outlets fused with an ever expanding ecology of different media tools provides for a previously impossible diversity of information. It also creates a fragmentation in the way that people experience the public sphere as different ways of interfacing with the same information proliferate. A user not only has the option of what content to look at, interact with, or contribute to, but now also has a variety of options in how to deal with the same content - do you want you want to interact with the site itself? Follow its RSS feed? Use its Facebook app? Follow its Twitter stream? This fragmentation results in the development of `personal public spheres': spheres in which even users who are interacting with similar content are interfacing with it so differently that they're actually participating in different dialogues.^There are many possibilities for a public sphere expanded and renewed through participatory dialogue online, but there are many complications as well. The creativity that goes into garnering the interest of current non-participants in the next few years is largely where the inclusivity, and effectively the potential authority, of a public sphere renewed by the web will be determined.

This major work retraces the emergence and development of the Bourgeois public sphere - that is, a sphere which was distinct from the state and in which citizens could discuss issues of general interest. In analysing the historical transformations of this sphere, Habermas recovers a concept which is of crucial significance for current debates in social and political theory. Habermas focuses on the liberal notion of the bourgeois public sphere as it emerged in Europe in the early modern period. He examines both the writings of political theorists, including Marx, Mill and de Tocqueville, and the specific institutions and social forms in which the public sphere was realized. This brilliant and influential work has been widely recognized for many years as a classic of contemporary social and political thought, of interest to students and scholars throughout the social sciences and humanities.

Essays on the promise and dangers of the Internet for democracy.

Bringing together contributions from the fields of sociology, media and cultural studies, arts, politics, science and technology studies, political communication theory and popular culture studies, this volume engages both with theoretical debates and detailed empirical studies, showcasing how the public sphere is transformed by digital media, and in turn how this digital public sphere shapes and is shaped by debates surrounding crisis, conflict, migration and culture. Case studies from Bulgaria, Nigeria, China, Greece, Italy, Cyprus, UK, Mexico and India are discussed in detail.

Online technologies excite the public imagination with narratives of democratization. The Internet is a political medium, borne of democracy, but is it democratizing? Late modern democracies are characterized by civic apathy, public skepticism, disillusionment with politics, and general disinterest in conventional political process. And yet, public interest in blogging, online news, net-based activism, collaborative news filtering, and online networking reveal an electorate that is not disinterested, but rather, fatigued with political conventions of the mainstream. This book examines how online digital media shape and are shaped by contemporary democracies, by addressing the following issues: How do online technologies remake how we function as citizens in contemporary democracies? What happens to our understanding of public and private as digitalized democracies converge technologies, spaces and practices? How do citizens of today understand and practice their civic responsibilities, and how do they compare to citizens of the past? How do discourses of globalization, commercialization and convergence inform audience/producer, citizen/consumer, personal/political, public/private roles individuals must take on? Are resulting political behaviors atomized or collective? Is there a public sphere anymore, and if not, what model of civic engagement expresses current tendencies and tensions best? Students and scholars of media studies, political science, and critical theory will find this to be a fresh engagement with some of the most important questions facing democracies today.

The media industry is undergoing an accelerated pace of change, driven in large part by the proliferation of digital platforms. In many cases, the speed of adoption has exceeded our ability to process the impact of these changes on individuals and society at large. This book provides a “behind-the-scenes” look at the media industry’s transition into the digital era and examines its impact on marketing, advertising, innovation and other economic and social activities. The impact of digital technologies on traditional media sectors, such as advertising, video games, film and television is well-documented. Less understood is its effect on our perceptions, thought processes and inter-personal relationships. Social media, for example, represents a fundamental change in the ways we interact with media, communicate with each other and even present ourselves to the world. This has shaped the way we communicate with institutions and brands. Similar to the first “Transitioned Media” book, Transitioned Media: A Turning Point into the Digital Realm, this book combines media industry leaders and academics to explore various transformative trends and issues. Themes include measuring cross-platform behaviour, artificial intelligence in journalism, the evolution of video games, digital media and physical space, the mobile use trends, social media and the corporate world, the changes in the television and newspaper business and the evolving relationship between advertisers and target audiences. The varied backgrounds of contributors and array of topics make for a unique and insightful point of view.

Providing a comprehensive introduction to the culture, technologies, history and theories of new media, this book considers the ways in which they really are new, assesses whether a media and technological revolution is under way and formulates ways for media studies to respond to new technologies.

The diversification and politicisation of the mass media within itself and also societal pressure created by the mass media at a social level have caused changes to our social structure. The first change began with the contextual changes to the mass media, and this change led to visible changes in societies. That transformation has almost erased the distinction between the private and the public spheres, especially as social media has entered our lives. Now, things that occur in the private sphere are easily transported into the public sphere and others' private spheres. Therefore, the virtual public sphere has emerged through social media and all other practices on the internet. It appears that activist movements have either been founded in the cyberworld or that existing activist movements have been strengthened by finding supporters via social media and blogs. The public sphere and activist movements that come into existence in the virtual environment, such as social media, are a new experience in terms of societies, and they are the sign of how the future will be shaped. It is obvious that social media is now an integral part of our daily lives. It is a place where political and secular ideas spread. In this social area each individual has the opportunity to make political statements as if they were standing in an agora. Shared content represents the position within the virtual life that individuals have built for themselves. This study defines the virtual public sphere together with virtual activism and the network society in the light of the public sphere - private sphere debates.

Interdisciplinary essays on the relationship between practice and theory in new media. Arguing that "first encounters" have already applied traditional theoretical and conceptual frameworks to digital media, the contributors to this book call for "second encounters," or a revisiting. Digital media are not only objects of analysis but also instruments for the development of innovative perspectives on both media and culture. Drawing on insights from literary theory, semiotics, philosophy, aesthetics, ethics, media studies, sociology, and education, the contributors construct new positions from which to observe digital media in fresh and meaningful ways. Throughout they explore to what extent interpretation of and experimentation with digital media can inform theory. It also asks how our understanding of digital media can contribute to our understanding of social and cultural change. The book is organized in four sections: Education and Interdisciplinarity, Design and Aesthetics, Rhetoric and Interpretation, and Social Theory and Ethics. The topics include the effects on reading of the multimodal and multisensory aspects of the digital environment, the impact of practice on the medium of theory, how digital media are dissolving the boundaries between leisure and work, and the impact of cyberspace on established ethical principles.

The Digital Difference examines how the transition from the industrial-era media of one-way publishing and broadcasting to the two-way digital era of online search and social media has affected the dynamics of public life. In the digital age, fundamental beliefs about privacy and identity are subject to change, as is the formal legal basis of freedom of expression. Will it be possible to maintain a vibrant and open marketplace of ideas? In W. Russell Neuman’s analysis, the marketplace metaphor does not signal that money buys influence, but rather just the opposite—that the digital commons must be open to all ideas so that the most powerful ideas win public attention on their merits rather than on the taken-for-granted authority of their authorship. “Well-documented, methodical, provocative, and clear, The Digital Difference deserves a prominent place in communication proseminars and graduate courses in research methods because of its reorientation of media effects research and its application to media policy making.” —John P. Ferré, Journalism and Mass Communication Quarterly