New Brazilian House

Presents a range of beautiful and original Brazilian houses building on the country’s potent legacy of modernist tropical architecture Brazil is a country blessed with natural beauty and the buzz of megalopolises and resorts. Amid glamorous beaches and lush tropical vegetation, contemporary Brazilian architects are establishing a global reputation through house and hotel design that combines a bold contemporary aesthetic with a uniquely Brazilian sensibility. Organized into three sections— "Town," "Country," and "Coast" —the carefully selected houses presented here offer new takes on indoor–outdoor living, beautifully crafted local materials, and a mastery of natural light. The locations range from stunning city homes to country retreats and tempting coastal escapes in cities including Sao Paulo, Rio de Janeiro. Featuring work by Marcos Acayaba and Pritzker-prize-winning architect Paulo Mendes da Rocha, together with homes by designers such as Fernanda Marques, Guilherme Torres, and André Piva, New Brazilian House reflects the vitality and verve of Brazil’s architecture and design today.

This guide to modern Brazilian architecture takes us on a tour of over 125 projects designed between 1928-1960. There are works by 33 architects, and each entry gives a brief description, photographs, drawings, and information on visitor access.

"Joaquin Nabuco has found art in the architecture, interiors, and landscapes designed by his fellow Brazilians. ... Featured designers include the painterly and ardent recycler, Hélio Pellegrino; impressionistic landscape and golf course designers, Sonia Infante and Antônio Azeredo, and the global modernist giant, Oscar Niemeyer. ..."--Book jacket.

Two residential buildings by these Brazilian architects are studied in depth in this volume. Invisible from the street, Angelo Bucci's house reveals itself in sequences until reaching the highest point and a 360-degree view. Carla Jua aba's vacation house in a remote, virgin forest is a small building of excetional beauty and elegence.

The colorful story of one couple's journey across the world to build their dream home in the heart of the Amazon In 1989, as their mid-life crises approached, concert pianist Binka Le Breton and her husband Robin, an agricultural economist, decided to uproot themselves from their home in Washington, D.C. and start a new life in Brazil. Where the Road Ends is their story of building a house, a rainforest research center, and a new dream. Since then, they've learned how to work with the trees, the animals, the weather, the local community, and each other. Their technology now ranges from the oxcart to the Internet, and in 2000 they opened a rainforest conservation and research center that is visited by foreign researchers and Brazilian school children. From meeting their resident cowboy, Albertinho, to beheading snakes, to chauffeuring a local wedding—the adventures described here are unparalleled. This delightful memoir takes the armchair traveler deep into another world where matters of providing food and shelter can never be taken for granted. Binka and Robin have embarked on an adventure that many readers only dream about—transplanting themselves in a different country and learning (often the hard way) what it takes to survive and flourish. "A good read for armchair travelers." - Kirkus Reviews

As yet relatively undiscovered, Brazilian interiors have a verve, sophistication, and confidence that lifts the spirits and appeals to the eye. The carefully curated homes featured in this book display all the vibrant personality of the region and their use of exuberant color, design, and pattern is truly life enhancing. As yet relatively undiscovered, Brazilian interiors have a verve, sophistication, and confidence that lifts the spirits and appeals to the eye. The carefully curated homes featured in this book display all the vibrant personality of the region and their use of exuberant color, design, and pattern is truly life enhancing. During the 1950s and ‘60s, with its gleaming new space-age capital Brasilia, Brazil was in the vanguard of architecture and design and its interiors still possess a generous dash of glossy modernity and mid-century chic. This sleek contemporary glamour is combined with the rustic, natural materials that are in such generous supply on the South American continent – rough-hewn stone, exotic dark woods and an abundance of jungly greenery. From city perches in the urban jungle to country homes amid soaring mountains and beach houses sitting serenely above long, unspoilt beaches, Bold and Bright provides a fascinating glimpse into a selection of real-life Brazilian homes.

During the later half of the nineteenth century, a majority of Brazilian women worked, most as domestic servants, either slave or free. House and Street re-creates the working and personal lives of these women, drawing on a wealth of documentation from archival, court, and church records. Lauderdale Graham traces the intricate and ambivalent relations that existed between masters and servants. She shows how for servants the house could be a place of protection—as well as oppression—while the street could be dangerous—but also more autonomous. She integrates her discoveries with larger events taking place in Rio de Janeiro during the period, including the epidemics of the 1850s, the abolition of slavery, the demolition of slums, and major improvements in sanitation during the first decade of the 1900s. House and Street was originally published by Cambridge University Press in 1988. For this paperback edition, Lauderdale Graham has provided a new introduction.

The End centers on five friends in Rio de Janeiro who, nearing the end of their lives, are left with memories—of parties, marriages, divorces, fixations, inhibitions, bad decisions—and the physical indignities of aging. Alvaro lives alone and spends his time going from doctor to doctor and bemoaning the evils of his ex-wife. Silvio is a junkie who can’t give up the excesses of sex and drugs even in his old age. Ribeiro is an athletic beach bum enjoying a prolonged sex life thanks to Viagra. Neto is the square member of the group, a faithful husband until his last days. And Ciro is the Don Juan envied by all—but the first to die, struck down by cancer. For all of them, successful careers, personal revelations, and Zen serenity are out of the question, blocked by a seemingly insurmountable wall of frustrations. Orbiting around them are a priest questioning his vocation and a cast of complicated women, neglected and embattled by these self-involved men. Edgy and wise, this tragicomic debut delves into taboo subjects—death, infidelity, impotence, the difficulties of marriage—with unsentimental honesty, and brings Rio and these characters to life in full color.

Lucia Nagib presents a comprehensive critical survey of Brazilian film production since the mid 1990s, which has become known as the "renaissance of Brazilian cinema". Besides explaining the recent boom, this book elaborates on the new aesthetic tendencies of recent productions, as well as their relationships to earlier traditions of Brazilian cinema. Internationally acclaimed films, such as "Central Station", "Seven Days in September" and "Orpheus", are analysed alongside daringly experimental works, such as "Chronically Unfeasible", "Starry Sky" and "Perfumed Ball". Contributors include Carlos Diegues, Robert Stam, Laura Mulvey and Jose Carlos Avellar.