Mussolinis Nature

This exploration of the environmental practices of Benito Mussolini’s fascist regime invites readers to consider the ecological connections of all political projects. “We might think we see a mountain while it was a war; a forest can actually be an engine; a monument to workers might reflect the violence of a colonial empire.”—extracted from Mussolini’s Nature In this first environmental history of Italian fascism, Marco Armiero, Roberta Biasillo, and Wilko Graf von Hardenberg reveal that nature and fascist rhetoric are inextricable. Mussolini’s Nature explores fascist political ecologies, or rather the practices and narratives through which the regime constructed imaginary and material ecologies functional to its political project. The book does not pursue the ghost of a green Mussolini by counting how many national parks were created during the regime or how many trees planted. Instead, the reader is trained to recognize fascist political ecology in Mussolini’s speeches, reclaimed landscapes, policies of economic self-sufficiency, propaganda documentaries, reforested areas, and in the environmental transformation of its colonial holdings. The authors conclude with an examination of the role of fascist landscapes in the country’s postwar reconstruction: Mussolini’s nature is still visible today through plaques, monuments, toponomy, and the shapes of landscapes. This original, and surprisingly intimate, environmental history is not merely a chronicle of conservation in fascist Italy but also an invitation to consider the socioecological connections of all political projects.

Analyzes the systematic imprisonment and torture of 'hostile' civilians, including Jews, Slavs, and dissidents. Using case studies and comparisons with the Nazis, studies the persecution and sometimes mass murder of Italians by their Fascist compatriots.

Between 1930 and 1939, the Pontine Marshes became the target of massive national investment, internal migration (often non-voluntary), and engineering work. Written by an Oxford University professor, this book explores the architectural and urban planning aspects of the totalitarian minds which devised and built the new cities.

The first exploration of how Mussolini employed population settlement inside the nation and across the empire to strengthen Italian sovereignty.

The true nature of Mussolini's foreign policy during the late interwar period has been the subject of considerable controversy. Was Mussolini in reality pro-British, even as late as June 1940; or was his international policy more sinister and based on conquering a Fascist empire in North Africa and the Middle East? Robert Mallett makes use of much new archival evidence in order to answer this riddle of interwar history. Mallett argues that Mussolini had harboured imperial designs in the Mediterranean and Red Sea from as early as 1919, but that not until 1933, with the rise of Hitler, was it possible for Fascist Italy to pursue a programme of territorial expansion. Previously unpublished material also casts new light on the Nazi-Fascist relationship, revealing it to be at times paranoid, acrimonious and duplicitous on both sides. Although the book focuses on Italian policy, it provides an important reassessment of the Ethiopian Crisis, the Spanish Civil War, the Austro-German Anschluss, Munich and the run up to the Second World War. Mallett shows that it is erroneous to place excessive emphasis on the role of Adolf Hitler in subverting the interwar international order, and demonstrates that Mussolini was heavily implicated in the global conflict that erupted in September 1939.

Students will benefit from the provision of a structured route through the A-Level History process that is clearly explained. The books maintain focus on narrative in a readable style, while presenting additional topical information alongside. The approach concentrates on providing students with the essential information, keeping their attention on important and key issues throughout. The series is extremely cost-effective and can be used alongside any main A-Level topic book or resource. Teachers can use Pathfinder as a multi-role resource that can be used in as many ways as they determine: as an introduction at the start of the course, as a guide throughout a topic, or as a revision guide.

This is the original Doctrine of Fascism. This doctrine worked as the basis of the Italian Fascist Party and influenced numerous fascist movements and individuals that followed. "Fascism, the more it considers and observes the future and the development of humanity quite apart from political considerations of the moment, believes neither in the possibility nor the utility of perpetual peace. It thus repudiates the doctrine of Pacifism - born of a renunciation of the struggle and an act of cowardice in the face of sacrifice. War alone brings up to its highest tension all human energy and puts the stamp of nobility upon the peoples who have courage to meet it." -Mussolini

This richly textured cultural history of Italian fascism traces the narrative path that accompanied the making of the regime and the construction of Mussolini's power. Simonetta Falasca-Zamponi reads fascist myths, rituals, images, and speeches as texts that tell the story of fascism. Linking Mussolini's elaboration of a new ruling style to the shaping of the regime's identity, she finds that in searching for symbolic means and forms that would represent its political novelty, fascism in fact brought itself into being, creating its own power and history. Falasca-Zamponi argues that an aesthetically founded notion of politics guided fascist power's historical unfolding and determined the fascist regime's violent understanding of social relations, its desensitized and dehumanized claims to creation, its privileging of form over ethical norms, and ultimately its truly totalitarian nature.

"Mussolini as revealed in his political speeches (November 1914-August 1923)" by Benito Mussolini (translated by Bernardo barone Quaranta di San Severino). Published by DigiCat. DigiCat publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each DigiCat edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

A New Statesman Book of the Year Winner of the Helen and Howard R. Marraro Prize Winner of the Aldo and Jeanne Scaglione Prize for Italian Studies “Extraordinary...I could not put it down.” —Margaret MacMillan “Reveals how ideology corrupts the truth, how untrammeled ambition destroys the soul, and how the vanity of white male supremacy distorts emotion, making even love a matter of state.” —Sonia Purnell, author of A Woman of No Importance When Attilio Teruzzi, a decorated military officer and early convert to the Fascist cause, married a rising American opera star, his good fortune seemed settled. The wedding was blessed by Mussolini himself. Yet only three years later, Teruzzi, now commander of the Black Shirts, renounced his wife. Lilliana was Jewish, and fascist Italy would soon introduce its first race laws. The Perfect Fascist pivots from the intimate story of a tempestuous courtship and inconvenient marriage to the operatic spectacle of Mussolini’s rise and fall. It invites us to see in the vain, unscrupulous, fanatically loyal Attilio Teruzzi an exemplar of fascism’s New Man. Victoria De Grazia’s landmark history shows how the personal was always political in the fascist quest for manhood and power. In his self-serving pieties and intimate betrayals, his violence and opportunism, Teruzzi is a forefather of the illiberal politicians of today. “The brilliance of de Grazia’s book lies in the way that she has made a page-turner of Teruzzi’s chaotic life, while providing a scholarly and engrossing portrait of the two decades of Fascist rule.” —Caroline Moorhead, Wall Street Journal “Original and important...A probing analysis of the fascist ‘strong man.’ De Grazia’s attention to Teruzzi’s private life, his behavior as suitor and husband, deepens and enriches our understanding of the nature of leadership in Mussolini’s regime and of masculinity, virility, and honor in Italian fascist culture.” —Robert O. Paxton, author of The Anatomy of Fascism “This is a perfect book!...Its two entwined narratives—one political and public, the other personal and private—help us understand why the personal is political for those who insist on reshaping people and society.” —Azar Nafisi, author of Reading Lolita in Tehran