Mouldmaking And Casting

Mouldmaking and Casting is a technical manual of the many techniques of this ancient craft and art form. With step-by-step illustrations, it explains the materials required and the processes involved to create reproductions of a range of pieces. The book covers traditional techniques as well as today's more advanced technical methods.

For potters, mold making is invaluable because it allows them to slip-cast identical multiples of their work-and this newly revised, now in color edition of Andrew Martin's classic is the definitive guide to the craft. No other volume has shown the processes in such how-to detail. It's overflowing with hundreds of photos, key techniques, projects, master artist profiles, and troubleshooting tips. A thorough introduction addresses materials and tools, and presents Martin's simple, unique template method for making clay prototypes. Create easy one-piece molds to make tiles, bowls, and platters, or multi-piece molds for more complex forms. An extensive overview covers slip formulation, while offering highly desired slip recipes for low-, mid-, and high-fire clay bodies. This will be the standard reference in every ceramist's library.

The scope and potential of mouldmaking and casting is fascinating. Its opportunities have been developed and expanded further by a range of new methods and materials only recently made available to the domestic market. This book provides a guide to more advanced techniques in mouldmaking and casting.

An in depth manual for modellers that takes the reader through all of the practical aspects of mouldmaking, using materials such as latex and RTV. There is extensive coverage of casting, too, enabling the modeller to produce perfect duplicates from their original pattern. While the text is aimed at mouldmaking and resin casting, covering both simple one and two part moulds, there are other casting materials covered in the book for the modelmaker who wishes to explore other media, including spin casting. There is even a chapter on vacuum forming, with details of how to build and run a 'kitchen sink' vacuum forming operation, showing how to make vaccuum forming something even the beginner can undertake with confidence.

The Prop Builder's Molding & Casting Handbook &break;&break;This is the first book to contain, in one comprehensive volume, every molding and casting procedure of use to the theater props builder (no matter what his or her level or proficiency). The author demonstrates the techniques involved in using more than thirty different materials ranging from papier-mache to breakaway glass. &break;&break;While the use of some materials–plaster and polyester resins, for example–is covered to some extent in other publications, information on the selection and use of rubber materials (latex, neoprene, silicone, and the urethanes) and the procedure for making breakaway windows and bottles is available only in The Prop Builder's Molding & Casting Handbook. &break;&break;Written in an easy, conversational style, the book will be useful to anyone involved with theater properties, puppetry, and costuming (as professionals or amateurs). It will also serve admirably the needs of students taking classes in those subjects. &break;&break;Completing the book is a special section on designing and building a vacuum forming machine suitable for use in constructing theater props. More than 450 photographs illustrate the step-by-step procedures explained throughout the entire text.

Nearly all glass makers (unless they are blowing glass) need moulds which can go in the kiln, as part of the process of creating their work. Currently glass students and makers get their expertise and recipes from lots of different sources, picking out the relevant bits and pieces which they need from other glass and ceramic books. This book aims to introduce all the mould-making techniques for casting glass, with detailed information on materials, recipes for mould mixes, methods and applications. It helps the student to learn which methods are appropriate for different types of work, and covers all the basics of how to make your mould. It also includes practical information on sourcing, storing, using and recycling materials, and how to develop your own recipes and methods for particular projects. It also covers where to start with writing programmes for kiln firings including annealing and cooling. It also contains images from well-known artists working in cast glass throughout.

Learn how to make professional quality molds, then use those molds to make precise, flawless castings. Reproduce virtually any three dimensional object once, twice, dozens or even hundreds of times. Informative text and over 100 highly detailed line drawings guide the reader from the basics to very advanced procedures. Emphasis is on low cost materials and equipment ideally suited to the individual artisan or small business owner. A very wide range of artists, crafts and trades people, design professionals and entrepreneurs can use these techniques to increase their productivity and profits. This book is the result of years of research, experimentation and daily use in a professional shop environment.

A reference and practical book demonstrating the craft of making and using all types of moulds whether they are made of plaster, Styrofoam or wood. Step-by-step directions and photographs illustrate their use and two calculators - one of volume and mix and another a shrinkage compensating devise - accompany the book.

Glass casting is an exciting and versatile process involving chunks of molten glass melted into a mould, where it solidifies. This practical book explains the glass casting process, from the initial search for inspiration through to simple and then more complex casting. With step-by-step instructions and supporting photographs, it is an accessible and thorough account of this challenging and beautiful process. Topics covered include: advice on kilns and studio equipment; step-by-step projects in open casting, lost-wax casting, part-mould making, burn-out moulds and core casting; ideas for experimentation to increase the scale of your work, explore surface pattern and use other materials; instruction on de-moulding and finishing, and further tips on reusing materials in the studio. Of great interest to glass designers, glass blowers, craftsmen, jewellers, sculptors and interior designers, it is superbly illustrated with 184 colour photographs. Amy Whittingham is a glass artist and sculpture who specializes in mouldmaking.