Mother Daughter Monologues Volume 2 Thirtysomethings

This is the second anthology in a four-volume set of dramatic monologues exploring the Mother/Daughter experience. Each volume reflects a different stage of a woman's life: "Thirtysomethings" explores both career and early motherhood through characters in their 30s. The anthology features the work of playwrights Barbara Lindsay, Barbara H. Macchia, Catherine Frid, Chris Lockheardt, Constance Koepfinger, Debbie L. Feldman, Elizabeth Whitney, Hope McIntyre, Jennie Webb, Joan Lipkin, Judith Pratt, Karen Jeynes, Katelyn Gendelev, Kathleen Warnock, Kiesa Kay, Kimberly del Busto, Koorosh Angali, Lisa Stephenson, Lylanne Musselman, Meryl Cohn, Rachel Barnett, Sera Weber-Striplin, Sybil R. Williams and Vicki Cheatwood. Foreword by Erica Glyn-Jones.

This is the third anthology in a four-volume set of dramatic monologues exploring the Mother/Daughter experience. Each volume reflects a different stage of a woman's life: "Mid-Life Catharsis" shows the complexity of arrivals and departures during one's 40s, 50s and early 60s. This anthology features the work of playwrights Ann C. Hall, Barbara H. Macchia, Chris Van Strander, Christine Emmert, Ed Friedman, Janet Torreano Pound, Jennie Webb, Kathleen Warnock, Kerri Kochanski, Kit Wainer, Linda Evans, Lisa Stephenson, Marisa Smith, Martha Patterson, Maryjane Cruise, Maureen Brady Johnson, Michele Merens, Molly Best Tinsley, Monica Bauer, Rachel Barnett, Rachel Rubin Ladutke, Robin Rice Lichtig, Sandra de Helen, Sandra Gail Teichmann-Hillesheim, Selden Smith, Sera Weber-Striplin, Shareen Knight, Shirley King and Steven Schutzman. Foreword by Jill Dolan.

“Lively and evocative, Mother Land is a deftly crafted exploration of identity and culture, with memorable and deeply human characters who highlight how that which makes us different can ultimately unite us.”—Amy Myerson, author of The Bookshop of Yesterdays and The Imperfects From the critically acclaimed author of America for Beginners, a wonderfully insightful, witty, and heart-piercing novel, set in Mumbai, about an impulsive American woman, her headstrong Indian mother-in-law, and the unexpected twists and turns of life that bond them. When Rachel Meyer, a thirtysomething foodie from New York, agrees to move to Mumbai with her Indian-born husband, Dhruv, she knows some culture shock is inevitable. Blessed with a curious mind and an independent spirit, Rachel is determined to learn her way around the hot, noisy, seemingly infinite metropolis she now calls home. But the ex-pat American’s sense of adventure is sorely tested when her mother-in-law, Swati, suddenly arrives from Kolkata—a thousand miles away—alone, with an even more shocking announcement: she’s left her husband of more than forty years and moving in with them. Nothing the newlyweds say can budge the steadfast Swati, and as the days pass, it becomes clear she is here to stay—an uneasy situation that becomes more difficult when Dhruv is called away on business. Suddenly these two strong-willed women from such very different backgrounds, who see life so differently, are alone together in a home that each is determined to run in her own way—a situation that ultimately brings into question the very things in their lives that had seemed perfect and permanent . . . with results neither of them expect. Heartfelt, charming, deeply insightful and wise, Mother Land introduces us to two very different women from very different cultures . . . who maybe aren’t so different after all.

Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. My love for him felt so total and so annihilating that it was often impossible for me to see him clearly at all.Years ago, Sukie moved in with Nathan because her mother was dead and her father was difficult, and she had nowhere else to go. Now they are on the brink of the inevitable.Sally Rooney is one of the most acclaimed young talents of recent years. With her minute attention to the power dynamics in everyday speech, she builds up sexual tension and throws a deceptively low-key glance at love and death.

A play in one act. Comedy. Cast: 3 women, 3 men. Synopsis: Andrew has thrown a house party in hopes that the girl of his dreams, Marisa, will attend. Once he learns she is somewhere in his home, he becomes set on winning her heart. Matters are complicated when Chuck arrives bent on the same goal, followed by Jill who reveals her ex boyfriend is pursuing Marisa. Beatrice (aka "Benny"), a tom-boy, watches on amused as her peers become more and more frenzied over the unbearably hot object of their affections. When Marisa finally enters, passions run high and Chuck is almost killed! In the end, an unexpected twist unites Marisa with her true love.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Shortlisted for the Rathbones Folio Prize • Winner of the 2021 Kate O'Brien Award • Winner of the 2021 Dalkey Emerging Writer Award Sinéad Hynes is a tough, driven, funny young property developer with a terrifying secret. No-one knows it: not her fellow patients in a failing hospital, and certainly not her family. She has confided only in Google and a shiny magpie. But she can't go on like this, tirelessly trying to outstrip her past and in mortal fear of her future. Across the ward, Margaret Rose is running her chaotic family from her rose-gold Nokia. In the neighbouring bed, Jane, rarely but piercingly lucid, is searching for a decent bra and for someone to listen. And Sinéad needs them both. As You Were is about intimate histories, institutional failures, the kindness of strangers, and the darkly present past of modern Ireland; about women's stories and women's struggles; about seizing the moment to be free. Wildly funny, desperately tragic, inventive and irrepressible, As You Were introduces a brilliant voice in Irish fiction with a book that is absolutely of our times.

Updated, with new research and over 100 revisions Ten years later, they're still talking about the weather! Kate Fox, the social anthropologist who put the quirks and hidden conditions of the English under a microscope, is back with more biting insights about the nature of Englishness. This updated and revised edition of Watching the English - which over the last decade has become the unofficial guidebook to the English national character - features new and fresh insights on the unwritten rules and foibles of "squaddies," bikers, horse-riders, and more. Fox revisits a strange and fascinating culture, governed by complex sets of unspoken rules and bizarre codes of behavior. She demystifies the peculiar cultural rules that baffle us: the rules of weather-speak. The ironic-gnome rule. The reflex apology rule. The paranoid pantomime rule. Class anxiety tests. The roots of English self-mockery and many more. An international bestseller, Watching the English is a biting, affectionate, insightful and often hilarious look at the English and their society.

THE SUNDAY TIMES BESTSELLER 'HILARIOUS' Stylist 'DAZZLING' Marian Keyes 'WITTY' Guardian 'HEARTBREAKING' Dolly Alderton 'INCREDIBLE' Candice Carty-Williams Jenny is unloved, unemployable and emotionally unfiltered. Her long-suffering friends seem sick of her and whilst her social media portrays her life as a bed of roses, it is more of a dying succulent. Could things get any worse? Her mother is on her doorstep with a suitcase, and Jenny is about to find out... Adults is a 'hilarious and heartbreaking' (Red magazine) novel about living online and trying to find yourself in real life; a hymn to the power of female friendship and an essential read for you and every woman you know.

There is a world beyond the world It figures. Just when Bradfordian bookshop clerk, Toby Dexter, finally works up the nerve to talk to his secret crush, she darts into an open door. Toby follows, and in that second, everything changes. Though it still looks like Bradford-on-Avon, the town’s suddenly chatty ATM and river mermaids are the first clues that something is quite out of place—namely, Toby. The moment he stepped through that door, Toby entered the magical parallel world of Mysterie. Our ordinary dimension—the one Toby knew as Bradford-on-Avon—is actually Veritie, a mere shadow of its alter ego, Mysterie, where magic and myth, gods and monsters, living legends and walking nightmares reign. And Toby isn’t the only recent arrival. A cunning and vicious demon—The Serpent’s Son—has returned to Mysterie, accompanied by a malevolent new ally, intent on bringing down both dimensions. Toby can remain mortal, return to Veritie, and try to convince himself that he had a bad pint of bitter that night. Or he can stay in Mysterie, join forces with his new friends Leo Morn and his Brother Under The Hill, and try to stop The Serpent’s Son. The choices Toby makes will have dramatic consequences for both worlds. It may not be the first time Mysterie’s wars have spilled over into our reality, but if Toby fails, it could be the last. Simon R. Green, New York Times bestselling author of the Deathstalker series and the Nightside series, brings his trademark wit and inventiveness to his beloved hometown of Bradford-on-Avon, in this charming standalone urban fantasy novel.