Monday Night Politics

Change the world one trip at a time. In this illuminating collection of stories and lessons from the road, acclaimed travel writer Rick Steves shares a powerful message that resonates now more than ever. With the world facing divisive and often frightening events, from Trump, Brexit, and Erdogan, to climate change, nativism, and populism, there's never been a more important time to travel. Rick believes the risks of travel are widely exaggerated, and that fear is for people who don't get out much. After years of living out of a suitcase, he still marvels at how different cultures find different truths to be self-evident. By sharing his experiences from Europe, Central America, Asia, and the Middle East, Rick shows how we can learn more about own country by viewing it from afar. With gripping stories from Rick's decades of exploration, this fully revised edition of Travel as a Political Act is an antidote to the current climate of xenophobia. When we travel thoughtfully, we bring back the most beautiful souvenir of all: a broader perspective on the world that we all call home. All royalties from the sale of Travel as a Political Act are donated to support the work of Bread for the World, a non-partisan organization working to end hunger at home and abroad.

Before Game Change there was What It Takes, a ride along the 1988 campaign trail and “possibly the best [book] ever written about an American election” (NPR). Written by Pulitzer Prize–winning journalist and New York Times–bestselling author Richard Ben Cramer, What It Takes is “a perfect-pitch rendering of the emotions, the intensity, the anguish, and the emptiness of what may have been the last normal two-party campaign in American history” (Time). An up-close, in-depth look at six candidates—George H. W. “Poppy” Bush, Bob Dole, Joe Biden, Michael Dukakis, Richard Gephardt, and Gary Hart—this account of the 1988 US presidential campaign explores a unique moment in history, with details on everything from Bush at the Astrodome to Hart’s Donna Rice scandal. Cramer also addresses the question we find ourselves pondering every four years: How do presumably ordinary people acquire that mixture of ambition, stamina, and pure shamelessness that allows them to throw their hat in the ring as a candidate for leadership of the free world? Exhaustively researched from thousands of hours of interviews, What It Takes creates powerful portraits of these Republican and Democratic contenders, and the consultants, donors, journalists, handlers, and hangers-on who surround them, as they meet, greet, and strategize their way through primary season chasing the nomination, resulting in “a hipped-up amalgam of Teddy White, Tom Wolfe, and Norman Mailer” (Los Angeles Times Book Review). With timeless insight that helps us understand the current state of the nation, this “ultimate insider’s book on presidential politics” explores what helps these people survive, what makes them prosper, what drives them, and ultimately, what drives our government—human beings, in all their flawed glory (San Francisco Chronicle).

Political humor has been a staple of late-night television for decades. The Trump White House, however, has received significantly greater attention than that of past presidents, such as Barack Obama, George W. Bush, and even Bill Clinton. In response to Trump’s strident politics, late-night comics, including Stephen Colbert, Jimmy Kimmel, Trevor Noah and Jimmy Fallon, have sounded key policy notes, further blurring the boundary between news and satire. Weekly humorists, including John Oliver and Samantha Bee, extend the critique with in-depth probing of key issues, while Saturday Night Live continues to tap the progression from outrage to outrageousness. Using unique content analysis techniques and qualitative discussions of political humor, Farnsworth and Lichter show how late-night political humor, and these seven programs in particular, have responded to the Trump presidency. Employing a dataset of more than 100,000 late night jokes going back decades, these noted media scholars discuss how the treatment of Trump differs from previous presidents, and how the Trump era is likely to shape the future of political humor. The authors also employ public opinion survey data to consider the growing role these late-night programs play in framing public opinion and priorities. This book will interest scholars, the curious public, and students of politics, communications and the media, and contemporary American culture.

sharp satire of the presidential debate that changes the course of electoral politics (and the news business) forever--by Jim Lehrer, who has been a moderator of past presidential debates. The targets of this satire--religious fundamentalists, political handlers, self-important journalists, feral network programming heads--could not be more timely.

This book shows how late-night political comedy transformed from personality-focused humor to substantive critique. The analysis includes transcripts from Saturday Night Live, The Daily Show, and The Colbert Report during the presidential elections from 1980-2008, and newspaper commentary about them.

Does late night political humor matter? Are late-night comedians merely entertaining, or do they have the power to influence the way we think about politics and politicians? Politics Is a Joke! situates late night comedy in the historical context of political humor and demonstrates how the public turn to this venue for political information, and are in turn affected by it. Using exclusive data collected by the Center for Media and Public Affairs, the authors conduct a detailed and exhaustive analysis of political jokes on late night TV shows dating back to 1992 in order to pinpoint the main targets and themes of late-night comedy. Politics Is a Joke! uses a wide range of examples, from jokes about politicians' physical appearance and sex scandals to jokes about Congress and even the news media, to assess and understand the impact of political humor on political institutions, politicians and their policies and behavior. Engagingly written with analysis of jokes from comedians like Jay Leno, Conan O'Brien, Jon Stewart and Stephen Colbert, Politics is a Joke! is essential reading for anyone who wants to understand the crucial role late night comedy plays in our political universe - and anyone who enjoys a good laugh.

"For years, we were promised the Internet would make our politics more open and inclusive. And its influence has certainly been decisive: the 2016 election was debated, won, and lost on social media and the Internet. But with Facebook and Twitter embroiled in controversy over privacy issues, ongoing revelations about foreign interference through hacking and social media trolls, and coverage of controversial viral videos monopolizing the attention of the press, it's increasingly unclear whether the Internet is a benign public arena, let alone one for the public good. In Political Junkies, historian Claire Potter explains how we got here by situating today's online politics in a much longer history of new media technologies repurposed for political purposes, including independent newsletters, talk radio, direct mail, and cable television. Beginning in the 1950s, pioneers across the political spectrum, from I.F. Stone to Phyllis Schlafly, used these tools to create increasingly influential political media that were entrepreneurial, alarming, and sharply partisan. Simultaneously, traditional media outlets embraced the same technologies and expanded their ideas about what counted as political news. Cheap and free digital tools introduced in the 1990s simply further sped transformations already under way: email became an inexpensive form of direct mail, blogging updated the political newsletter for a wider audience, and YouTube, Facebook, and Twitter ads displaced vintage campaign commercials. The results were evident in the insurgent presidential campaigns of John McCain and Howard Dean, the hashtag activism of the early 2010s, and of course, the rise of Donald Trump. The Internet and social media made the populist insurgency of 2016 possible, but so too did a far longer transformation in our political media. In today's online world, political engagement has never been greater, but trust in political institutions and processes has never been more fragile. To understand why, Potter argues, we must avoid the shock of the present and look to history. For anyone lost in the online wilderness or the thread of some political argument, Political Junkies is essential reading for understanding how the Internet became the defining feature of 21st century politics"--

Sports and popular music are synergistic agents in the construction of identity and community. They are often interconnected through common cross-marketing tactics and through influence on each other's performative strategies and stylistic content. Typically only studied as separate entities, popular music and sport cultures mutually 'play' off each other in exchanges of style, ideologies and forms. Posing unique challenges to notions of mind - body dualities, nationalism, class, gender, and racial codes and sexual orientation, Dr Ken McLeod illuminates the paradoxical and often conflicting relationships associated with these modes of leisure and entertainment and demonstrates that they are not culturally or ideologically distinct but are interconnected modes of contemporary social practice. Examples include how music is used to enhance sporting events, such as anthems, chants/cheers, and intermission entertainment, music that is used as an active part of the athletic event, and music that has been written about or that is associated with sports. There are also connections in the use of music in sports movies, television and video games and important, though critically under-acknowledged, similarities regarding spectatorship, practice and performance. Despite the scope of such confluences, the extraordinary impact of the interrelationship of music and sports on popular culture has remained little recognized. McLeod ties together several influential threads of popular culture and fills a significant void in our understanding of the construction and communication of identity in the late twentieth and early twenty-first centuries.

The classic New York Times bestseller by Senator Al Franken, author of Giant of the Senate Senator Al Franken, or Dr. Al Franken, as he prefers to be called, has written the first truly indispensable book of the new millennium. Filled with wisdom, observations, and practical tips you can put to work right away, Oh, the Things I Know! is a cradle-to-grave guide to living, an easy-to-follow user's manual for human existence. What does a megasuccess like Al Franken—bestselling author, Emmy-award winning television star, sitting U.S. Senator, and honorary Ph.D.—have to say to ordinary people like you? Well, as Dr. Al himself says, "There's no point in getting advice from hopeless failures." Join Mr. Franken—sorry, Dr. Franken—on a journey that will take you from your first job ("Oh, Are You Going to Hate Your First Job!"), through the perils and pitfalls of your twenties and thirties ("Oh, the Person of Your Dreams vs. the Person You Can Actually Attract!"), into the joys of marriage and parenthood ("Oh, Just Looking at Your Spouse Will Make Your Skin Crawl!"), all the way to the golden years of senior citizenship ("Oh, the Nursing Home You'll Wind Up In!"). Don't travel life's lonesome highway by yourself. Take Al Franken along, if not as an infallible guide, then at least as a friend who will make you laugh.