Mk Gandhi Media Politics And Society

This Palgrave Pivot showcases new research on M.K. Gandhi or Mahatma Gandhi, and the press, telegraphs, broadcasting and popular culture. Despite Gandhi being the subject of numerous books over the past century, there are few that put media centre stage. This edited collection explores both Gandhi’s own approach to the press, but also how different advocacy groups and the media, within India and overseas, engaged with Gandhi, his ideology and methodology, to further their own causes. The timeframe of the book extends from the late nineteenth century up to the present, and the case studies draw inspiration from a number of disciplinary approaches.

This book explores Gandhi’s engagement with print news media. It examines how Gandhi, the man and his message, negotiated with the sociopolitical circumstances of his milieu and the methods of communication that he adopted towards this end. It analyses the role that he played in building up alternative modes of communication in South Africa and India. This volume elucidates his interactions with the colonial communication order and his contestations of the same through various methods that included setting up new journals and newspapers and taking on the role of writer, journalist, editor, and publisher. It unveils Gandhi’s engagement with mass media and print journalism, particularly concerning issues of conflict and conflict resolution, as well as social transformation right from his days in London to the last days of his life. A significant contribution to scholarship on Mahatma Gandhi, this volume will be of great interest to scholars of politics, media and cultural studies, history, and South Asian studies.

This book documents the journalistic career of Mohandas K. Gandhi. Known as the Mahatma and the Father of India, Gandhi was also a journalist. The book looks at other media tools Gandhi used to transmit his messages to the public, including his recorded voice for gramophone.

During his campaign against racism in South Africa, and his involvement in the Congress-led nationalist struggle against British colonial rule in India, Mahatma Gandhi developed a new form of political struggle based on the idea of satyagraha, or non-violent protest. He ushered in a new era of nationalism in India by articulating the nationalist protest in the language of non-violence, or ahisma, that galvanized the masses into action. Focusing on the principles of satyagraha and non-violence, and their evolution in the context of anti-imperial movements organized by Gandhi, this fascinating book looks at how these precepts underwent changes reflecting the ideological beliefs of the participants. Assessing Gandhi and his ideology, the text centres on the ways in which Gandhi took into account the views of other leading personalities of the era whilst articulating his theory of action. Concentrating on Gandhi’s writings in Harijan, the weekly newspaper he founded, this volume provides a unique contextualized study of an iconic man’s social and political ideas.

Comprising of 14 chapters, Gandhi, the Communicator deals with Gandhian ideals based on the author’s study of the Mahatma at the Gandhi Museum, Rajkot in Gujarat. The chapters are named after truth, celibacy, control of the palate, ahimsa, removal of untouchability, non-possession (aparigraha), abhay (fearlessness), asteya (non-stealing), zaat-mehnat (bread labour), equality of religions (sarva dharm sambhaav or tolerance) and swadeshi. Gandhiji was inspired by four main thinkers – Leo Tolstoy on whose name he even named one of his farms, John Ruskin, Henry David Thoreau and Gopal Krishna Gokhale.

The present work enquires into a largely unexplored area in social sciences, namely, the interaction of politics, symbols and culture, in both theoretical and applied perspectives. Making subtle analytical distinctions between the 'symbolist' and the 'symbolic' and between 'symbols in polities' and 'political symbols', the study reinterprets gandhian philosophy and praxis in terms of 'political symbolism. The study ably brings out how the shift in perspective--from the received western worldview to a 'rooted' point of view--might alter the fundamental categories, methodology and self-understanding of a society in its own setting and relatedness to the outer world. The book contends that Gandhi questions not only the 'bow' of the 'liberal-industrial-capitalist' combine but also the 'why' of their superimpositions on the non-west. To address the gandhian alternative is, thus, to address and confront the challenging ethos of our times in relation to both our heritage and the current options at our disposal.

Gandhi, with his loincloth and walking stick, seems an unlikely advocate of postmodernism. But in Postmodern Gandhi, Lloyd and Susanne Rudolph portray him as just that in eight thought-provoking essays that aim to correct the common association of Gandhi with traditionalism. Combining core sections of their influential book Gandhi: The Traditional Roots of Charisma with substantial new material, the Rudolphs reveal here that Gandhi was able to revitalize tradition while simultaneously breaking with some of its entrenched values and practices. Exploring his influence both in India and abroad, they tell the story of how in London the young activist was shaped by the antimodern “other West” of Ruskin, Tolstoy, and Thoreau and how, a generation later, a mature Gandhi’s thought and action challenged modernity’s hegemony. Moreover, the Rudolphs argue that Gandhi’s critique of modern civilization in his 1909 book Hind Swaraj was an opening salvo of the postmodern era and that his theory and practice of nonviolent collective action (satyagraha) articulate and exemplify a postmodern understanding of situational truth. This radical interpretation of Gandhi's life will appeal to anyone who wants to understand Gandhi’s relevance in this century, as well as students and scholars of politics, history, charismatic leadership, and postcolonialism.

In Nostalgia and Political Theory, Lawrence Quill advocates the central importance of nostalgia as a theoretical response to the ‘historic’ past and a vertiginous present. He does so by offering detailed analyses of diverse theoretical approaches, from the ancient world to the modern day, in order to reassess the relation between nostalgia and politics. Quill proposes nostalgia as an organizing concept, silently (and not so silently) influencing theorists as they construct critiques of the present or visions of the political future. Nostalgia and Political Theory surveys key contributions to nostalgic and antinostalgic thinking from across the political spectrum. Assessing the influence of photography, radio, television, and personal computing on changing conceptions of the past, Quill also considers the relation between populism, nationalism, and nostalgia. By challenging those who would dismiss nostalgia as irrational or a symptom of cultural malaise, Quill concludes by advancing the case for a liberal theory of nostalgia. Nostalgia and Political Theory will be of interest to scholars and students in the fields of political theory, social theory, sociology, philosophy, political science, memory studies, and nostalgia studies.