Michael Stipe

“Michael Stipe’s photo-journal of Patti Smith’s celebrated return to touring . . . Patti’s image burns into pictures with weird radioactive mystery.” —Spin This book comprises Michael Stipe’s intimate and evocative photos of Patti Smith on tour in 1995, along with other cultural celebrities who appeared with her, such as Allen Ginsberg. In addition to text by Stipe, William S. Burroughs, and Patti Smith, there is also commentary from Thurston Moore, Kim Gordon, Lenny Kaye, Tom Verlaine, and more. “This isn’t a traditional book of portraits . . . The overwhelming mood is one of disjunction, claustrophobia, exhaustion, temporariness—and the effect is raw and intimate.” —Publishers Weekly “An energetic and gracious tribute to not only a great artist, but also to a powerful moment in her oeuvre—and to those who contributed to it and shared in it.” —New York Journal of Books “Stipe’s personal friendship lends something greater to the overall vision of this book. It isn’t simply a set of snapshots of performances, but rather a collection of rare moments. The personal nature of the anthology makes it all the more enticing and enjoyable. Smith, in all her glory and awe-inspiring talent, is portrayed in the truest light.” —Verbicide Magazine “A fascinating book . . . including appearances by Allen Ginsberg, Gregory Corso, Tom Verlaine, the members of Sonic Youth and more . . . and the short text tributes to Smith by these people, scattered throughout the manuscript, are well worth your time.” —Chicago Center for Literature and Photography

Michael Stipe is one of the recognisable faces in rock and he has been the lead singer of REM, one of Indie rock's biggest success stories of the 1980s. This book explores his early years as the child in a military family, his early love of punk and photography, and the drive behind one of the hardest working men in music.

The Haiku Year exists because seven friends made a pact to write haikus every day for a year as a way to keep in touch with each other. The finished product is a document of a year’s worth of moments filled with joy, sorrow and unexpected beauty. The book y creates the sense that present moments do not just disappear and provides a visceral understanding of how these moments fit into the context of the rest of our lives. The short verses in Haiku Year stab and elate. They hint at both the transcendence and mediocrity of everyday life. The power of Michael Stipe’s southern, twilight drenched lyrics from early REM albums is present in the volume. Douglas A. Martin’s sparse yet descriptive prose gleams throughout. The thoughtful storytelling of Grant Lee Phillips is pared down to the simplest words to describe an instance. The Haiku Year is about the appreciation of small moments of beauty, ultimately adding up to the appreciation and respect not only for our individual lives but for all the lives that intersect with ours. The Haiku Year effortlessly urges readers to enjoy details and to let spare moments pierce through the numbness of everyday routine.

Whether his target is the war between the sexes or his fellow playwright Euripides, Aristophanes is the most important Greek comic dramatist—and one of the greatest comic playwrights of all time. His writing—at once bawdy and delicate—brilliantly fuses serious political satire with pyrotechnical bombast, establishing the tradition of comedy as high art. His messages are as timely and relevant today as they were in ancient Greece, and his plays still provoke laughter—and thought. This volume features four celebrated masterpieces: Lysistrata, The Frogs, The Birds, and The Clouds, translated by three of the most distinguished translators and classicists of our time.

Covers those bands and artists who have rejected the mainstream in favor of innovation, originality and the pursuit of their own unique musical identity.

Written by Virginia Grohl, the mother of Dave Grohl—former Nirvana drummer and current frontman for the Foo Fighters—From Cradle to Stage shares stories and exclusive photos featuring mothers of rock icons, the icons themselves, and their Behind the Music-style relationships While the Grohl family had always been musical-the family sang together on long car trips, harmonizing to Motown and David Bowie-Virginia never expected her son to become a musician, let alone a rock star. But when she saw him perform in front of thousands of screaming fans for the first time, she knew that rock stardom was meant to be for her son. And as Virginia watched her son's star rise, she often wondered about the other mothers who raised sons and daughters who became rock stars. Were they as surprised as she was about their children's fame? Did they worry about their children's livelihood and wellbeing in an industry fraught with drugs and other dangers? Did they encourage their children's passions despite the odds against success, or attempt to dissuade them from their grandiose dreams? Do they remind their kids to pack a warm coat when they go on tour? Virginia decided to seek out other rock star mothers to ask these questions, and so began a two-year odyssey in which she interviewed such women as Verna Griffin, Dr. Dre's mother; Marianne Stipe, Michael Stipe of REM's mother; Janis Winehouse, Amy Winehouse's mother; Patsy Noah, Adam Levine's mother; Donna Haim, mother of the Haim sisters; Hester Diamond, Mike D of The Beastie Boys' mother. With exclusive family photographs and a foreword by Dave Grohl, From Cradle to Stage will appeal to mothers and rock fans everywhere.

Robert Dean Lurie’s biography is the first completely researched and written since R.E.M. disbanded in 2011. It offers by far the most detailed account of their formative years—the early lives of the band members, their first encounters with one another, their legendary debut show, touring out of the back of a van, initial recordings, their shrewdly paced rise to fame. The people and places of ‘the South’ are crucial to the R.E.M. story in ways much more complex and interesting than have been presented thus far, says Lurie, who explores the myriad ways in which the band’s adopted hometown of Athens, Georgia, and the South in general, have shaped its members and the character and style of their art. The South is more than the background to this story; it plays a major role: the creative ferment that erupted in Athens and gripped many of its young inhabitants in the late 70s and early 80s drew on regional traditions of outsider art and general cultural out-thereness, and gave rise to a free-spirited music scene that produced the B-52’s and Pylon, and laid the ground for R.E.M.’s subsequent breakout success. Lurie has tracked down and interviewed numerous figures in the band’s history who were under-represented in or even absent from earlier biographies, and they contribute previously undocumented stories as well as casting a fresh light on the familiar narrative.

An album-by-album account of working with iconic artists such as Anthony Kiedis, Michael Stipe, Gord Downie, and Bono, from a leader in the field Mark Howard, a record producer/engineer/mixer and a trailblazer in the industry, will take you through the star-studded world of recording and producing Grammy Award–winning artists. Listen Up! is an essential read for anyone interested in music and its making. Along with the inside stories, each chapter gives recording and producing information and tips with expert understanding of the equipment used in making the world’s most unforgettable records and explanations of the methods used to get the very best sound. Listen Up! is both production guide and exclusive backstage pass into the lives of some of the planet’s most iconic musicians. Writing with his brother Chris Howard, Mark Howard provides a rare glimpse into the normally invisible, almost secretive side of the music story: that of the producer and recording engineer.

15 years ago, peaches exploded onto the scene with the single Fuck the Pain Away.' Since 2000, Peaches has become a symbol of progressive (and transgressive) pop culture, shattering gender stereotypes, promoting sex positivity and constantly pushing through boundaries of art and performance. WHAT ELSE IS IN THE TEACHES OF PEACHES presents a mesmerising collection of Holger Talinski's evocative and sometimes erotic photos of transgressive musical icon Peaches, on and off stage, with accompanying commentary from Michael Stipe, Yoko Ono and Ellen Page.'